Chu Chen also imitated what Curator Li did just now, and circled around the tomb passage. As far as he could see, the tomb passage, which looked like ordinary loess, looked nothing special.

Chu Chen shook his head and said, "I don't see anything special about this tomb passage."

Curator Li stopped in his tracks, and gently raised his fingertips to the wall in front of him, his voice full of regret: "You don't know, I was also there when mining was not possible,"

"When the tomb was opened at that time, the entire tomb passage was covered with exquisite murals, which looked magnificent, as if they had entered the fairy palace."

Listening to Director Li's description, Chu Chen really couldn't figure out what it was like.

Asgard?

Looking at the color of the loess in front of him, Chu Chen tried to find a trace of the mural that Director Li said on it, and the feeling of the fairy palace that Director Li said.

But after watching it for a long time, Chu Chen didn't notice any difference between this and ordinary loess.

Not to mention the exquisite murals on it, there is an illusion of being in the fairy palace.

Curator Li watched Chu Chen look at the wall, frowning tightly, as if trying to find something different.

"Don't waste your efforts, we have consulted many experts, but we can't see any difference. I think this may be due to some technology that we haven't cracked yet, which caused the tomb path to look like this."

"When we discovered this feature, we tried to mine as quickly as possible, hoping that if the outside air did not enter more, it would give us enough time to rescue."

That's right, until now, curator Li still thinks that some substance in the air reacted with the substance in the tomb passage, which led to the rapid destruction of the cultural relics inside.

According to Director Li's idea, only by keeping the air out can the cultural relics inside be protected from damage.

If this cannot be done, the entry of outside air should be delayed as much as possible.

Curator Li continued: "This is the reason why this Enlightenment mining is so slow. It is because I really dare not dig it later."

Chu Chen nodded knowingly. This kind of situation is quite common. When the tomb of Qin Shihuang was excavated, it was because the existing technology could not preserve the cultural relics inside, so the state ordered that it should not be mined again, so as not to cause greater losses.

This is also understandable. If our existing technology cannot protect cultural relics, it is better to let these cultural relics be buried deep in the ground and not be mined.

When the technology is achieved in the future, mining will be carried out. This is the optimal solution.

But since this is the case, shouldn't it be urgently stopped?

Why does it appear like this.

Thinking of this, Chu Chen asked suspiciously: "Then why did you continue to mine it later?"

If you think about it according to the way he just thought, since this mining activity cannot be preserved, it will be stopped urgently, so how can it be mined for a year.

Director Li smiled wryly and said: "We also want to stop mining, and hope that the cultural relics inside will not be damaged more, but we found that after a period of shutdown, the cultural relics inside are still decaying, and the speed of mining is not as fast as we were mining." different."

Hearing what curator Li said, Chu Chen thought that there might be something that he hadn't considered properly.

For example, as curator Li guessed, it was because of the air.

If this is the case, then it may be because the air is still slowly seeping in.

Unaware of Chu Chen's contemplation, Director Li fell into memory, his eyes were filled with reminiscence, and continued: "Seeing this situation, stretching out the head is also a knife, and retracting the head is also a knife."

"We simply mined without hesitation. Of course, as the cultural relics were destroyed, we were a lot more cautious, which led to a full year of mining."

Speaking of this, Director Li thought of the ancient painting. In fact, there are many cultural relics like ancient paintings, most of which have been turned into ashes.

Chu Chen only saw one ancient painting in that tomb at that time. In fact, when Chu Chen didn't know it, when it was mined, he completely forgot that there were hundreds of ancient paintings there, but most of them were not preserved.

When they went to see it just now, the dust particles floating in the air may have the structure of the ancient painting at that time.

Compared with those ancient paintings that have not been preserved, the corroded ancient paintings that Chu Chen thinks are quite new.

After briefly explaining the situation of the tomb to Chu Chen, Curator Li turned around and took Chu Chen out.

It was getting late, Director Li took Chu Chen to find a small restaurant outside, and the three of them sat together with the driver for a light meal.

During the meal, Director Li said to Chu Chen in embarrassment: "Your office may be here in the tomb next."

When Chu Chen saw the decayed ancient painting, he had expected it.

The ancient paintings had already decayed like that, so naturally it was impossible to move these ancient paintings to the office for him to study them.

It can only be repaired on site to avoid secondary damage to ancient paintings caused by movement.

But it's nothing, when the terracotta warriors and horses were repaired a few days ago, they stayed in the tomb all the time.

Although the conditions are much more difficult than the restoration in the museum, this level is not unacceptable to Chu Chen.

While eating, Director Li also told Chu Chen about the owner of the tomb: "This tomb was mined two years ago, but so far, we haven't reached a final conclusion on the identity of the owner of the tomb."

Chu Chen swallowed the noodles wrapped in his mouth, and looked up at Director Li: "How come, the identity of the owner of the tomb has not been confirmed for two years?"

Director Li said: "If I tell you that not only those murals and these ancient paper paintings that are not easy to preserve are particularly serious about immortality, but even those porcelain and Tongji are very difficult to preserve, would you believe it?"

The world is so big that there are no surprises, so this kind of situation naturally exists.

But Chu Chen had never seen it before. Porcelain and bronze wares were hard to decay.

If it is what Director Li said, without the assistance of these things, it is indeed difficult to determine the identity of the owner of the tomb.

Chu Chen asked Director Li suspiciously what the reason was, but Director Li shook his head and said with a sad face: "We haven't found out the reason yet, we just know that there is such a phenomenon."

After receiving this answer, Chu Chen didn't say anything more. There are a lot of weird things in this world, and the matter of this tomb just adds a lot to the world to talk about.

Thinking about the real reason, it has already been buried in the long river of history. Although the society and technology are so advanced now, there are still many unexplainable phenomena.

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