Treasure hunt begins in England

Chapter 671 Painting
Afterwards, everything went smoothly, as if nothing had happened, and the only news Liang En got was that Mrs. Hannah had fired a certain regional action team in Canada.

Of course, considering that this group of people was just an attempted fraud, for the sake of the other party's work, they just asked the other party to check out and leave, and did not ask the other party for compensation or sue the other party.

That's right, Europeans have a strong sense of law, but the idea that legal principles are nothing more than human feelings is also a globally accepted idea, so it is completely unnecessary for Mrs. Hannah and the group that has been with him for several years. Killed with a stick.

After the team was fired, they didn't say anything, but directly chose to pack up and leave, but Liang En had already ordered Elizabeth in the United States to keep an eye on the other party.

"Don't worry, leave this kind of thing to me." After listening to Liang En's instructions, Elizabeth said, "I have some reliable private investigators in the United States and Canada, and it won't be too complicated to track the whereabouts of this group of people. "

"That's good, I hope our plan will go well." Liang En gave a brief blessing and hung up the phone, then picked up a pen and began to sketch the jewelry design for the next season

Liang En also seems to be very busy during this time. He has been staying in London to write various papers. By the way, he designed several sets of jewelry in the venue provided by the jewelry company and used 3D printing technology to produce Model.

After all, he was at the excavation site of those relics when he was not on the way of treasure hunting in the past year, so he really didn't have much time to spend on coding and artistic creation.

Although it is very normal for artists, especially those non-professional artists, to be a dove, Liang En thinks that he should do what he does and love what he does, so he will naturally want to make up for it when he has time now.

Fortunately, he can rely on the strength of several masters and the knowledge of another world to transfer, so it is much easier than normal people to do it.

However, just over a week after the start of work, Liang En spent the most energy on an oil painting for the rest of the month, because when he picked up the brush and began to paint, he suddenly realized that the painting was important to him. It will be very important in itself.

So much so that after he started to paint, he didn't dare to put down the paintbrush except for eating and sleeping, for fear that if he slack off a little, the inspiration that appeared in his mind would disappear.

You must know that although Liang En has obtained so many talents now, because he does not usually focus on this, he does not have the skills to integrate this aspect, so he will naturally grasp the inspiration he can get in his daily life.

In this oil painting, Liang En used all the skills he had mastered, from Mucha's oil painting skills to Nicola Feschen's sketches, especially the character sketching skills and Gaudí's feelings for the natural world were integrated into this painting.

Although Mucha is famous for his poster paintings, his oil paintings are actually of a very high level.For example, in terms of oil painting, he has created the series of oil paintings of the epic masterpiece "Slavic Epic".

As for the name of this painting, it is Joan of Arc, but it is different from the armor that most of the world wears or the oil paintings facing the fire. scene.

This painting depicts Joan of Arc standing in the backyard of her home nervously listening to the revelation, and behind her can vaguely see angels and Joan of Arc in armor.

From Liang En's point of view, although this painting really looks like a pure village girl rather than a saint, let alone a future saint, this is the beginning of a future legend and it is worth commemorating.

Moreover, unlike similar oil paintings, the realistic part of Liang En's painting surpasses all current oil paintings related to Joan of Arc.

Because Joan not only told him in detail what happened when she listened to the revelation from the gods, but also took the initiative to act as a model to help Liang En complete the details of the characters.

"It's finally done. I actually spent almost a month on a painting." After finishing all the content of the oil painting that day, Liang En looked at the fully formed oil painting and Joan of Arc standing beside him.

At this time, his painting process is over, and the next step is to let the oil painting dry for a period of time, and then apply a layer of varnish on it for protection.

This process simply takes time and cannot be rushed.In fact, for normal oil painters, after the first pass of painting, the oil in the paint can continue to be thickly applied for further processing after the oil in the paint evaporates.

This step is time-consuming. If you want to paint better, you can spend more time on it, enhance the details, and make the paint thicker.

It is normal for an oil painting to not be finished in one day. Many large works are completed in months or even years, and the main time is spent on revision. The advantage of oil painting is that it can be constantly modified and piled up.

For Liang En, he didn't need to revise repeatedly, because in the process of painting, he really integrated the artistic talents of several masters, and he was in the bursting period of inspiration, so the things he drew were not suitable for too many revisions.

It's just that he spent a lot of time before that, and even had more than five scrapped manuscripts. After all, those who left him with talent and skills are all masters in the art world, and it will definitely not be too easy to integrate them.

The only good thing is that the modification of those small places does not need to wait until the grease in the paint dries like ordinary painters. The extraordinary power allows him to directly modify it during the painting process.

"I think it's totally worth spending a month on this painting." Seeing the final product with a size of 60×80, Joan nodded approvingly. "Looking at this painting, I seem to smell the smell of sage and rosemary in my home, and at the same time, I recall my mood at that time. What you draw is not just the part that people can see, but the part that people can see. It is the soul that gives this oil painting."

To be honest, Joan of Arc is at best a layman in terms of art, but her sensitivity far beyond ordinary people was able to capture the core part of this oil painting.

Through this oil painting, Liang En depicted the transformation of Joan's soul at the important moment when Joan of Arc, who was a young girl at that time, transformed from an ordinary farm shepherdess to a saint.

In other words, this painting should not only depict the innocence of Joan of Arc as a shepherdess, full of rural flavor, but also the sacred aura contained in this innocence, which is about to be gushed out.

It is not easy to achieve this, but fortunately, under Joan's detailed explanation, he finally grasped the essence of it and painted it with his own brush.

"It's fine if you like it, I'll give it to you. But you may have to wait for a while to get it." Liang En smiled and nodded. This painting is actually a gift from him to Joan of Arc, so in He was naturally very happy after seeing Joan satisfied.

Although his extraordinary power could immediately evaporate the oil in the paint on the canvas, in order to avoid unnecessary suspicion, he decided to follow the normal process.

"Give it to me, thank you so much." After hearing Liang En's words, Joan of Arc showed a bright smile on her face. "I will treasure this painting well."

(End of this chapter)