if relics could talk

"Uncle, is it really impossible to copy it?"

Zou Han nodded lightly and said, "But you can ask Uncle Tao about this matter."

It is true that cultural relic restorers and archaeologists have not been able to reproduce enough "beast-face pattern dragon flow" that is fake enough. This is what Tao Le consulted and understood repeatedly when writing his lines.

The climax of this stage play is always unexpected.

When the lights went out and the lights were on, all the museum-like furnishings on the stage disappeared.

Instead, there is a full set of chime bells from Marquis Yi of Zeng that appeared on the stage at some point in time.

In the Bronze Age around the 21st century BC, our ancestors created a large number of bronze musical instruments, including cymbals, gongs, bells, etc. Among them, the bell is the most musical instrument and occupies an important position in the history of music in our country.

The Zhou Dynasty divided them into eight categories based on the material of the musical instruments: gold, stone, silk, bamboo, gourd, soil, leather, and wood, collectively called "eight tones".

Chime bells belong to gold, occupy the first place, and are the leading musical instruments in the band.

A group of musicians, wearing Zhou-made Hanfu, sat in front of their instruments and played this huge chime.

Of course, musicians don't just play chimes.

When the tomb of Marquis Yi of Zeng 1978 years ago was excavated in 2400, more than [-] pieces of ritual vessels and musical instruments were unearthed. The funerary musical instruments, mainly chimes and bells, truly reflect the identity of the tomb owner's status as a prince of the Zhou Dynasty and the ritual system for enjoying utensils.

In addition to the chime bells of Marquis Yi of Zeng, a total of 125 musical instruments including chime, drum, qin, se, sheng, chi, and pan flute were unearthed from the tomb. Long time new discoveries.

Even Lao Tao exclaimed: "She actually invited so many performers?"

Tao Le went to the museum to ask for this set of replicas of Zeng Hou Yi's chime bells, something Lao Tao and the others knew.

At first, including Jiang Zhaohe and Zou Han, all relevant experts thought that Tao Le wanted to move this replica to the stage so that the audience could see it more intuitively and achieve the effect of admiring them.

But at that time, Lao Tao was actually thinking in his heart, since they have used holographic projection technology to enlarge the entire cultural relic in mid-air, so that audiences in various positions can clearly see it, then put the replica on the stage for display , the shock effect has actually been halved.

After all, only the audience in the front row can see their details up close.

Unexpectedly, Tao Le invited so many performers!

She wants to fully reproduce the music she played back then on stage!

The combination of musical instruments unearthed from the tomb of Marquis Yi of Zeng is divided into two parts. The middle room is mainly composed of bells and chimes, together with various wind, plucked and percussion instruments. Mainly, a total of 115 pieces are used to play bedroom music.

The on-site commentator went offline, and the subtitles on the scrolling screen were also cleared.

All forms of popular science have disappeared.

Music should be pure enjoyment.

At this time, all the audience was completely silent.

In fact, few of the audience at the scene really knew music or chime bells.

Among them, there are fans of celebrities, audiences who are keen on stage performances, cultural relic restorers, archaeologists, museum staff, website staff, technical staff from technology companies, and Parents who bring their children to cultivate their sentiments, and children who are brought out by their parents to enjoy art performances on weekends...

All kinds of people, in front of such music, all involuntarily quiet down.

What is playing now are all dedicated music performance artists, and have nothing to do with all the other actors.

All the actors waiting backstage also changed into the clothes they should perform next, or the actors after the performance simply changed into their regular clothes.

They also stopped involuntarily, or stood or sat, quietly listening to the music coming from the front desk.

Liu Xiu has already changed his clothes for the rest of the show, and he still has other parts to perform.

But at this time, Liu Xiu suddenly suggested: "Can we go directly to the front desk? Just listening to music is not enough, I want to see it."

Just like Marquis Yi of Zeng more than 400 years ago, he saw how these instruments were played with his own eyes.

It is always a pity that there is only auditory enjoyment and visual enjoyment is missing.

Tao Le made a decisive decision: "Let's go! All the actors will go on stage together, and the audience will perform in their true colors!"

The actors suddenly became excited.

Everyone consciously lined up in two teams and filed from both sides of the stage.

The leaders on both sides are Liu Xiu and Tao Le respectively.

After Liu Xiu came to the stage, he didn't pay attention to the people who came out with him at all, just sat on the ground like this, enjoying himself intoxicated.

Tao Le, who was directly opposite him, immediately followed suit and found a space to sit down.

Immediately afterwards, other actors also wore costumes from various dynasties and sat down in their own places.

The resulting minor commotion among the audience passed quickly.

These actors, like all the audience, quietly appreciated the sounds of nature that seemed to come through more than 2000 years of heavy history.

The performance is over, and the next performance is about to take place.

Originally, during the rehearsal stage, there was a problem with the timing of moving the chime bells in this part. Several rehearsals failed to remove all the chime bells within the stipulated time.

Tao Le has been worrying about this matter, until the last rehearsal before the performance, and barely managed to remove the chime before the lights were turned on, and set up a new scene.

Unexpectedly, this time all the actors came to the stage temporarily to watch the performance closely. The moment the lights went out, all the actors rushed up together and removed the chime with the staff.

This time is greatly shortened, the perfect stuck point.

Success sometimes requires temporary perfect cooperation.