Actors start from the college entrance examination

Chapter 205 Differences
Su Ze also had a question: Why do these movies insist on focusing on the bottom when society is developing rapidly and people's living standards have improved significantly?

Is the director deliberately only showing the poor and backward side just to please the foreign judges?

Do what you like?
Grandstanding?

Later, I gradually realized that the so-called article hates fate, and the stories of high-ranking officials and nobles will inevitably appear superficial, thin, and even hypocritical.

Because for a script, the setting of conflict points is very important, and to trigger conflicts, you must create pressure. There is no pressure that is more serious than the pressure of survival.

For example, the Korean film Parasite, which won an Oscar last year, can easily create an atmosphere of survival pressure on poor people.But for the rich, this kind of creation is more difficult, and their suffering looks more like groaning when they are full.

And their real predicament involves either politics or economics, or even many gray areas. It is difficult to pass the review, and the complex issues involved are beyond the cognition of many film scholars in ivory towers.

This kind of thing is the same all over the world, not just domestic films.

I also discussed with Chen Gang that many directors who have graduated from the Beijing Film Academy of Chinese Opera have vowed to make literary films. Basically, they are deserts, heavy snow, trucks, lonely and down-and-out men, slutty but innocent women...

All kinds of moans.

Look at Farewell My Concubine, the red lanterns hanging high, and movies like Nie Yinniang, even Western filmmakers will not be able to make them in ten lifetimes.

If you can show the world a unique value, you will naturally win an award.If you make a movie just to win an award, your movie will be low.

The same goes for the Oscars, 21 Years of Nowhere, the lives of people who lost their homes under the Great Depression... 19 years of Green Book racism... Moonlight Boys, drugs, homosexuality.

Focusing on scandals in 16... 08 No Country for Old People Drugs, crime, murder.

In 07, The Departed Walker was an undercover undercover police station... In 06, he crashed into races, stowaways, crimes, and police corruption.

Su Ze took a sip of beer, and the answer he agreed with was that we shoot things that Westerners cannot.Because they don't understand the East, they have only seen the translated Huaxia.

There is political correctness, communist rationality, materialistic values, and feudal legacy...

These things are things that have not been touched by Western movies for more than a hundred years, but these things have the soul of the East, the past and the present of the East, and the common attachment of the Orientals, which generally points to the state of existence...

These are what they want to see, what these restless people and events reflect, something that makes them feel the taste.

Through these, it seems to be able to feel a kind of psychological curiosity and survivor bias, using an indescribable word to label the East in line with Western understanding.

Just like the West is scrambling to label you as having no human rights, but you can't translate to them the fact that the warehouse knows the etiquette, and the food and clothing knows the honor and disgrace?

Latiaozi and Mr. Shu are not only the true portrayal of hundreds of millions of rural people, but also exist around us. Although they are at the bottom of society, they also have their own yearning for life.

They have their own value orientation, but the ugliness of human nature and the cruelty of life crush their dreams ruthlessly, causing them to completely collapse.

After all, the lives of ordinary people are dirty, messy, and poor most of the time. How many people live in a small age?

The time came to the end of September, and the nominations for this year's Golden Rooster were finally released. A spoon was shortlisted for four nominations without accident, becoming the most shining cub this year.

Su Ze also got his wish and nominated the best newcomer. Kong Xue was already ready to go. Just after the news came out, all kinds of trolls were building up momentum. What is the strongest newcomer of the golden rooster and golden horse...Double nominations...the rising star of the Chinese opera...

Once on the hot search!
In the past, Chen Gang, a freshman and sophomore, was not on the podium. Every performance class went to the small stage of Chinese opera.

The older dozen or so were divided into two groups for PK, and in the end all members of the senior graduation drama participated in the battle, and no one could escape.

During this period of time, Su Ze turned himself into a choreographer and led Zhang Yu, Ding Feng, Hu Jianfeng, Hu Lei, Zhao Yuncheng and others to rehearse the drama, and finally realized the difference between standing on the stage and facing the camera.

The biggest difference between dramas and film and television dramas is the visual perception, which is rooted in the venue.

Drama has a history of thousands of years, and drama as a branch has experienced hundreds of years of development.But in the past so many years, the form has basically not changed much.

When watching a drama, most of the audience still have to sit in the audience, some distance away from the stage.

It is the distance of tens of meters that will seriously weaken the appeal, which puts forward a requirement for the actors: from actions to tone, the performance must be exaggerated.

Only in this way can the emotions of the actors be accurately conveyed to the audience far away from the stage.Just like racing cars, some cars are designed for speed, while others are designed for off-road.

And the higher the level, the more difficult it is to break through.There are really not many people who can make a breakthrough by integrating the two systems of stage and camera.

For example, Chen Jianbing, Cheng Daoming, Duan Yihong, Pu Cunxin, Liang Guanhua, Song Dandan...

Everyone is a big name!

After performing on stage for a period of time, Su Ze personally experienced the charm of the stage, and also understood why so many big names have already achieved fame, why are they still working so hard to act in dramas?
One word:

Cool!
If you are making a movie, one of the things that actors have to accept is being interrupted emotionally.Think about when you are eating hot pot and singing songs, when you are in high spirits, you suddenly hear: Ka!
Then the director came over and said: The dish is not right, and the visual effect is better if the action is done, let's make another one.

For works, this is very necessary.But for an actor, isn't there a kind of aggrieved feeling of losing the chain at a critical moment?

When performing on stage, you don’t have to worry about problems unrelated to acting, you can completely immerse yourself in the role, enjoy the joys and sorrows in the play, and enjoy fully integrating into a role.

Moreover, the play needs to be performed many times, and the actors will have a deeper understanding of the characters in the repeated performances.This sense of immersion and satisfaction is the key to actors choosing dramas.

Being an actor is also a profession. Some people do it for fame and fortune. Of course, some people choose their truest desires, enjoy the interaction with the audience on the stage, and indulge in the sense of accomplishment of improving their acting skills. This is the charm of the stage.

Many people like to say: Acting in a drama makes your acting skills improve by leaps and bounds?

In Su Ze's view, cause and effect are actually reversed.Because actors who like drama often have a strong love for acting.

They are willing to spend more time pondering a role, trying different performance methods, and purely enjoying the fun that belongs to actors.

Even if there is no drama, they can go further on this road and perform more amazing roles.

Because they are actors, not stars.

(End of this chapter)