Public executions from the king of dumb hair.

Chapter 417 The Last Master of Humanity - Fujimaru Tachika (2 more)
The light curtain image, when people in the real world were shocked by the existence of the Crown Assassin, the Crown Assassin also gave the answer after hearing the boy's question.

"Even if it is only a phantom of the past, I am still your sharp blade, O Contractor, the sword here will cut down all enemies with immortal will."

The implication is that no matter what the boy wants to do, the crowned Assassin will overcome all difficulties for him.

Hearing this, the boy smiled: "Ah, even if we are all phantoms of the past, no one can be fooled."

"Then, let's take a good look at who is behind the scenes!"

"If really stupid guys want to do something unforgivable, then, let's use the power we have to deal with them!"

"Even though the timeline has changed and the world has changed, our achievements will be forgotten."

"I am still—the last master of mankind—Fujimaru Tachika!"

----

In the real world, Fujimaru Tachika: "!!!"

The girl's Fujimaru Tachika showed a look of astonishment, she never imagined that the boy had exactly the same name as hers.

Could it be that that boy was actually her previous life, and she changed gender after reincarnation?

No no no.

The girl who was sleeping soundly on the bed, exactly like her when she was a child, was her past life.

By the way, in the last light curtain image, the mysterious boy mentioned the name of the sleeping girl...

It seems to be called...

Tachibana?

Is it...

Fujimaru Tachibana?

If this is the case, then I was actually Fujimaru Tachibana in my previous life?
But why is this life called Fujimaru Tachika?
using...

Brother's name?
what is the problem?

Fujimaru Tachika in the real world was astonished and confused, unable to understand what was going on.

But for other people in the real world, the young man named Tachika Fujimaru in the light screen image is too amazing to call himself.

The forgotten, last master of mankind?

Could this last master refer to the master who summoned and controlled the heroic spirits to fight?Master of the Holy Grail War?
Moreover, the boy also mentioned the issue of reshaping the timeline, does that mean that the boy actually came from an earlier timeline?

such as……

Like Matou Shinji, it comes from the first timeline belonging to human beings.

This identity, this background, makes people think carefully.

Although the appearance is only seven or eight years old, the boy named Fujimaru Tachika has revealed too much information and has a great background. Even if he is just a child, he already has the potential of a big boss.

What's more, this child is very likely not as small as it looks, and it is very likely that, like Aizen Tokiomi, he was reincarnated with the memory of his previous life.

----

On the plane, Artoria looked at the boy who called himself Fujimaru Tachika in the image of the light curtain, and couldn't help but fell into deep thought.

For some reason, she felt that she had met the other party before, and she felt very familiar.

The powerful intuition is also perceived in this way, constantly reminding her in a metaphysical way that her feeling is correct.

After thinking for a while, the figure of another person involuntarily appeared in his mind.

Su Yun!

Yes, it is Su Yun!

For some reason, Arturia felt that the little boy named Fujimaru Tatsuka was very similar to Su Yun.

Obviously the two look completely different, but there is such a strange feeling.

"What the hell is...why?"

Puzzled questions murmured from Artoria's mouth.

----

The light curtain image, the picture belonging to Tatsuka Fujimaru is over.

The screen shifted to Emiya's mansion.

At this time, dinner had already been finished, and Matou Sakura was also sent home by Emiya Shirou.

Mordred, who was bored watching TV, sensed the battle at Ryudoji, and told Emiya Shiro about it, who had just returned home.

However, since Mordred didn't know the specific location, he just said that there were heroic spirits fighting in that direction.

These words immediately experienced a day's daily life, and Emiya Shirou, who had already entered a normal state of mind, immediately pulled his thoughts back to the Holy Grail War.

The teenager couldn't help worrying, and asked Mordred if he could perceive more.

After Mordred felt it for a while, he said to Emiya Shirou: "One of them should be that guy Archer."

Shirou Emiya was startled: "Archer? Could it be that Tohsaka is fighting? No, Saber, let's go over there and check the situation!"

Mordred grinned: "Hey, Master, do you want to get involved too? It's exactly what I want!"

After finishing speaking, he went out with Emiya Shirou, and then directly gave Emiya Shirou a princess hug, saying that after this way the past would be faster, he hugged Emiya Shirou in this very manly posture and moved forward quickly at night.

This naturally made Emiya Shirou blush, and subconsciously wanted to struggle—for example, change his posture or something.

However, Mordred said that changing the posture is very troublesome, and there are no other postures that are easy to use. This posture is the safest and best to use, so he unilaterally rejected Emiya Shirou's request to change postures.

This made the boy very helpless, he could only blush and accept the situation.

To be honest, although I felt a little ashamed at first, but once I accepted all this, I have to say that the princess hug is quite comfortable.

Especially when the person hugged by the princess is still a heroic and wild girl, it is even more special.

The boy who was hugged by the princess said that he couldn't refuse at all.

After the shots of Emiya Shiro and Mordred ended here, the scene shifted to the Matou mansion.

Here, Matou Shinji sent black-tech animals to investigate without accident, and assigned a new task to Matou Sakura.

"Sakura, let Rider follow my avatar, I'm going to visit Liudong Temple."

Matou Sakura was taken aback when she heard the words, and then nodded quickly: "Okay, brother. Please, Rider." The latter words were spoken to the empty side.

Following Matou Sakura's words, blue light particles suddenly appeared beside Matou Sakura.

The next moment, she was wearing a purple short skirt and tights, over 1.7 meters tall, with purple waist-length hair, a fully enclosed eye patch on her face, and two high-heeled shoes in purple pantyhose. She was as good as three Artorias. Incomparable mysterious women appeared.

What came out of his mouth was a calm female voice: "Yes, Master."

Following these words, I saw that Matou Sakura was actually speaking to the door of the mysterious study in Matou's house, and next to him, a Matou Shinji came out.

That was Shinji Matou who was in contact with Red A day and night today.

Originally, people thought that Matou Shinji was a real person.

But now, according to Matou Shinji himself, this should be just a clone of Matou Shinji.

It's just a clone!

What happened to the real Matou Shinji?
What kind of posture does Matou Shinji look like now?
Questions came again, and more.

And Shinji Matou, who was the clone, yelled 'Rider, let's go', and left the Matou mansion with Rider.

Matou Sakura looked at the two people who were going away, and she couldn't help showing a look of worry in her eyes.

Then, in the room, Matou Shinji's electronic synthesizer sounded: "Don't worry! Sakura, although Shirou also participated in the Holy Grail War, we will never become real enemies with him."

Obviously, this is knowing what Matou Sakura is worried about, so she said this.

After hearing this, Matou Sakura breathed a sigh of relief, and showed gratitude, expressing her gratitude to Matou Shinji in the room.

Apparently, this younger sister with her elbows out is very aware of her brother's strength, so she is worried about her favorite 'senior'.

In the same way, because she knows how powerful her brother is, she doesn't worry about her brother—in a sense, Matou Sakura has blind confidence in Matou Shinji's strength.

Matou Shinji naturally understood this, and he would not say much about it, let alone mention the tacit understanding between him and Red A.

Sometimes, to deal with powerful enemies hidden in the dark, it is necessary to conduct strategic deception on one's own people first.

(End of this chapter)