screenwriter mystery
Chapter 281 Art
Chapter 281 Art
As he said that, Inoue poured the mixed gypsum into the mold and placed it carefully.
Only then did he wipe the sweat off his forehead, and turned his head to glance at the various plaster statues around the art department.
"Speaking of which, teacher, the style of your works is really peculiar. All the statues have no heads."
In the art department, there are all kinds of plasters.
However, their necks are exactly the same without heads, which makes the whole look extremely weird and somewhat inexplicably gloomy.
"I didn't make the head of the statue because I disliked the trouble of making the head, but because it is this kind of incompleteness that makes the statue look more unique. Once there is a head, they are just ordinary plaster statues. And that's not the art I'm after."
"Art Shu doesn't need a head. Although human expressions have various appearances of joy, anger, sorrow, and joy, in the artistic creations of ancient and modern times, there are very few works of art with expressions. The source of the statue disappears, and once the statue has no head, it limits art."
"Teacher, your remarks are really shocking."
"Obviously not long ago, the characters in the works you created still have heads."
This is not the first time Inoue has heard Mr. Tanaka talk about his views on art.
A few days ago, the other party suddenly changed his mind, abolished a large number of works that had been made, and instead made these plaster statues of useless heads.
It was precisely because of his changes that the time before the exhibition, which was still relatively abundant, suddenly became urgent.
"I also suddenly realized the true meaning of art."
Facing Inoue's words, Tanaka turned his head to look at the plaster statues with empty necks around him, and his eyes under the glasses showed a somewhat crazy look.
"The human head is really a superfluous thing. Its existence makes people ignore the art of the human body, and turns the whole society into a society that only looks at faces. A head without a body is nothing at all..."
"Mr. Tanaka, you are exaggerating too much."
Hearing Mr. Tanaka's increasingly weird remarks, Inoue couldn't help but remind him.
"If art means not having a head, then wouldn't everyone have to cut off their heads."
"Okay, or maybe I'm thinking too deeply."
Under Inoue's reminder, Tanaka reluctantly looked away from the surrounding plaster statues.
"Next, Inoue, you can help me make another plaster statue and I can go back. The rest can be finished tomorrow. If I make too many, I am worried that it will affect the inspiration of creation."
"Since you have said so, teacher, then fine, although I don't feel too tired."
……
Kyoto, Metropolitan Police Department.
"Ino-san."
Yamamoto looked at Ino, who had remained silent since entering the Metropolitan Police Department, and asked again.
"You should know why we came here for you."
The death of the three female students naturally alerted the police in charge of Keiko's case in the Kyoto Metropolitan Police Department.
The shriveled appearances of the dead female students were exactly the same as Keiko's.
The point is, according to the testimonies of their family members, the few female students were fine before yesterday and did not show any abnormalities.
In just one day, not one night.
They seemed to have been turned into shriveled corpses after several years.
Such a bizarre death can no longer be explained by normal circumstances.
Therefore, after investigating the situation of these dead female students in the municipal Horikawa High School, the police from the Metropolitan Police Department naturally targeted Ino.
Aya Ino is the one who has the closest relationship with the dead female student in the entire class.
Of course, this closeness is not as good as imagined.
On the contrary, the relationship between Ino and the dead female student is a relationship between the bully and the bullied.
According to the descriptions of students in the same grade, Ino has been bullied by them since he transferred to the municipal Horikawa High School.
Therefore, in the entire death case, Ino had enough motivation to do all this.
Of course, having a motive is not enough, especially in the death cases of female students, their deaths were all in their own homes. If it weren't for the fact that the three people's deaths were so bizarre that they couldn't be explained by suicide, the police from the Metropolitan Police Department It is also impossible to use Ino as a breakthrough in the case.
"..."
Metropolitan Police Department, interrogation room.
Facing police officer Yamamoto's questioning, Ino lowered his head and did not respond.
Frowning tightly, he looked at Ino who was completely uncooperative in front of him. If he was an ordinary person, Yamamoto could use another method to make the other party explain everything clearly.
It's a pity that the Ino in front of me is just a female student who just went to junior high school.
Moreover, the case of the dead female student was too bizarre, and there were no clues to support their investigation. It was the limit of what they could do to bring Ino to the Metropolitan Police Department, and Ino was not here as a suspect. As a witness, if she doesn't cooperate, the Metropolitan Police Department can't do anything at all.
Take a deep breath and try to calm down your emotions.
Yamamoto stared at Ino in front of him, opened the file in his hand, and put the photos of the deceased one by one in front of the middle school girl.
"I think you should be familiar with these three people, Ino-san...you can imagine how horrible things they encountered before they died, and it is clear that it is not a simple existence that can do all this, or It is a special existence, so what is its purpose in doing so?"
Hearing Yamamoto's words, Ino raised his head slightly, and glanced at the three people in the photo in front of him.
There was some change in the originally silent expression, eyes flickered, and he said in a subtle voice: "This is what they deserve..."
Hearing Inoguchi's words, the expression on Yamamoto's face couldn't help but cheer up.
During the entire investigation process, the most troublesome thing for him was nothing but Ino's silent attitude.
Fortunately, now, through the gap of the deceased, Ino finally reacted.
Obviously, Ino's heart is full of resentment towards these bullies, and this is likely to be the motive of the other party's crime.
"Why do you say that?"
Seizing the opportunity, Yamamoto hurriedly asked Ino in front of him.
"..."
However, in the face of Yamamoto's inquiry, Ino in front of him resumed his previous silent attitude, and after glancing at him, he lowered his head again.
Seeing this, Yamamoto's face suddenly revealed a helpless expression.
(End of this chapter)
As he said that, Inoue poured the mixed gypsum into the mold and placed it carefully.
Only then did he wipe the sweat off his forehead, and turned his head to glance at the various plaster statues around the art department.
"Speaking of which, teacher, the style of your works is really peculiar. All the statues have no heads."
In the art department, there are all kinds of plasters.
However, their necks are exactly the same without heads, which makes the whole look extremely weird and somewhat inexplicably gloomy.
"I didn't make the head of the statue because I disliked the trouble of making the head, but because it is this kind of incompleteness that makes the statue look more unique. Once there is a head, they are just ordinary plaster statues. And that's not the art I'm after."
"Art Shu doesn't need a head. Although human expressions have various appearances of joy, anger, sorrow, and joy, in the artistic creations of ancient and modern times, there are very few works of art with expressions. The source of the statue disappears, and once the statue has no head, it limits art."
"Teacher, your remarks are really shocking."
"Obviously not long ago, the characters in the works you created still have heads."
This is not the first time Inoue has heard Mr. Tanaka talk about his views on art.
A few days ago, the other party suddenly changed his mind, abolished a large number of works that had been made, and instead made these plaster statues of useless heads.
It was precisely because of his changes that the time before the exhibition, which was still relatively abundant, suddenly became urgent.
"I also suddenly realized the true meaning of art."
Facing Inoue's words, Tanaka turned his head to look at the plaster statues with empty necks around him, and his eyes under the glasses showed a somewhat crazy look.
"The human head is really a superfluous thing. Its existence makes people ignore the art of the human body, and turns the whole society into a society that only looks at faces. A head without a body is nothing at all..."
"Mr. Tanaka, you are exaggerating too much."
Hearing Mr. Tanaka's increasingly weird remarks, Inoue couldn't help but remind him.
"If art means not having a head, then wouldn't everyone have to cut off their heads."
"Okay, or maybe I'm thinking too deeply."
Under Inoue's reminder, Tanaka reluctantly looked away from the surrounding plaster statues.
"Next, Inoue, you can help me make another plaster statue and I can go back. The rest can be finished tomorrow. If I make too many, I am worried that it will affect the inspiration of creation."
"Since you have said so, teacher, then fine, although I don't feel too tired."
……
Kyoto, Metropolitan Police Department.
"Ino-san."
Yamamoto looked at Ino, who had remained silent since entering the Metropolitan Police Department, and asked again.
"You should know why we came here for you."
The death of the three female students naturally alerted the police in charge of Keiko's case in the Kyoto Metropolitan Police Department.
The shriveled appearances of the dead female students were exactly the same as Keiko's.
The point is, according to the testimonies of their family members, the few female students were fine before yesterday and did not show any abnormalities.
In just one day, not one night.
They seemed to have been turned into shriveled corpses after several years.
Such a bizarre death can no longer be explained by normal circumstances.
Therefore, after investigating the situation of these dead female students in the municipal Horikawa High School, the police from the Metropolitan Police Department naturally targeted Ino.
Aya Ino is the one who has the closest relationship with the dead female student in the entire class.
Of course, this closeness is not as good as imagined.
On the contrary, the relationship between Ino and the dead female student is a relationship between the bully and the bullied.
According to the descriptions of students in the same grade, Ino has been bullied by them since he transferred to the municipal Horikawa High School.
Therefore, in the entire death case, Ino had enough motivation to do all this.
Of course, having a motive is not enough, especially in the death cases of female students, their deaths were all in their own homes. If it weren't for the fact that the three people's deaths were so bizarre that they couldn't be explained by suicide, the police from the Metropolitan Police Department It is also impossible to use Ino as a breakthrough in the case.
"..."
Metropolitan Police Department, interrogation room.
Facing police officer Yamamoto's questioning, Ino lowered his head and did not respond.
Frowning tightly, he looked at Ino who was completely uncooperative in front of him. If he was an ordinary person, Yamamoto could use another method to make the other party explain everything clearly.
It's a pity that the Ino in front of me is just a female student who just went to junior high school.
Moreover, the case of the dead female student was too bizarre, and there were no clues to support their investigation. It was the limit of what they could do to bring Ino to the Metropolitan Police Department, and Ino was not here as a suspect. As a witness, if she doesn't cooperate, the Metropolitan Police Department can't do anything at all.
Take a deep breath and try to calm down your emotions.
Yamamoto stared at Ino in front of him, opened the file in his hand, and put the photos of the deceased one by one in front of the middle school girl.
"I think you should be familiar with these three people, Ino-san...you can imagine how horrible things they encountered before they died, and it is clear that it is not a simple existence that can do all this, or It is a special existence, so what is its purpose in doing so?"
Hearing Yamamoto's words, Ino raised his head slightly, and glanced at the three people in the photo in front of him.
There was some change in the originally silent expression, eyes flickered, and he said in a subtle voice: "This is what they deserve..."
Hearing Inoguchi's words, the expression on Yamamoto's face couldn't help but cheer up.
During the entire investigation process, the most troublesome thing for him was nothing but Ino's silent attitude.
Fortunately, now, through the gap of the deceased, Ino finally reacted.
Obviously, Ino's heart is full of resentment towards these bullies, and this is likely to be the motive of the other party's crime.
"Why do you say that?"
Seizing the opportunity, Yamamoto hurriedly asked Ino in front of him.
"..."
However, in the face of Yamamoto's inquiry, Ino in front of him resumed his previous silent attitude, and after glancing at him, he lowered his head again.
Seeing this, Yamamoto's face suddenly revealed a helpless expression.
(End of this chapter)
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