Actors start from the college entrance examination

Chapter 183 Uncle is always your uncle
Su Ze didn't know these back stories, and Chen Gang didn't tell them either, and lived a peaceful life.

The performance class organized a tour during the May [-]st holiday, and had a good time on the beach, and summer came unconsciously.

Chen Gang stood on the podium, started the acting class, turned on the projector and said, "Ge You, who is it?"

"I dare say that there may be no other actor like him in China. He is not only an old artist with both virtue and skill, but also a source of happiness for the people."

"One of the giants of memes, right?"

Everyone roared with laughter, and Su Ze couldn't help laughing too. It turned out to be Uncle Ge today.

"The first Chinese film winner at the Cannes Film Festival is also the winner of the Golden Rooster, Hundred Flowers, and Huabiao, and the winner of the Golden Eagle Award."

After speaking, a black-and-white photo of the 60s and [-]s appeared on the big screen. Looking at the young boy on it, he joked: "When I was young, I didn't see any acting talent at all, and I even had a bit of a mischievous eye."

"So even though his father was an actor, Ge You was not raised from a young age. He followed the educated youth to the countryside and went to Changping to raise pigs for three years. After returning, he confessed to his father that he wanted to be an actor, and then he continued to enter art schools, but bumped into walls everywhere. "

"Fortunately, Huangtian paid off, and finally got admitted to the Cultural Industry Troupe. After ten years of tricks, I have achieved what I am today."

The students have long been accustomed to the old routine, all kinds of memories of bitterness and sweetness, and like to use the example of a late bloomer, for fear that they will go astray and end up on the road of no return?

The next photo ignited the audience, I love my family Ji Chunsheng, a standard bum, the famous founder of Ge Youlie.

Chen Gang signaled everyone to be quiet, and analyzed: "The decadence he plays is different from the world-weariness that appears in current idol dramas. It always seems that the whole world is against him. To put it bluntly, it's just a child getting angry."

"Using acting skills to bring out the character's "mourning" attribute to the extreme, with two legs that are weak and prone to falling down, a pair of eyes that seem tired but not tired, with a double-faced state of weakness, pretending to be sick all over the body, motionless when static, and swaying when moving put."

"This is called decadence!"

Su Ze nodded secretly. Most of the time, emotions come from the body. No matter how excited a critically ill patient is, it is impossible for him to act like a tiger. This is the doomed ceiling of the character's state.

I was also impressed by the scene of eating cucumbers in "Kara Is a Dog". The second child he plays is an ordinary worker, living like most ordinary people, running around in mediocrity.

Working hard in the factory, the wages at hand are counted down in two, and returning home to continue living in poverty, and having to face a strong wife, it is difficult to gain a little dignity.

The second child seems to have no sustenance in life, only endless hard work, so when eating cucumbers, his eyes are dim, full of tiredness and suffering, and thoughtful.

What I think about is the tiredness of being the sole breadwinner of the family after his wife was laid off, and the unbearable hardship that he and his son have to go to school.

There is no line, no hysteria, a simple action, and the pressure of life is empathetic.

"There are two big mountains in Chinese-language movies, one is "To Live" and the other is "Farewell My Concubine". Ge You is both the leading actors, and they both contribute their acting skills like a movie king."

Chen Gang continued: ""To Live" has a long time span and a wide range of performances, but Fugui played by him is a proper acting encyclopedia, and the character's emotions can be seen from it."

"For example, fear that you will act like this?"

"All kinds of frowning, staring, or incoherent speech, hands touching head, trembling feet, trembling all over?"

"Look at how Uncle Ge acted."

The clip was played on the big screen, and I saw Fugui played by Ge You watching the landlord Long Er being shot. He should have died.

After coming out of the shooting scene in despair, he walked unsteadily. Because he couldn't stand up, he could only hold the tree trunk to pee. The audience

I saw that my entire back was soaked in cold sweat.

"How on earth do you sweat!" Zhang Zifeng was very depressed, and Uncle Ge recognized it. After all, Su Ze, an old drama player who has been honed for decades?
The crying scene is already very difficult, what the hell is sweating profusely all of a sudden!

Su Ze carefully observed every move, and it had to be said that Uncle Ge was also in control of the details.

For example, in the sad scene, Fugui, who was originally cheerfully performing shadow puppetry, learned that his son was crushed to death by the collapsed courtyard wall, and everyone else ran to see the carried body.

First, he stood there for a few seconds, his eyes full of disbelief, and after he realized it, he tremblingly ran to his son.

The outstretched hand began to shake involuntarily, not daring to face the reality. After confirming that he was dead, his voice became heart-piercing, and the veins on his neck burst out.

Because of being too desperate and sad, he lost his voice all of a sudden, only a helpless roar, and his body could no longer hold up and could only be supported by others.

The voice is sad, the body is sad, the emotion is sad, the emotion is delicate, and the sadness is progressive, until the feeling of powerlessness runs through the whole body.

It is rare for Su Ze to feel the comfort of flowing clouds and flowing water.

How to act arrogantly?
Other actors may lift their chins, hold their heads up, or walk by without seeing it, and then mutter a few unruly lines in their mouths.

In "Farewell My Concubine", he only used one detail to see the arrogance of the character. Fourth Master Yuan was sentenced to death. When he was escorted to the execution ground, he raised his foot quickly and slowly.

The seemingly simple Peking opera movements not only highlight the character's obsession with Peking opera, but also reflect the dignity of Yuan Siye's feudal aristocracy. Even in the face of death, he cannot lose his arrogance.

This is Fan!

"Back then, Ge You was nominated for the Best Supporting Actor in the Golden Rooster for a "Stubborn Master", and it also made everyone in and outside the circle know this actor with little hair."

Chen Gang glanced at Su Ze vaguely, and continued: "Feng Xiaogang was completely shocked after reading it. Didn't expect there are such poor people in the world?"

"At that time, I was preparing for "The Story of the Editorial Department". I took Wang Shuo and rode a motorcycle to Ge You's house. After waiting for four or ten minutes, Uncle Ge came late. He was unwilling to act in various ways, and finally heard the director say that he was the absolute protagonist. , everyone revolved around him before reluctantly agreeing."

I don't know who took the lead in applauding, Zhao Yuncheng shouted: "Your uncle will always be your uncle!"

"In 92, Chen Kaige invited him to film Farewell My Concubine, but he didn't really want to act. Later, Zhang Fengyi and Leslie Cheung listened to Yuan Siye in the film and reluctantly agreed."

"It turned out to be the most brilliant supporting role in the film. Some media commented that if Ge You hadn't been there, Leslie Cheung would have completely outmatched mainland actors by himself!"

I have to say that Uncle Ge is the best person Su Ze has ever seen playing a small person. He can play a very inconspicuous person with a serious face, and he can't say anything, but his attitude is actually sincere?

They are all comedic little characters with cold faces and warm hearts, all kinds of cheesy and uncreative, but the audience just like this kind of ordinary people who have no big skills, are a little cunning, and are very kind in their bones?
A comfortable pyrotechnic atmosphere, as if you are not acting but living freely?
He has never been purely funny, he has always lived a life of joy and sorrow, and there is often endless sadness in his hilarious laughter.

Two words: heavy!
(End of this chapter)