After Wu Liang's explanation, Huang Jianbang finally let go of his courage.

However, he still felt that the room was cold and chilly.

"Master Wu, how can I resolve it?" Huang Jianbang asked.

"This is easy to do. Just take off the painting and you're done. But it can still be used as a collection, as long as it doesn't hang up, it can be placed in a drawer or a box."

Wu Liang said and then instructed: "Don't take it out and hang it on the bedside to burn incense and worship. Besides, you have lung disease, so you should burn less incense as much as possible. A literati cultivates virtue and quality. If you just imitate external things, If you don't learn the inner character, you will never be able to become a literati."

Here, Wu Liang can be regarded as a reminder to Huang Jianbang.

Huang Jianbang paid too much attention to pursuing the external things of literati and refined scholars, but ignored the essence.

Huang Jianbang nodded awkwardly when he heard this, and said, "Thank you, Master Wu, for calling me. Although I am more than 30 years older than the master, I am ashamed of myself. Listening to the master's words, one sentence awakens the dreamer!"

"It's not about dialing, it's a reminder." Wu Liang nodded and smiled.

"Master Wu, you really know a lot. I didn't expect that your attainments in Fengshui and metaphysics are already comparable to the masters in the industry. You can not only look at the house, but also look at the furnishings in the house. It is not too much to say that you are all-rounder. Looking back, I really regret it, I shouldn’t have hung this ancient painting in my bedroom, otherwise I wouldn’t have suffered so much, let alone such bad things.” Huang Jianbang couldn’t help but sigh with emotion.

"It's nothing, it's just the tip of the iceberg of Feng Shui metaphysics." Wu Liang said with a smile.

It's not that Wu Liang is modest, and he doesn't need to be humble in front of Huang Jianbang.

Fengshui Xuanshu is indeed a very profound knowledge.

What he shows now is only a corner of it.

There are many theories about the influence of this calligraphy and painting on the Feng Shui layout of the home.

Appreciate and enjoy the beauty of art at the same time, in order to cultivate morality.

In fact, calligraphy and painting, which seem lifeless, also have the energy of the five elements, and have a certain aura.

It can also play a certain role in Feng Shui compensation.

For example, the five elements of landscape painting belong to water, and it must be a good choice for people who lack water in the five elements to hang a landscape painting at home.

The ancients said that the mountain governs the people and the water governs the wealth, and it also says that the benevolent love the mountain and the wise enjoy the water.There are mountains to rely on, and flowing water makes money.

These will also play a role in boosting luck and improving Feng Shui in the dark.

"In addition, you have to move out from here. You can no longer live in this community. You have suffered from lung disease before. Although I have cured it, the environment of this community is not suitable for you to live here for a long time. The vines on the balcony have been removed, otherwise it will be difficult for your home to see some sunlight. It is estimated that there will only be a few rays of sunshine on your balcony at noon. It is not a big deal for other residents, but you are different. People with medical history need to breathe more fresh air and see more sunshine."

Wu Liang reminded Huang Jianbang again.

Although the Fengchaoge community is full of green plants, the air does not necessarily have to be fresh, because the surrounding space is too dense and the ventilation is not smooth.

"Okay, okay, Master Wu, I will definitely follow your teachings."

Huang Jianbang, a master of traditional Chinese painting, was really sick. Wu Liang was helping him solve his problems, so he respected Wu Liang immensely.

Later, Huang Jianbang asked Wu Liang again, "Master Wu, if I move to a new home, do I need to pay special attention to the calligraphy and paintings hanging on the wall? I like Chinese painting, and I have been in this industry for many years. Calligraphy and painting must be indispensable in my home." Decoration, besides not hanging ancient paintings of figures, are there any other taboos?"

After all, Huang Jianbang is a big shot in the calligraphy and painting circle, and the furnishings in all aspects of the home naturally cannot lack the literati atmosphere.

Wu Liang nodded and smiled, and began to point Huang Jianbang.

He summed up the taboos and meanings of hanging calligraphy and paintings at home, and told Huang Jianbang together, so as to save this product from trouble in the future.

Hanging plant calligraphy and paintings at home is a relatively friendly type.

The emerald bamboo that symbolizes a good year, the cymbidium with elegant artistic conception, the red plum with perseverance and hard work, and the peony with prosperity and wealth, these are all paintings related to plants.

Hanging them in the living room is one of the layout methods of a good home in order to make the icing on the cake even more prosperous.

Hanging landscape paintings at home is mainly to observe the water potential, which should generally flow inside the house and not outside.

Because the owner of the mountain has only a small amount of water to control wealth, the inflow of water is to gain wealth, and the outflow of water is to dissipate wealth. After all, fat and water do not flow out.

At home, it is not suitable to hang calligraphy and paintings such as waterfalls, because the owners of these paintings have repeated luck, and they also imply that family wealth is flowing out and family luck is flying down.

If you need to hang multiple paintings and calligraphy, the distance between paintings should be sparse rather than close.

In addition to separating the frames according to the color tone and content, it is also necessary to pay attention to the content of the screen should not be overwhelmed.

In Fengshui theory, "surrounded by mountains and rivers" and "Tibetan wind gathering Qi" are considered to be the best Fengshui aura.

Generally speaking, landscape paintings should have gentle scenery, such as expressing the pleasant scenery of small bridges and flowing water, or the image of beautiful rivers and mountains with beautiful mountains and rivers in the east at sunrise.It aims to express emotions and pursue beauty.

These types of paintings and calligraphy can be placed indoors, whether it is a living room, study or bedroom.

But some paintings and calligraphy are not good, such as the afterglow of the setting sun, the bleak autumn wind, withered vines and old trees, and strange rocks, which express negative artistic conceptions, are not suitable to be placed indoors.

Otherwise, these paintings and calligraphy will not only make people depressed, but also make people's fortune decline, and the gains outweigh the losses.

In addition, calligraphy and painting hanging indoors, including oil paintings, should avoid direct sunlight and moisture, so as not to cause deformation of calligraphy and painting and damage to the picture.

In some rooms that lack sunlight, it is easy to be depressed if you stay in it for a long time, and you must try to remedy it.

For example, hanging a picture of sunflowers on a dark wall at home, which means "sunflowers and trees are easy to be spring", can make up for the defects in lighting.

Of course, in a situation like Huang Jianbang's, even a remedy would be useless. You can't just remove all the vines from the building.

If you really want to do this, whether it is the owners of the community or the developers, you will have great opinions.

Wu Liang told Huang Jianbang all the geomantic taboos of hanging calligraphy and paintings.

Huang Jianbang listened carefully, showing absolute respect to Wu Liang.

Although this master of traditional Chinese painting is over 50 years old, in front of Wu Liang, who is in his early twenties, he is like a student who is humbly asking for advice.

Speaking of which, Huang Jianbang is not a bad person by nature, but he is a bit greedy for vanity. In today's society, he is definitely not a vicious and vicious person.

Moreover, he admired Wu Liang very much, and treated Wu Liang with great admiration.

He even had the idea of ​​asking Wu Liang to accept him as his apprentice!

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