"Is this picture of Nandu Fanhui four to four centimeters wide and 350 centimeters long?"

"The realistic style painting "Southern Metropolis Fanhui" provides us with rich historical information of Nanjing in the Ming Dynasty. There are two biggest highlights in it: one is the development of commerce and trade."

"After zooming in on this picture, you can even see the plaques of the shops inside and the busy people."

It is the first time that many netizens have heard of the Nandu Fanhui Tu. The only thing they have heard of before is Qingming Shanghe Tu.

"I've gained a lot of experience. I've only read the picture of going up the river during the Qingming Festival in books before. This is the first time I've heard of the picture of Nandu Fanhui."

"It's also the first time I've heard it, so if I don't understand anything, I can ask Du Niang. I'll go to Du Niang to search."

"I also went to Du Niang to search. It seems that the ones from the same illiterate institution have not escaped."

"I looked at the picture above carefully, and found that it really feels prosperous. There are Buddhist temples, government offices, theaters, folk houses, archways, waterside pavilions, city gates, layer upon layer; tea houses, gold and silver shops, pharmacies, bathrooms, and even There are chicken and duck shops, pig shops, sheep shops, grain and oil shops, and everything you need."

"I saw there were opera boats inside."

"It's really like seeing the life of thousands of years ago through a painting. Their prosperous, wealthy, and lively market life is really vivid, as if they have come to the end in person."

"Yes, I feel the life of our ancestors. In the Ming Dynasty, we were still a big country, and no one dared to bully us, but now, it's not that it's not good, it's already very happy. Now our Huaguo I have already stood up, but I just think that during the war years, they exhausted all the advantages left by their ancestors, and I feel that it is too inappropriate."

In fact, it’s more than it shouldn’t be. Before that, our vast Huaguo has always been visited by all nations, hey!
However, Chu Chen didn't talk too much about these taboo topics. His task today is to bring these netizens to understand the past history, and to feel the history more intuitively through these cultural relics.

"This one is also a painting, and this one is painted by Zeng Xunshen in the Dajialu Book. It is printed on silk and colored. The whole volume is 51 centimeters in length and 4 centimeters in width."

"In ancient times, the driving order of the emperor when traveling was called "halogen book". , Fajia, Xiaojia and Huang Huizhang are the fourth class."

"There is also this map of Lugou raft transport over here."

"The painting truly depicts the daily scene around the Marco Polo Bridge in the Yuan Dynasty, especially the situation of timber transportation. From the painting, the vicinity of the Marco Polo Bridge is an important timber transfer station, and the upper reaches of the Yongding River have become an important source of log supply."

Chu Chen also took the people in the live broadcast room to watch the pottery figurines, three-color horses, four-goat square statues, iron coupons, gold-plated deer-patterned silver cockscomb pots, and the Chuanguo Yuxi. Due to time constraints, they couldn't finish watching them.

Chu Chen introduced the various collections inside, so that more people can see and understand.

Before today, their value to those cultural relics may be measured by money.

After watching this museum today, I know that the historical significance behind it is actually more important than money.

"The cultural relics here, all the cultural relics are preserved, which is relatively the best, because there are professional environmental monitoring here. The environmental monitoring here refers to indoor temperature and humidity, light, indoor air quality, etc. A comprehensive risk pre-control system for collection protection has also been established here to ensure the environmental safety of the collection and improve the comfort of the exhibition.”

"Generally speaking, the collection here is the safest and most comfortable. This comfort is for the collection."

"I suddenly understood that the last time Master Chu Chen asked the treasure friend of the bronze tripod to donate his treasures. I know this statement is a bit of a saint, but relatively speaking, if the bronze tripod is in the National Museum, I think it can play a more important role. Big, it will be better in terms of preservation or maintenance in the future, and the preservation time will definitely be longer, so I spray it first as a respect.”

"What the upstairs said makes sense. Don't talk about the Holy Mother's idea outside. Although it makes sense, but when you think of 500 yuan, you wake up instantly and persuade you to leave."

"Don't say the Holy Mother's statement upstairs. It's really easy to feel that you are being kidnapped morally, and it's really not suitable. Maybe museums are more suitable for cultural relics, but on the other hand, it's like you spend money to buy You may not be willing to donate things, you must have empathy, you can’t just stand on the side of cultural relics, you must also stand on the side of people and consider other people’s pocketbooks!"

Chu Chen felt his throat was a little dry after talking a lot today, so he handed the mobile phone to Miss Dai.

It just so happened that Little Sister Dai also saw that person's barrage.

"Actually, there is no need to get entangled. Master Chu Chen suggested the donation because he is an archaeologist. He suggested it out of professional instinct, but that treasure friend did nothing wrong. It was originally his private property. And I believe he will definitely store the bronze tripod properly."

"And that treasure friend also said that if necessary, it can be loaned to the archaeological research team for research. This is already perfect."

After Dai Xiaomei finished speaking, the people in the live broadcast room thought about it, and it was the same reason.

Especially the person who just started talking, also felt that what he said was not very appropriate, and if he brought himself into it, he might not be able to do better.

At this time Chu Chen also came back.

Dai Xiaomei told Chu Chen what she just said in the live broadcast room.

Then he asked curiously: "We hear good news every year that many cultural relics have been unearthed somewhere. Where did those cultural relics go?"

Chu Chen felt much better after drinking the water, then coughed and replied.

"The excavated treasures are generally placed in museums, and the unearthed cultural relics are handed over to the museums established by the state for preservation. The excavated cultural relics have two main functions. One is for scholars to study and provide physical evidence for the study of history. This is important for us. Understanding the history of a nation's development is crucial."

"Is it all in the museum in Kyoto? There shouldn't be enough room for it." Dai Xiaomei and Chu Chen asked as they walked out.

"Each of these places has a museum dedicated to storing collections."

"I also feel that many cultural relics have been unearthed, but after unearthed, it seems that they have not been displayed."

"Actually, are some collections buried in the ground the best way to preserve them? Many collections, such as bronzes, are unearthed, but they no longer have the air-isolated environment buried underground, but are easier to preserve. Thousands of years on the contrary, it is better preserved than after being unearthed."

Chu Chen also saw this message.

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