if relics could talk

The next day was not a working day. Originally, Tao Le and the others did not plan to work on weekends, but the cultural relics restorers only have time on weekends. The things to be determined on this day are very important, so no one can take care of rest up.

Not only did Yi Xuzhi, Zhu Jiaxin, and Zhu Bingcheng come over this day, but also the cultural relics determined according to the theme of the first act, as well as the parts that needed Lao Tao and Jiang Zhaohe to take action.

Jiang Zhaohe usually goes to bed early at night and lives a relatively regular life. Tao Le didn't call him on an occasion like yesterday. He didn't expect that when he came here today, the old man's displeasure was written all over his face.

"What's the matter with Xiao Ba?" Jiang Zhaohe stomped his walking stick as he sat down, "Why didn't you call me on Xiao Qin's birthday?"

"Then it's already very late when we finish work. Don't you just go to bed after watching the news broadcast?" Tao Le went over to plead guilty, "I don't want to disturb your rest. I'm sorry, grandpa!"

Of course Jiang Zhaohe would not be really angry with her, but Qin Yi had already walked over, squatted beside Tao Le, looked up at Jiang Zhaohe and explained: "Mr. Jiang, I was wrong this time, I haven't seen you for a long time. "

"You're still called Teacher Jiang?"

Yi Xuzhi, who had already arrived first, was walking out of the reception area, ready to greet Jiang Zhaohe, when he heard this sentence, Yi Xuzhi's footsteps stopped.

Then I heard Qin Yi say: "In terms of work, qualifications, and seniority, of course I have to call you Mr. Jiang, but when it comes to talking about it since I was a child, do I have to call you Grandpa?"

Only then did Jiang Zhaohe let them go with a smile.

Old Tao watched from the sidelines and dared not speak out. Before going out to pick up the old man today, Jiang Youmei specifically told him to keep his mouth shut and not to make the old man unhappy.

Originally, Lao Tao was at the bottom of the food chain in this family. Although he was not that satisfied with Qin Yi, as long as he and Tao Le got married, the bottom position should be given to him.

He never expected that this kid took care of the old man first, and now he has the old man protecting him in everything he does.

The bottom layer is Lao Tao.

Fortunately, this kid Qin Yi can still read people's faces, he still respects Lao Tao very much, and sometimes he comes out to rescue him.

Although Lao Tao didn't admit it, he felt quite comfortable in his heart.

His delicate mood towards Qin Yi is probably the same as that of the old man.

Yi Xuzhi and the others came up to greet the old man at this time.

"Mr. Jiang, long time no see. You are quite strong."

The first person to say hello was Zhu Jiaxin. Although she was young, when she came to the restoration room, the old man had already retired, but he was hired back to guide young people back then. He has a good personality and everyone likes him very much.

"Jiaxin, she's much prettier again," the old man looked at her with a smile, "You've done really well in the past two years, professional ability is more beautiful than appearance!"

Zhu Jiaxin beamed at his praise: "When it comes to complimenting people, Teacher Jiang will praise!"

Yi Xuzhi has always had a relatively silent personality. From what he heard just now, he probably guessed the relationship between Tao Le and Qin Yi now. He really couldn't pretend to be very happy, so he just nodded to Jiang Zhaohe as a greeting .

On the contrary, it was Zhu Bingcheng, who had heard of Jiang Zhaohe's name in school, and even brought Jiang Zhaohe's academic research book over to ask him to sign it.

This made the old man very happy, and everyone chatted for a long time before getting into the theme.

Yi Xuzhi's T-shaped silk painting has been re-engraved. He has been in close contact with Yu Yu during the creation of this re-engraved cultural relic, so after the completion of the entire work, it is very similar to the original cultural relic.

The whole silk painting was placed on the big table in the conference room, and everyone gathered around to admire it.

It was also the first time Zhu Jiaxin saw her. She stretched out her hand and then retracted it, asking, "Can I touch it?"

Yi Xuzhi said, "Then I have to ask Xiao Ba."

Tao Le said with a smile: "Our stage play this time mainly tells the story of these cultural relics in the time they were produced. They are originally daily necessities. Of course they can be touched, and our actors will also have to touch them when the time comes."

However, the T-shaped silk painting was not an item used by Mrs. Xin Zhui after all, so when it was displayed, Mrs. Xin Zhui had passed away.

Zhu Jiaxin touched it and began to admire: "It's really exquisite."

"It's thanks to Yu Yu." Yi Xuzhi was not greedy for credit, and he brought the topic to Yu Yu, "You can look at Yu Yu's reproduction of the plain gauze singlet and the vermilion Luoqi cotton gown, which require exquisite workmanship. A replica that can only be completed with great skill.”

Especially plain gauze single clothes, how to make them as thin as the wings of the original cultural relics really needs a lot of effort.

Tao Le and Yu Yu went up together, and took down the plain gauze singlet and the vermilion Luoqi cotton gown from the third floor. At this time, the T-shaped silk painting had been put away, and it could just be displayed on the table.

Regarding plain yarn unlined clothing, there have always been some controversies about the use methods.

For example, because it is highly transparent, some people believe that it is a sexy underwear that makes the body faintly visible after wearing it, and it is Xin Zhui's outfit to please her husband and flatter her.

However, most scholars believe that this is a decorative garment. In order to highlight the distinctive soft and elegant temperament, the tomb owner who loves beauty deliberately put a toga with large sleeves on the outside of the colorful brocade robe.The thin and transparent single clothes make the brocade decorations faintly visible, thus bringing out the magnificence and dignity of the brocade clothes.

Of course, some scholars believe that it is the blouse worn by women in ancient times when they got married. The argument is that the neckline and cuffs of the plain gauze single gown have crimson brocade edges, which is in line with the blouse worn by women at weddings when they got married. Therefore, it should be one of the wedding dresses worn by ancient women.

Tao Le uses the third method in the script.

Everyone here is an expert, no need to introduce, everyone understands.

But Tao Le still explained one more sentence: "Although the real use of plain gauze single clothes has always been controversial, this dress was used as a funeral object until Mrs. Xin Zhui passed away, which proves that Mrs. Xin Zhui must have liked it very much during her lifetime. So I want to link it with Mrs. Xin Zhui's wedding, and from the perspective of the stage show, it is easier to arouse the audience's interest."

Of course, everyone has no opinion.

Next it was the turn of Jiang Zhaohe and Lao Tao.

"This is a replica of the double-layer nine son's dome that I made," Jiang Zhaohe said first, "but I still have to ask Xiao Zhang to paint it, and it will be finished in the end."

Lao Tao also said: "I have reproduced this Wuzi dowry grate and comb, and it still needs to be painted before it can be considered complete."

"Then I'll ask Uncle Zhang to come out of the mountain to help." Tao Le turned to look at Zhu Jiaxin and Zhu Bingcheng, "Teachers, I still need to reproduce the bronze mirror unearthed from Mawangdui Han Tomb No. [-], so I can only work hard for you. "

"no problem."