Actors start from the college entrance examination

Chapter 215
"Then who do you think has the widest play?" Zhang Zifeng said dissatisfied.

"Liang Jiahui!" Su Ze said without hesitation, "The actor with thousands of faces really deserves his name."

Zhang Zifeng was silent for a moment, which made sense, but I couldn't refute it?

Seeing everyone's expressions, Su Ze said seriously: "I think you are the only one here, Zifeng, who is qualified to say this, and no one else including me!"

"Breakthrough play sounds awesome, but it must be established on the premise that the audience has recognized your acting skills and character design, and at least one character must be deeply rooted in the hearts of the people."

"Otherwise it's bullshit!"

Everyone nodded. Zhang Zifeng has been a good girl since her debut. She played from a national girl to a national sister at the age of seven or eight. It was so easy to wait for a suitable script, break through the character set and upgrade to a sister. After more than ten years of accumulation, it is really not easy!

"First of all, the basic skills must be solid, and any expansion must be based on a solid foundation to have the possibility of broadening."

Regarding the fact that everyone is a potential stock worthy of long-term cultivation and cooperation, Su Zeyu said earnestly: "I think that for new actors, it is best to play the most familiar self first."

"That is to use the most suitable role to lay the foundation for performance and accumulate experience for a long time. If you are suitable, you will be calm. Experience is often realized in calmness, and it is also summed up in mistakes."

"A solid foundation will bring you endless experience for life, and the experience will also guide you to gradually open up the road of expansion, or the old saying..."

"chances are for people who are prepared."

Zhang Zifeng listened carefully, the same words from Lao Chen's mouth felt different from Su Ze's.As a person who has experienced it, I can best understand the difficulty.

Acting is only the first step, the most difficult thing is to prepare psychologically.Ask yourself if you really have the courage to jump out of your existing comfort zone?

Do you want to deeply experience different lives with your heart?
Have you accepted the consequences of failure?

Broadening the play path is not as simple as changing the appearance and acting ugly. It is necessary to understand and analyze the character's inner logic and behavioral lines from the perspective of the character's growth background, living environment, and even from the perspective of life and values.

What caused the characters to behave like this?What caused such a relationship between the characters?

All of these require the actor to integrate with the character from the body to the heart, and truly integrate into the depths of his heart, so that it is possible to accurately grasp characters different from himself.

Thinking back to my sister, she brought not only a billion box office and Golden Rooster Queen nominations, but more importantly, explosive acting skills and confidence in controlling different roles!

Being able to change from a younger sister to an older sister will have more possibilities in the future. The biggest obstacle for people to get out of their comfort zone is often not strength, but mentality.

Su Ze is also recalling the experience of the past two years, from a spoon to my sister, from psychological crimes to chasing murderers at night, the biggest gain is meeting a group of professional, serious and like-minded partners.

Chen Jianbing, Jiang Qingqing, Xiao Yang, Zhu Yuanyuan, Wubai, Wang Wei, Wang Longzheng, Wu Guohua...

And everyone in the Arc Light Alliance.

The preparation of each work is very regular and strict, which poses great challenges to the actors in all aspects. Everyone brainstorms and works hard for the same goal. This is called an immersive crew.

The result is that you are willing to believe that all actors, from extras to special guests to leading actors, everyone is the role in their minds, and everyone lives in the era when the plot happened, and they all experience the same emotions.

"I admire Liang Jiahui the most when it comes to acting." Seeing the serious atmosphere, Su Ze changed the topic and said, "I can play cowardly and honest characters, nonsensical and funny characters, upright characters, and evil and domineering characters."

"What male gods, gangsters, bandits, hooligans, and even..."

"Women's clothing boss!"

Everyone laughed, and I have to say that the dedication of the older generation of artists on Hong Kong Island is invincible. How many kings in their [-]s and [-]s don't need a substitute to do dangerous moves?
Convinced!

Su Ze laughed too. Thousands of people with thousands of faces are his goals, of course not just Liang Jiahui, Leslie Cheung, Zhang Yi, Wang Baoqiang, Duan Yihong, Fan Wei, Fu Dalong...

They are all good actors who are willing to dedicate themselves to their roles!

Take Fan Wei as an example, there are even traces of breakthroughs in the play.Starting with "Looking at Other Cars in July", then "A Fragrant Journey", "Please, Praise Me", and "Following Kong Lingxue", these few low-budget films are all acting as aggrieved and honest people.

In fact, this is a bottleneck, which is exactly the same as the stage of sketches that are deeply rooted in the hearts of the people. If Fan Wei does not cross it, it is difficult to say that he can see a wider world.

Many comedians also stop at this level, such as Zhao Benshan and Feng Gong.What made him open the bottleneck was the supporting roles in the works of great directors such as "Taoist Down the Mountain", "Nanjing, Nanjing", and "[-]".

Enrich his acting skills and explore more possibilities.Starting from "Blessed Ears", Mr. Fan's little characters have been sublimated visible to the naked eye.

A kind of resistance is integrated into elements such as honesty, kindness, and dullness.

It is precisely because of this struggle that he found a breakout point for his performance.Especially "The Problem That Is Not a Problem" is another world.

Of course, these are only Su Ze's own understanding, and others may have other opinions. The same work is a kind of recognition in itself.

Because of the roles that are too deeply rooted in people's hearts, many actors will be reminiscent of that successful role in everything they play.Even big names like Chen Baoguo and Cheng Daoming have not escaped the shadows of Bai Qiye and Emperor Kangxi. It's not that they haven't changed, it's just that the audience is too involved in the drama.

If this classic character is unintentional or sideways, it will be more difficult to break through, such as Zhang Yishan's Liu Xing and Sha Yi's Bai Zhantang.

Accidental is a lifetime thing!

"So you are still too young! Zhao Yuncheng waved his hand, pointed at Zhang Yu, Ding Feng and Hu Jianfeng, and said domineeringly: "Go to bed early! "

"Screw you!"

"Like how awesome you are?"

"Isn't it just that you can manage it?"

"Warfu!"

"Big punches without brains!"

"Muscle Man!"

Su Ze enjoys the atmosphere watching the chickens pecking at each other every day. It's great to get to know them when we come to Zhongxi Opera.

After more than two months of in-depth study of drama, acting skills on stage are the deciding factor, good acting skills will be selected for various projects, and there is the possibility of broadening the way of drama.

In film and television, acting skills are only a bonus item, and whether the appearance and temperament are in line with the role is the deciding item. This makes it difficult for film and television actors to broaden their acting career.

To put it bluntly, it is still a matter of distance. The stage is far away from the audience, which can be made up with makeup.The camera directly reveals every detail, so the first choice is to have a similar image and temperament, which is one of the reasons why small fresh meat is rampant now.

When the actor plays something else, the audience will still associate him with the character in his memory, so it is not easy to accept the new character subconsciously.

Another reason why it is difficult to broaden the scope of drama is that the types of domestic film and television are not diverse enough, and there are not many things for actors to choose from.

In particular, the negative energy that is easy to make actors stand out is greatly restricted. Look at those works that won Oscar winners and actresses, which one is not full of negative energy?

(End of this chapter)