Treasure hunt begins in England

Chapter 415 The work is completed
Early the next morning, Liang En carried a schoolbag and took the bus to the Chinese Embassy in Ukraine at No. 32 Grushevsky Street in the center of Kiev.

After staying inside for an hour, he left the building with a relaxed face, and at the same time left the huge trouble in Chernobyl and the two paper bags in his schoolbag in the building middle.

To be honest, these things are far less sensitive than rockets, aircraft carriers, or large-scale welding technology, and are even worthless to most countries in the world that do not plan to fully develop heavy industries, so it is also less difficult to take away grade.

Of course, no matter how low the difficulty is, it is not something Liang En can take away, and even if he is taken away, it is really not easy to make a move, because
After weighing the pros and cons, Liang En chose to pass the news to Huaxia through the previous channels.

Same as before, this time Liang En didn't get any money from this incident, but he got a lot of things that are more precious than money.

Because Liang En chose those materials, the 50g gold bar and the $5000 gold bar were awarded to Joan of Arc and Fan Meng as bonuses and hush money.

Compared with more than 20 years ago, although these old dollar banknotes are still in circulation, they are far less valuable than in those days, but anyway, it is a good harvest to get the money as a bonus for a week on a business trip.

In addition, Liang En also gave Fan Meng's uncle the previously agreed remuneration, which was considered a complete end of the matter. After doing all this, Liang En and the others left Ukraine and returned to Ireland early the next morning. .

After separating from Fan Meng at the airport, Liang En and the others did not go home, but drove to the stained glass workshop in the outskirts of the city where they owned [-]% of the shares.

Because on the way they returned to Kiev from Chernobyl, Liang En received an email from Paul, the owner of the workshop, saying that the set of four stained glass windows named Four Seasons that he had prepared earlier had been closed. It's done, he needs to accept it.

"Happy New Year, Maria!" Liang En greeted Maria who opened the door for them, that is, Paul's wife, and then asked. "Where's Paul?"

"He's currently finishing the finishing work on the stained glass window." Maria let Liang En and the others in, and led them through the living room where the guests were received to the studio behind. "

As soon as he entered the studio, Liang En was attracted by the four stained glass windows on the shelf in the room. These four windows are all rectangular, 1m5 wide and 3m5 high, just in line with the windows of the New Museum in Prague. Same frame size.

Above the four glass windows are four beautiful girls in ancient costumes. Through the different postures and appearances of the girls and the different scenery around the edges, it implies the changing of the four seasons.

"To be honest, I never thought that the present and the past can be integrated like this." Just when Liang En and the others entered the studio, Paul, who had been standing five or six meters away from the four stained glass windows and looked at the finished product, turned around. He looked over at Liang En with an excited expression.

"I think this work is somewhat subversive. Few people use the ancient art of stained glass to create such a very modern content."

"This is just an attempt, even if not many people accept it, it doesn't matter." Liang En said with a smile as he looked at the patterns on the windows that clearly had a modern fantasy style.

Different from Mucha's traditional way of drawing women, the style of women on the four windows designed by Liang En is closer to the style of modern anime women, and the supporting background has a style that combines fantasy and science fiction.

If you insist on an analogy, this style is closer to the style of the Final Fantasy series or a niche anime rwby in the United States, and it is completely different from the patterns on most of the stained glass now.

Obviously, this kind of feeling may be a bit outrageous in the eyes of orthodox stained glass artists, but Liang En is a historian at heart, so there is no need to pay too much attention to the thoughts of people in the same industry in this regard.

At the same time, Liang En is not yet 25 years old, so it is reasonable to show a young side in this respect, and it can also dispel the idea that some guys always think that Liang En is using some unpublished manuscripts of Mucha .

But then again, even with Mucha's artistic level and creative inspiration, Liang En spent a lot of energy in combining different styles to create this group of works.

Fortunately, judging from the final product now, all the efforts are worthwhile. When the midday sun shines from the skylight and passes through the stained glass, it casts mottled light and shadow on the floor, just like a dream.

"Thank you!" Looking at the beautiful scenery, Paul suddenly turned his head to thank Liang En, "Thank you for your trust in me, allowing me to have the opportunity to join in the creation of such a special work."

For Paul, he has been busy for several years and failed to make a breakthrough in art, so he has let go of his dream of artistic creation and is preparing to show his talents in the field of craftsmen, and the cooperation with Liang En just happens to be able to complete his own. dream.

"Don't worry, this is just the beginning." Liang En patted Paul on the shoulder lightly and said, "Believe me, our works will become classics one day."

In the next few hours, the two began to make final adjustments to the four stained-glass windows. Fortunately, although Liang En was very busy, the two sides did not meet a few times before, but now the advanced technology allows the two to pass through the window. Network to communicate and adjust the works.

So the final adjustment didn't take long, but considering that this thing needs to be transported to Prague, the capital of the Czech Republic, it took them twice as long as the adjustment to make all kinds of safety for these beautiful fragile products Assure.

"Where will this thing be placed in the museum in the future?" Paul suddenly asked when fixing these glass windows in the shockproof box, he wanted to know where his work would be placed in the end.

"These things will be placed at the end of the entire exhibition, which is the part of the development of decorative arts today." Liang En said with a smile.

"After all, the main part of the museum is to display content related to Mucha, and things of the same style as ours are naturally placed in a relatively low position."

Because the number of works discovered last time is indeed relatively large, and they can be linked together by a timeline, the whole exhibition naturally takes the change of time as the main line for visitors.

The entire exhibition hall is designed according to the age of those works, so that the audience can understand the life of the artist and patriot through the changes of these works and the surrounding materials.

At the end of the entire exhibition, they also specially designed an exhibition hall to display the development and changes of decorative art from the time after Mucha's death to the present, to show the development and future of this art.

The things in this exhibition hall are also all-encompassing, from the cigarette month cards of the Chinese period, to the Japanese girl comics from the 70s and [-]s, to today's retro trendy designs, showing the changes in decorative art over the past few decades.

The four pairs of stained glass designed by Liang En will also be inlaid on the upper window of the exhibition hall, as a part of the exhibition hall, echoing the content of the exhibition hall and the exhibits inside, and constructing a three-dimensional exhibition environment.

As a novice, being able to exhibit one's work in this kind of place is indeed something to be proud of, but having said that, it is almost impossible for ordinary novices to get a place for their work in this kind of place.

And Liang En was able to get this opportunity mainly because the most important collection in the museum belonged to him, so there was a little bit of privilege that belonged to the owner of the museum.

Of course, the work Liang En prepared this time is also a fine work that has been carefully polished, otherwise he wouldn't put things there and scold him for nothing.

(End of this chapter)