Actors start from the college entrance examination

Chapter 20 The Actor's Risk

"Stop dreaming." Jiang Jie stopped Hu Lei's YY and hit her hard: "I heard that this year's [-] art candidates are good!"

"The Department of Chinese Opera will recruit up to [-] people!"

"Count the number to one!"

"Not counting!" Hu Lei said angrily, "I don't understand where there are so many bastards."

"Why can't you take the test for others?" Jiang Jie said disdainfully: "Who doesn't want to be a big star?"

"You said what if we?" Hu Lei worried: "I mean what if!"

"Bah, bah, crow's mouth!" Jiang Jie interrupted, "Do you understand by chance?"

"Especially you, you must pass the exam." Staring into the eyes of my best friend, I said seriously, "There is no way out!"

Seeing Hu Lei open her mouth, she said sternly, "Listen to me first!"

"My first choice is Chinese opera, and my second and third are dance schools, understand?"

"In other words, I have a way out and you don't!"

"Me!" Hu Lei suddenly felt a little wronged.

"Song Ping is not stupid. She is preparing for the drama exam with both hands. The second choice must be Beifu, believe it or not?"

"Han Fei has given up acting and is preparing to take the opera department exam. Zhao Yuncheng has something to do with his family, so he will go to the military industrial troupe at worst."

"As for Su Ze?"

Jiang Jie sighed and said, "Don't talk about performing normally, even if you are abnormal, do you think you won't pass the exam?"

"I'm the only one who is unlucky!" Hu Lei was even more aggrieved, why did everyone have a way out.

"Hey, don't be stubborn, Chinese opera is not the only choice." Jiang Jie patted her best friend's head and comforted her: "I know you like acting, so why don't you go to Beijing Telecom?"

"Me!" Hu Lei opened her mouth, and a figure flashed in her mind.

"He's not suitable for you!" As a best friend, Jiang Jieneng didn't know Hu Lei's little thoughts, but she had to say that Su Ze was indeed excellent, impeccable in appearance, temperament and family background, but...

People don't like you!
Not to mention entering the entertainment industry in the future?
"Then I'll go to Nortel for a try too?" Hu Lei was hesitant. Whether it was her childhood dream or Su Ze's Chinese opera, she was her first choice, but...

"That's right, everyone will be in the capital from now on, and we will see each other when we look up." Jiang Jie said while the iron was hot: "Different schools have different resources, and we will be able to build bridges with each other in the future."

Hu Lei nodded. It is estimated that Su Ze's second choice will also apply to Nortel. Many people do this, yes, they will!

"No.20 will start in January next year?" Su Ze looked at the latest admissions brochure. This year, the theater arts exam will last for ten days. No.20 will officially start, and the admission list will be released on the 31st.

"Plan to enroll 60 people?" Su Ze frowned. The entire acting department only admitted [-] people?
The pressure is huge in an instant, stronger than Tsinghua University and Peking University, at least hundreds of thousands per year, why you?
you are vicious!
On the second day of the professional class, Liu Tianyi looked at everyone and said seriously, "Have you read the latest admissions brochure?"

"I don't want to say anything else. The standard of Chinese opera is getting higher and higher. Thousands of troops crossing a single-plank bridge can be described as light!"

"There is still one month left for the art exam. Everyone should prepare for it. The rest is up to you to work hard to understand?"

Seeing that everyone cheered up, he continued: "The biggest difficulty in the art test is the proposition performance, which is also the most important scoring standard for the examiners. Today I will take you to understand the relationship between action and personality."

After finishing speaking, I couldn't help but look at Su Ze who was listening carefully. There was no way, although this kid was ready, others wouldn't!

"Characters with different personalities will have completely different actions when dealing with the same incident. For example, if the same lover cheats, different people will have completely different actions and mentality."

"Look at Shakespeare's Othello suspecting that his lover is unfaithful, and taking the extreme action of strangling Desdemona without a word."

"Jiao Da in the wilderness of Cao Yu's works discovered that Jin Hua had an affair and fell in love with Qiu Hu, but he knelt down and begged."

"Amon in Dumas fils' La Traviata thought that Marguerite was having an affair and betrayed him, so he threw money at her to humiliate her in public."

"There are still many dramas that reflect the contemporary era of materialistic desires. Does the little character find out that his wife is having an affair with his boss, promote his own fame and fortune, and even take the action of giving in?"

After speaking, he said to everyone: "I was once asked a question by a cosplayer: What should I do if I am still at a loss because of various confusions such as not knowing how to enter the actor industry?"

"I recommend them to go to Baidu Liu Qiyan's actor's dream road. It really tells how a newcomer who is ignorant of various running notices and can accept film and television invitations starts to do it step by step with skills and methods, and finally from group acting to acting. From the special appointment to the gradual and stable development of the leading role."

With Liu Tianyi's explanation, Su Ze has a deeper understanding of systematic training. The seemingly simple exercises actually contain a lot of insights.

There are currently three recognized schools of performance: experience school, method school, and expression school.

The experiential school is the best. It pursues actors to fully integrate into the characters and truly enter the inner world of the characters. If they succeed, every move will be a drama.

But the requirements for actors' talents are too high. How many of them can completely forget themselves to experience the joys, sorrows, sorrows and joys of others?
More serious is how to act!
For example, Heath Ledger did not go out for several months to play the clown in Batman, and imitated the clown's every move in front of the mirror every day. What happened?
The character kills himself right after his success!

At the age of 28!

Many experientialists have psychological problems, and every interpretation of a role is accompanied by huge risks. In fact, Chinese opera has always advocated experientialism, but how many have really achieved it?

It was because it was too difficult, and later gradually developed the method school.The principle is still the same, but actors are allowed to replace roles in various ways.

If the character likes a man, the experiential school requires the actor to truly experience the feeling of liking a man, and infinitely magnify the part of his heart that appreciates men.

The method is a little simpler. You can imagine your opponent as a woman, and replace the role relationship with the relationship between a normal couple. As long as the details are realistic enough, you can basically achieve satisfactory results.

It is easy to say, but it is not easy to do, so there is a third genre, that is, expressionism.

Su Ze feels that he is in this genre now, how many actors can integrate the character's heart just after they come up?
First build the character skeleton through research, and then continue to fill in the full character details through body, movement, expression, emotion, and lines, and approach step by step.

Finally, the purpose of understanding the character's heart is achieved.

From Su Ze's point of view, the expressionist school is more practical and more operable. As for the superior experiential school?

There may be a chance in the future, let's wash up and sleep now!

"From now on, you will finish portraying five different characters within half an hour!"

"Yes, practice one by one, and express them as richly and completely as possible in a short period of time!"

"Close your eyes and try to explore the imagined centers of form and character, find the speaking features and typical movements!"

(End of this chapter)