if relics could talk

Chapter 121 Copying and Authentic Works

Everyone's work is proceeding in an orderly manner.

Tao Le was not in the studio all day, so she first went to show Zou Han the revised script of the second act. Under his guidance, she revised it on the spot, which is considered to have completed the phased work , and then I can devote myself to the script writing of the third act.

After finishing all this, she went to Yu Yu's shop specially, and tried on the clothes that had come out together with her. After everything was done, it was dark.

Yu Yu had to stay in the store until Chao Xinzhou finished the meeting to discuss with her about the next batch of fabrics, while Tao Le took a taxi home by himself.

Qin Yi didn't let her take a break to focus on work, but he was a double standard. When she came back, he was always editing films.

As soon as Tao Le entered the door, he saw him frantically pretending that he was not at work, and couldn't hold back a "puchi" laugh.

Qin Yi knew that he couldn't hide anymore, so he wanted to hide it and called up a video interface to show her: "Here, I was thinking about what to eat tonight."

Tao Le leaned over to look, and the huge title on it read: Three Immortal Ways to Eat Wontons!Spicy mixed wonton dumplings, so delicious that they fly~

She couldn't help it anymore, and rolled into the sofa laughing.

To make a lie, Qin Yi actually made wontons in sour soup tonight. Although it's not always good to eat strong flavors, Tao Le couldn't eat them without such strong flavors in such a hot day.

Just to let her eat two more bites, Qin Yi can be said to have broken his heart.

After the meal, Tao Le asked directly: "What did you cut, you are so absorbed in it, let me have a look too."

After acting for such a long time, he was ruthlessly exposed in the end.

Qin Yi stopped struggling, and gave her the main seat in front of the computer: "Actually, I didn't cut much. I was watching the original film. I have to say that the work of these teachers is really amazing. It should really let more people see."

In the video, Li Bocai and Yi Xuzhi are doing the "replenishment" step.

Both of them were wearing very ordinary clothes. In order to prevent the clothes from getting dirty, both the master and the apprentice wore aprons for cooking, which looked kind of cute.

"Supplement" is the step after "exposing".

After the old life paper is peeled off, take a brand new life paper to support the painting core, the missing parts on the painting core should be filled, and the broken parts should be pasted with folding strips.

"Ms. Li said that the methods of repairing paper and silk are not the same."

Tao Le looked at it and asked, "Why is it different?"

"The paper is a concealed supplement," Qin Yi explained to her, "After the life paper has finished supporting the painting core, it is placed on the perspective table. This is the first time I have seen the perspective table, and this is it."

Qin Yi pointed to the perspective platform in the video and showed it to Tao Le.

There is a light tube under the perspective table. After turning on the light, you can see where it is missing. Find the same paper with the same thickness. After filling it, put the life paper on top.

"This job is really not easy," Qin Yi said with emotion, "After finishing, the outside has to be scraped, and the contact surface has to be scraped into a slope, and there should be no hard protrusions, otherwise the painting core will be damaged after being rolled up. .”

"It's really meticulous work."

In the video, Yi Xuzhi is saying to Xiaobai outside the screen: "In our profession, when we first enter the profession, we must first practice the basic skills. The basic skills are to practice scraping paper, so that we can repaint at this time."

While working, Li Bocai introduced: "If it is a silk book, it should be mended first and then put on. First use silk to mend it, and then put it on with life paper. It still needs to be scratched, otherwise it will be thicker than the paper book."

Tao Le noticed that the clothes of Li Boxai and Yi Xuzhi changed in the following part.

"This was filmed over several days?"

"For several days, they took a very long time for one step." Qin Yi really admired them very much, "Our machine has been set up there, and it can record it very clearly. They really didn't waste any time. There is no rest time, and I have to run to the bathroom."

This batch of restored cultural relics has to catch up with the special exhibition, and the time is a little tight. All cultural relic restorers are working very hard to catch up with the progress on the premise of ensuring the quality of the restoration.

"After the calligraphy and painting are mended, it will be full color."

Qin Yi told Tao Le: "There is something missing in the picture of the ancient painting they are restoring, which leads to the loss of painting meaning. Next, it will be handed over to the copying room to continue to take over the painting."

Tao Le asked: "Are you going to transfer to the copying room again next time? Mr. Mei Hanhai, the leader of the copying group, is not very familiar with my father, but I went to see Brother Xu once, just in time for him and Li Uncle robs people."

"Is it Yi Xuzhi who robbed him?"

"Yes," Tao Le was still a little proud, "Brother Xu Zhi is so good at painting, you have also seen it. Did he reproduce the previous "Mrs. Guo Guo's Outing in Spring" very well?"

"of course."

Anyone who has completed video shooting together before knows how proficient Yi Xuzhi's professional ability is.

Qin Yi said: "So the next step is to hand it over to the imitation group, and Teacher Mei Hanhai came to ask Teacher Li to borrow someone."

Tao Le laughed for a moment: "It seems that brother Xu Zhi still can't rest."

"He really can't stop," Qin Yi dragged the progress bar, "He also wants to go, otherwise don't worry."

Even without the toss of war, the storage time of calligraphy and painting scrolls is limited, and the preservation of originals in the form of copying has been valued since the Eastern Jin Dynasty.

Throughout the ages, court painters copied ancient paintings.

In the period of Emperor Huizong of the Song Dynasty, royal painters were organized to copy a large number of famous relics of the previous dynasty. Later, the "Luo Shen Fu Tu" and "Lie Nu Tu" handed down to the world were only known to later generations based on the copied works of the Song Dynasty.

"Yi Xuzhi said that the copying of ancient paintings is actually a process of re-creation. Not only does one have to concentrate on studying every starting and ending of the brush, but also master the style of brushwork and color use, so as to get closer to the original."

Tao Le said: "Fortunately, I saw it today. These can be of great help to my script."

"How to say?"

"The story of my third act happened to be a copy of an ancient painting."

"Didn't I hear you say last time that you planned to tell the story of "The Eighty Years of the Empress Dowager Chongqing"?"

"Of course I have to talk about it, but it's not just about it. Ancient calligraphy and paintings meet, and maybe there are some stories that they want to communicate...or even compare."

"Comparison?" The word used here is really fresh.

"It's just a comparison. The emperors of the past dynasties have different aesthetics. They may all think that the other party is ugly." Tao Le laughed, "Protecting my own dynasty, I feel that I am the most exquisite."

"This idea is really interesting."

"That's why I also thought about using the copied cultural relics to quarrel with the real ones," Tao Le squeezed his fingertips, and quickly put his thoughts into words, "That's what they really want to say, Not what I want them to say!"

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