God-level rich man system
Chapter 68 Song Rong
Qin Xiaobao frowned, he didn't expect things to be so troublesome, not only porcelain, but also new fakes.
Sure enough, when Su Shanshan looked over, her face suddenly changed. Obviously, she did not expect such a thing to happen.
"This painting of mine was bought in Su Lou last time, and the invoice has Master Song Rong's seal on it." The man stood up and took out the invoice at the same time. Qin Xiaobao took a closer look, and it turned out to be real , it is really Su Lou's unique seal, Qin Xiaobao has seen this kind of material before, and it is unique to Su Lou.
And there is a seal of Song Rong on it. This person is indeed a treasure appraiser of Su Lou, and his status seems to be not low, so he should have some strength.
But this painting is easy to see that it is fake.
This is a painting by Shen Zhou
Shen Zhou, an outstanding calligrapher and painter in the Ming Dynasty.The word is Qinan, the name is Shitian, Baishiweng, Yutiansheng, the owner of Youju Zhuju, etc.Born in the second year of Ming Xuande, died in the fourth year of Ming Zhengde at the age of 83.He was not subject to imperial examinations and specialized in poetry, calligraphy and painting. He was the founder of the "Wu School" of literati painting in the mid-Ming Dynasty. Together with Wen Zhengming, Tang Yin, and Qiu Ying, he was also known as the "Four Masters of the Ming Dynasty".The works handed down from generation to generation include "High Picture of Lushan Mountain", "Old Picture of Qiulin Talk", "Interesting Picture of Cangzhou".Author of "Ishida Collection", "Guest News" and so on.
The Shen family has lived in Wumen in seclusion for generations, living in Xiangcheng, Suzhou.Shen Zhou's great-grandfather was a good friend of Wang Meng, and his father, Shen Hengji, was also a student of Du Qiong. Painting and calligraphy were the roots of his family.Both father and uncle are famous in the village for their poetry, calligraphy and painting.Shen Zhou spent his whole life studying at home, reciting poems and painting, traveling in forests and springs, pursuing spiritual freedom, despising the dirty political reality, failing the imperial examination all his life, and always engaged in calligraphy and painting creation.He is knowledgeable and rich in collections.He has a lot of friends and is highly regarded by the audience. He is usually peaceful and approachable. Those who ask for calligraphy and painting "fulfill the outdoors".Even someone made his fake and asked for an inscription, and he readily agreed.
And this one is a fake. Although there is Shen Zhou's inscription on it, the painting is fake.
Shen Zhou's paintings and calligraphy are widely circulated, and the authenticity and falsehood are mixed, making it difficult to distinguish.Therefore, Wen Zhengming called him a "man of gods" floating in the world.Shen Zhou played an important role in linking the past and the future in the field of literati painting since the Yuan and Ming Dynasties.Huang Tingjian, a calligrapher of his, has a particularly profound attainment in painting. He also works on landscapes, flowers and birds, and can also paint figures. He is outstanding in landscapes, flowers and birds.Some of his landscape paintings depict mountains and rivers, expressing the three distant scenes of traditional landscape paintings.Most of the works describe the landscapes and gardens in the south, expressing the leisurely life of the literati at that time.
He likes to paint landscape works, which are rarely surpassed by later generations.
Shen Zhou's flower-and-bird painting style had more or less influence on later painters such as Yun Nantian, Bada, Xugu and Qi Baishi.
Influences on Bada Shanren and Xugu: Shen Zhou’s flowers and birds cover a wide range of subjects, and the cats, donkeys, shrimps, crabs, frogs, cicadas and other common species in his paintings are also quite interesting, and he also makes good use of boneless techniques in painting. Or simply outline with ink lines, these have more or less influenced Bada Shanren.From Shen Zhou's initial exploration of flower and bird painting, the creation of ink and wash freehand painting style, the promotion of Jing Wen Zhengming, to Chen Chun and Xu Wei, they jointly developed ink and wash freehand flower and bird painting from small freehand brushwork to large freehand brushwork.According to the analysis of the development of freehand brushwork of flowers and birds in ink painting, Bada Shanren developed on the basis of freehand brushwork of flower and bird painting.Bada Shanren is an anti-orthodox painter of the late Ming Dynasty and one of the "Four Monks" in the Qing Dynasty. His flower and bird paintings are the most individual. When he was a monk in the early days, he learned the freehand brushwork style of Chen Chun and Xu Wei, and painted more flowers, fruits and vegetables. , Pine plum and other themes.
The literati ink and wash freehand painting style of flower and bird paintings in the Ming Dynasty, many painters participated in and made explorations and efforts. It can be said that group movements jointly promoted the development of freehand painting style.In this group movement, Shen Zhou was a watershed. He truly put practice into freehand brushwork creation. His flower-and-bird painting art established the freehand brushwork pattern of flower-and-bird painting after the Ming Dynasty. His contribution is indeed indispensable.
Shen Zhou is a painter with remarkable achievements in the history of flower-and-bird painting in the Ming Dynasty. Under the trend of "literati freehand" flower-and-bird painting style and "court-style freehand" flower-and-bird painting style changing each other, his flower-and-bird paintings appeared in the form of literati ink and wash freehand brushwork. Leading the style trend of the era.
He made great efforts and contributions in the theory and practice of flower-and-bird painting, and influenced many painters of later generations.Through the analysis of the style characteristics of Shen Zhou's flower-and-bird painting, the article believes that its flower-and-bird art has historical significance of inheriting tradition and inspiring new style.
His contribution to flower-and-bird painting lies in breaking through the traditional pattern of flower-and-bird painting, broadening the scope of subject matter and featuring civilian characteristics, emphasizing "book" writing in the language of brush and ink, and combining poetry, calligraphy and painting, making the flower-and-bird creation and techniques of literati tend to be complete and perfect , widened the distance from the courtyard-style flower-and-bird paintings of the Ming Dynasty, and opened a new system of literati flower-and-bird freehand brushwork.
It can be said that such a person has ushered in a new era, but it is precisely because of this that many people in future generations want to challenge, but most of them want to imitate.
This painting, the imitation is not so superb, the brush is not solid enough, and an expert can easily see that this is not a real painting, Qin Xiaobao doesn't believe it, can't that Song Rong see it?How is this possible? If you can't even see this, and you can still be a treasure appraiser in Sulou, it really makes Qin Xiaobao feel that there is really no reason to stay in this place, although his purpose at the beginning was not to go Working here, but there is definitely a lot of trouble in such a place. Qin Xiaobao has only been in contact with Su Lou for a few days, but so many things have happened in these few days, which really makes him puzzled. what's going on.
Moreover, if it is really Song Rong's blind eye, then how much Su Lou will lose this time, it is not enough to just say a fake ten loss, he does not believe that such a person will be favored by Susan, then Susan It's just too tasteless.
So, there must be something wrong with it.
However, under the current situation, it is not easy for him to directly ask Susan what happened.
Su Shanshan looked at the calligraphy and painting, and then saw the word Song Rong, and she seemed to be very powerless for a moment.
"Let's go to the sales department to register later."
Susan said weakly.
What?Is this the compromise?
Qin Xiaobao frowned. If all these things were lost, it would be a big loss.
When Qin Xiaobao saw this, he couldn't stand it anymore, so he stood up.
Sure enough, when Su Shanshan looked over, her face suddenly changed. Obviously, she did not expect such a thing to happen.
"This painting of mine was bought in Su Lou last time, and the invoice has Master Song Rong's seal on it." The man stood up and took out the invoice at the same time. Qin Xiaobao took a closer look, and it turned out to be real , it is really Su Lou's unique seal, Qin Xiaobao has seen this kind of material before, and it is unique to Su Lou.
And there is a seal of Song Rong on it. This person is indeed a treasure appraiser of Su Lou, and his status seems to be not low, so he should have some strength.
But this painting is easy to see that it is fake.
This is a painting by Shen Zhou
Shen Zhou, an outstanding calligrapher and painter in the Ming Dynasty.The word is Qinan, the name is Shitian, Baishiweng, Yutiansheng, the owner of Youju Zhuju, etc.Born in the second year of Ming Xuande, died in the fourth year of Ming Zhengde at the age of 83.He was not subject to imperial examinations and specialized in poetry, calligraphy and painting. He was the founder of the "Wu School" of literati painting in the mid-Ming Dynasty. Together with Wen Zhengming, Tang Yin, and Qiu Ying, he was also known as the "Four Masters of the Ming Dynasty".The works handed down from generation to generation include "High Picture of Lushan Mountain", "Old Picture of Qiulin Talk", "Interesting Picture of Cangzhou".Author of "Ishida Collection", "Guest News" and so on.
The Shen family has lived in Wumen in seclusion for generations, living in Xiangcheng, Suzhou.Shen Zhou's great-grandfather was a good friend of Wang Meng, and his father, Shen Hengji, was also a student of Du Qiong. Painting and calligraphy were the roots of his family.Both father and uncle are famous in the village for their poetry, calligraphy and painting.Shen Zhou spent his whole life studying at home, reciting poems and painting, traveling in forests and springs, pursuing spiritual freedom, despising the dirty political reality, failing the imperial examination all his life, and always engaged in calligraphy and painting creation.He is knowledgeable and rich in collections.He has a lot of friends and is highly regarded by the audience. He is usually peaceful and approachable. Those who ask for calligraphy and painting "fulfill the outdoors".Even someone made his fake and asked for an inscription, and he readily agreed.
And this one is a fake. Although there is Shen Zhou's inscription on it, the painting is fake.
Shen Zhou's paintings and calligraphy are widely circulated, and the authenticity and falsehood are mixed, making it difficult to distinguish.Therefore, Wen Zhengming called him a "man of gods" floating in the world.Shen Zhou played an important role in linking the past and the future in the field of literati painting since the Yuan and Ming Dynasties.Huang Tingjian, a calligrapher of his, has a particularly profound attainment in painting. He also works on landscapes, flowers and birds, and can also paint figures. He is outstanding in landscapes, flowers and birds.Some of his landscape paintings depict mountains and rivers, expressing the three distant scenes of traditional landscape paintings.Most of the works describe the landscapes and gardens in the south, expressing the leisurely life of the literati at that time.
He likes to paint landscape works, which are rarely surpassed by later generations.
Shen Zhou's flower-and-bird painting style had more or less influence on later painters such as Yun Nantian, Bada, Xugu and Qi Baishi.
Influences on Bada Shanren and Xugu: Shen Zhou’s flowers and birds cover a wide range of subjects, and the cats, donkeys, shrimps, crabs, frogs, cicadas and other common species in his paintings are also quite interesting, and he also makes good use of boneless techniques in painting. Or simply outline with ink lines, these have more or less influenced Bada Shanren.From Shen Zhou's initial exploration of flower and bird painting, the creation of ink and wash freehand painting style, the promotion of Jing Wen Zhengming, to Chen Chun and Xu Wei, they jointly developed ink and wash freehand flower and bird painting from small freehand brushwork to large freehand brushwork.According to the analysis of the development of freehand brushwork of flowers and birds in ink painting, Bada Shanren developed on the basis of freehand brushwork of flower and bird painting.Bada Shanren is an anti-orthodox painter of the late Ming Dynasty and one of the "Four Monks" in the Qing Dynasty. His flower and bird paintings are the most individual. When he was a monk in the early days, he learned the freehand brushwork style of Chen Chun and Xu Wei, and painted more flowers, fruits and vegetables. , Pine plum and other themes.
The literati ink and wash freehand painting style of flower and bird paintings in the Ming Dynasty, many painters participated in and made explorations and efforts. It can be said that group movements jointly promoted the development of freehand painting style.In this group movement, Shen Zhou was a watershed. He truly put practice into freehand brushwork creation. His flower-and-bird painting art established the freehand brushwork pattern of flower-and-bird painting after the Ming Dynasty. His contribution is indeed indispensable.
Shen Zhou is a painter with remarkable achievements in the history of flower-and-bird painting in the Ming Dynasty. Under the trend of "literati freehand" flower-and-bird painting style and "court-style freehand" flower-and-bird painting style changing each other, his flower-and-bird paintings appeared in the form of literati ink and wash freehand brushwork. Leading the style trend of the era.
He made great efforts and contributions in the theory and practice of flower-and-bird painting, and influenced many painters of later generations.Through the analysis of the style characteristics of Shen Zhou's flower-and-bird painting, the article believes that its flower-and-bird art has historical significance of inheriting tradition and inspiring new style.
His contribution to flower-and-bird painting lies in breaking through the traditional pattern of flower-and-bird painting, broadening the scope of subject matter and featuring civilian characteristics, emphasizing "book" writing in the language of brush and ink, and combining poetry, calligraphy and painting, making the flower-and-bird creation and techniques of literati tend to be complete and perfect , widened the distance from the courtyard-style flower-and-bird paintings of the Ming Dynasty, and opened a new system of literati flower-and-bird freehand brushwork.
It can be said that such a person has ushered in a new era, but it is precisely because of this that many people in future generations want to challenge, but most of them want to imitate.
This painting, the imitation is not so superb, the brush is not solid enough, and an expert can easily see that this is not a real painting, Qin Xiaobao doesn't believe it, can't that Song Rong see it?How is this possible? If you can't even see this, and you can still be a treasure appraiser in Sulou, it really makes Qin Xiaobao feel that there is really no reason to stay in this place, although his purpose at the beginning was not to go Working here, but there is definitely a lot of trouble in such a place. Qin Xiaobao has only been in contact with Su Lou for a few days, but so many things have happened in these few days, which really makes him puzzled. what's going on.
Moreover, if it is really Song Rong's blind eye, then how much Su Lou will lose this time, it is not enough to just say a fake ten loss, he does not believe that such a person will be favored by Susan, then Susan It's just too tasteless.
So, there must be something wrong with it.
However, under the current situation, it is not easy for him to directly ask Susan what happened.
Su Shanshan looked at the calligraphy and painting, and then saw the word Song Rong, and she seemed to be very powerless for a moment.
"Let's go to the sales department to register later."
Susan said weakly.
What?Is this the compromise?
Qin Xiaobao frowned. If all these things were lost, it would be a big loss.
When Qin Xiaobao saw this, he couldn't stand it anymore, so he stood up.
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