Internet celebrities forcibly exchanged tickets, and my identity as a boss was exposed!

Ignoring the quarrel in the bullet screen, Chu Chen followed his own rhythm and continued to speak: "Since this blue and white dustpan bottle with twigs is relatively large, even after glueing it on, I still worry that it will deform."

"At this time, we need to use other auxiliary means. For example, the outside of the ceramic bottle is fixed with a thin wire, and the inside is filled with soft and elastic things like a good sponge."

"That's it. Wait a few days and make sure the glue is firm, and then we'll remove these auxiliary means."

"So far, it's not over. Because of the glue, these gaps will be different from the usual places. We still need to polish and polish them again to restore their original luster."

"In this way, we can get a blue and white dustpan bottle with twigs after the restoration is completed."

He roughly told the audience in the live broadcast room and the five restorers about the restoration principle he thought about.

Next, Chu Chen officially started his pre-processing work.

That's right, it's pre-processing work, not the official start of repairing the blue and white twig dustpan bottle.

This blue and white dustpan bottle with twigs was unearthed from the tomb, and it was still mixed with a lot of dust and sediment.

The prerequisite for restoration of cultural relics is cleaning.

Moreover, this cleaning is also very particular. It must not damage the cultural relics in the slightest, but it must also remove unnecessary dust and adhesions to the greatest extent.

For this reason, Chu Chen certainly didn't start repairing immediately.

The reason why the cleaning step was not carried out at the director's house of the folk appreciating treasure program was because the director had already cleaned it up in advance.

Five restorers can't just stand around doing nothing.

Seeing that Chu Chen was working in full swing, they also brought their work heads and helped clean up all the dirt on them.

Chu Chen observed the cleaning techniques of the five restorers, and nodded secretly. Their basic skills are still very solid, and their repair techniques are extremely formal.

After cleaning, Chu Chen took it to the sonic magnetic cleaning machine and cleaned it with sonic magnetic resonance, so that it would be cleaned without harming the cultural relics.

Even the crevices of some corner rails can be cleaned.

After everything was ready, Chu Chen officially started his restoration work.

He glanced at the neatly arranged blue and white dustpan bottle fragments.

Chu Chen started to repair it.

While repairing, Chu Chen said to the audience in the live broadcast room: "The identification of the blue and white twig dustpan bottle is roughly divided into four steps."

In this way, work and popular science will not be delayed.

Chu Chen thought to himself: I am such a clever little ghost.

"The first step in identification is to look at the decoration."

"The reason why the blue and white dustpan bottle with branches and branches is called this is because the bottle is decorated with branches and flowers."

"Compared with the Lianzigou technique in the Daoguang period and the twined flowers produced by folk kilns in the late Qing Dynasty, this kind of decoration is more refined."

"But no matter how refined it is, it can't cover up the fundamental shortcomings of this technique."

"The pattern drawn by this method is very rigid and unchanged, and it does not look artistic."

"What we are restoring now is the blue and white dustpan bottle with twined branches in the middle of the Qing Dynasty, which is far inferior to the same type of dustpan bottle in the heyday of the Three Dynasties of the Qing Dynasty."

After saying this, Chu Chen deliberately paused, glanced at the five restorers next to him, and found that they were taking notes at the moment.

While taking notes, he turned his head to observe the blue and white dustpan bottle with twigs that was being repaired in his hand. It seemed that everyone was very serious.

After nodding in satisfaction, Chu Chen continued, "Second, we need to look at the color of blue and white."

"The flower part looks particularly gorgeous, other than that, it's a little more low-key."

"In general, the whole bottle gives people a more gorgeous feeling, which makes people feel bright and happy when they look at it."

"As for the blue and white twig-wrapped dustpan bottles in the mid-Qing Dynasty, you can also find many crack-like lines in the places where the blue and white gather."

"In fact, this is not very representative. Such cracked lines have existed in porcelain from the late Qing Dynasty to the early Qing Dynasty."

"But comparatively speaking, the most frequent occurrences were during the transition period from the middle Qing Dynasty to the late Qing Dynasty."

"Our bottle is a work from the mid-Qing Dynasty. You can see the existence of cracks here."

Speaking of this, Chu Chen deliberately pulled the camera's field of view to the place where the blue and white flowers gathered, so that the audience in the live broadcast room could see the appearance of the tortoise crack more clearly.

After showing it to the audience in the live broadcast room, Chu Chen waved to the five restorers and asked them to take a look as well.

This small detail created another wave of goodwill for Chu Chen.

The bullet screens all praised Chuchen for being meticulous and gentle.

After making sure that the five restorers carefully read this feature, Chu Chen went on to talk about the next feature.

"The next place we want to observe is the place where the mouth is exposed."

"We can observe a typical sand tire phenomenon at this place."

"Because the particles are relatively coarse, we also call them coarse sand tires. This kind of coarse sand tires was popular in Qingjiadao period."

"It is because of this that its density is not high. When we weigh it with our hands, we will feel that the whole porcelain is very light. This is also one of the key points of identification."

Since the blue and white dustpan bottle with twigs was being repaired, Chu Chen didn't let five restorers come up to try it out.

Anyway, the blue and white dustpan bottle with twigs is in the collection of this museum, and as the restorers of the museum, they want to try the texture, and there are plenty of opportunities.

"Next we come to the fourth point, the glaze."

"This porcelain also has another characteristic. Its right side is white with blue."

"Not only that, this glaze is very thin, and we can see the state of the entire carcass through light."

"Especially in the joints in the middle of the tank body, traces can be clearly seen, and the color is an eggshell blue."

After the whole explanation process was completed, Chu Chen's work was almost done.

During the whole process, Chu Chen used the word "one mind, two purposes" to the fullest.

In just two hours, Chu Chen not only did an excellent job of restoring the cultural relics in his hand, but also explained the characteristics of the cultural relics clearly.

Not to mention, Chu Chen occasionally pays attention to the learning status of the five restorers to see if their learning status is up to standard.

Being able to do these three things at the same time, Chu Chen's professional ability is so strong that it is abnormal.