There are beautiful women in northern Jiangsu
Chapter 131 near the water tower
Chapter 131 near the water tower
"I joined the photography association in university, and gradually discovered the joy of photography. Every time I go out to collect scenery, I can see different scenery and different people. Sometimes the haze in my heart will disappear in the scenery. It has opened up a lot.
Gradually, I fell in love with photography, and every time I went out to collect scenery, it gave me inspiration for painting, and I did not give up painting. "
Hearing him mention the Photography Association, Su Bei remembered his trip to Xi'an Design University.
She walked side by side with Ji Huaiqing, talking and laughing came into his mind again, he wanted to ask her if it was because of Ji Huaiqing that she fell in love with photography, but he knew he couldn't ask, so he could only say this paragraph abruptly The words are in the bottom of my heart.
"Grandpa knows, he should be very happy."
When Su Zeyou missed Gu Jianing these years, he called Su Bei, trying to inquire about Gu Jianing's recent situation.
But how did Su Bei know?
He doesn't know Gu Jianing as much as his grandfather, at least Gu Jianing will visit him every winter and summer vacation.
She deliberately avoided him every time.
So for Su Zeyou's question, Su Bei could only choose to be silent.
Every time at this time, Su Zeyou would hate iron and steel and say that he didn't catch up with his girlfriend so close to him.
Su Bei became more and more silent, and he didn't know how he lost her.
Mentioning Su Zeyou, Gu Jianing felt a warm current in his heart. After thinking about it, he hadn't visited his old man for a long time. He tilted his head and looked at Su Bei, "Let's find a time to visit grandpa before the wedding."
There was a smile in the corner of Su Bei's eyes, "After we finish going to Beicheng, let's go to Xi'an again."
Gu Jianing knew what Su Bei meant. He wanted to visit his grandparents with him. This was his wish, and she understood.
It's just that although the plan was made, Su Bei and Gu Jianing failed to make the trip in the end.
This time, I went to an archipelago in the East China Sea. The people living on the island are traditional fishermen with simple folk customs. The planned time is about ten days, but they don’t want the weather to change suddenly. The first day they arrived on the island was still windy. It started to rain the next day, and then it was rainy and foggy for more than a week. Not to mention taking pictures, even the boats out of the island stopped.
After Gu Jianing and Ji Huaiqing lived on the island for eight or nine days, the weather cleared up again, and they picked up their cameras to take pictures.
After the storm, the sea level was unusually calm, and the sun shone down with sparkling waves.
Fishermen also drove fishing boats into the sea to fish.
Ji Huaiqing and Gu Jianing have the same style of photography. They never just take pictures of simple scenery, but integrate the cultural landscape of local residents' production and labor.
They feel that such photos have the power to directly hit the soul.
The weather was good, and their efficiency in taking pictures was much higher. In two days, they took satisfactory pictures and completed the shooting task on the archipelago.
After the end, they left the island by boat and came to the village on the shore. Just after the Qingming Festival, spring plowing was coming, and the fields were full of labor scenes.
The two walked from the paddy fields to the hills all the way, from planting seedlings in Pai paddy fields to picking in Pai tea gardens.
In the paddy field, the farmers bent down again and again to insert the seedlings into the paddy field. The tender seedlings that took root in the water showed the tension of life.
On the hills, a ridge of tea trees is verdant and verdant. Tea farmers walk among the ridges with bamboo baskets on their backs to pick spring tea. Every tender leaf condenses the essence of heaven and earth, and contains the painstaking efforts of the tea farmers.
After another five or six days of delay here, the two took satisfactory photos.
(End of this chapter)
"I joined the photography association in university, and gradually discovered the joy of photography. Every time I go out to collect scenery, I can see different scenery and different people. Sometimes the haze in my heart will disappear in the scenery. It has opened up a lot.
Gradually, I fell in love with photography, and every time I went out to collect scenery, it gave me inspiration for painting, and I did not give up painting. "
Hearing him mention the Photography Association, Su Bei remembered his trip to Xi'an Design University.
She walked side by side with Ji Huaiqing, talking and laughing came into his mind again, he wanted to ask her if it was because of Ji Huaiqing that she fell in love with photography, but he knew he couldn't ask, so he could only say this paragraph abruptly The words are in the bottom of my heart.
"Grandpa knows, he should be very happy."
When Su Zeyou missed Gu Jianing these years, he called Su Bei, trying to inquire about Gu Jianing's recent situation.
But how did Su Bei know?
He doesn't know Gu Jianing as much as his grandfather, at least Gu Jianing will visit him every winter and summer vacation.
She deliberately avoided him every time.
So for Su Zeyou's question, Su Bei could only choose to be silent.
Every time at this time, Su Zeyou would hate iron and steel and say that he didn't catch up with his girlfriend so close to him.
Su Bei became more and more silent, and he didn't know how he lost her.
Mentioning Su Zeyou, Gu Jianing felt a warm current in his heart. After thinking about it, he hadn't visited his old man for a long time. He tilted his head and looked at Su Bei, "Let's find a time to visit grandpa before the wedding."
There was a smile in the corner of Su Bei's eyes, "After we finish going to Beicheng, let's go to Xi'an again."
Gu Jianing knew what Su Bei meant. He wanted to visit his grandparents with him. This was his wish, and she understood.
It's just that although the plan was made, Su Bei and Gu Jianing failed to make the trip in the end.
This time, I went to an archipelago in the East China Sea. The people living on the island are traditional fishermen with simple folk customs. The planned time is about ten days, but they don’t want the weather to change suddenly. The first day they arrived on the island was still windy. It started to rain the next day, and then it was rainy and foggy for more than a week. Not to mention taking pictures, even the boats out of the island stopped.
After Gu Jianing and Ji Huaiqing lived on the island for eight or nine days, the weather cleared up again, and they picked up their cameras to take pictures.
After the storm, the sea level was unusually calm, and the sun shone down with sparkling waves.
Fishermen also drove fishing boats into the sea to fish.
Ji Huaiqing and Gu Jianing have the same style of photography. They never just take pictures of simple scenery, but integrate the cultural landscape of local residents' production and labor.
They feel that such photos have the power to directly hit the soul.
The weather was good, and their efficiency in taking pictures was much higher. In two days, they took satisfactory pictures and completed the shooting task on the archipelago.
After the end, they left the island by boat and came to the village on the shore. Just after the Qingming Festival, spring plowing was coming, and the fields were full of labor scenes.
The two walked from the paddy fields to the hills all the way, from planting seedlings in Pai paddy fields to picking in Pai tea gardens.
In the paddy field, the farmers bent down again and again to insert the seedlings into the paddy field. The tender seedlings that took root in the water showed the tension of life.
On the hills, a ridge of tea trees is verdant and verdant. Tea farmers walk among the ridges with bamboo baskets on their backs to pick spring tea. Every tender leaf condenses the essence of heaven and earth, and contains the painstaking efforts of the tea farmers.
After another five or six days of delay here, the two took satisfactory photos.
(End of this chapter)
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