Actors start from the college entrance examination

Chapter 228 Questions
There was thunderous applause.

Principal Hao applauded lightly. He was very satisfied with Su Ze's sharing. There was no pretense, it was all based on experience, and it was very good to guide and help newcomers.

Lin Hongtong was a little dazed, thinking of the scene when he just entered school three years ago, he couldn't help but lament how much time passed.

Chen Gang is very pleased. Su Ze is considered to be the most talented and hardworking student who has been teaching for so many years. In just three years, he has established a firm foothold and completed a huge transformation from a rookie to a powerful actor.

Su Ze bowed, returned to the podium, and said with a smile: "That's all for sharing. A theory is always a theory, and it must be realized through everyone's efforts. Next is the question time."

"If you have any questions, you can ask them, and declare in advance, just let me go in private life!"

The crowd roared with laughter, and many hands were raised instantly. Su Ze picked a junior at random, and the other party asked curiously, "I heard that the third-year acting class calls you Boss Su, can we also call you that?"

Su Ze had no choice but to nod.

"I want to know how you usually improve your acting skills?" The school girl said seriously, "Do you have any special skills?"

As soon as these words came out, the audience was quiet, and hundreds of pairs of eyes stared at Su Ze expectantly.

"Fart!" Zhang Yu in the corner was depressed after hearing this, and muttered, "We slept together for more than three years and didn't realize it. You're thinking too much."

"Sleeping in the same room." Ding Feng corrected.

Having said that, I am still looking forward to Su Ze's answer. Not only the students, but many teachers here are also eagerly waiting. How did this kid practice his acting skills?

"This question." Su Ze pondered for a moment, and said sincerely: "I think it's still the details."

"Acting without a physical object has helped me a lot!"

"Because there is no real thing, it is a great exercise for the actor's sense of faith. I think this is the foundation of everything. If you don't even trust the role you play, how can you talk about acting?"

"If there is no real thing, if you want to act like it, you must pay attention to observing life. This is a habit. If you change it into jargon..."

"Listen more, see more and feel more."

Su Ze said these words willingly. After all, the first training item of the system is that there is no real thing. Without long-term efforts, there is no today's mastery of details.

"But I always use my strength!" Suddenly a boy answered and said loudly, "The acting is so fake!"

Everyone didn't laugh. This question is also the most troublesome point for many students. All eyes were fixed on Su Ze, looking forward to his answer.

"Okay, since everyone agrees on the importance of performing without physical objects, let's discuss how to perform realistically."

Su Ze stepped off the podium, took the microphone to the front of the stage, and said seriously: "I think many students here don't pay enough attention to performances without real objects!"

"Let's not mention the sense of faith. The biggest advantage of training without physical objects is to improve the imagination of our actors, just like wearing clothes, and increase the audience's sense of substitution for the role a little bit."

"For example, the topic is to fry a dish, the simplest fried rice with eggs."

"The steps I can think of are: wash the tomatoes, wash the scallions, cut the tomatoes into small pieces for later use, and cut the scallions into chopped green onions for later use."

"Turn on the stove and adjust to the right heat, take out two eggs and knock them into a bowl, stir the eggs with chopsticks until they are even."

"Open the lid of the oil bottle and pour in an appropriate amount of oil. When the oil is hot, pour the eggs into the bowl, fry the eggs with a shovel, and take them out after they are cooked."

"After the eggs are cooked, put them in a bowl for later use. Then open the oil bottle and pour in an appropriate amount of oil. When the oil is hot, add chopped green onions."

"Pour the prepared overnight rice into the oil pan, stir fry with a shovel, pour in the fried eggs and stir fry together."

"Turn off the stove switch, turn off the fire, and finally put the scrambled eggs and fried rice into the rice bowl."

After Su Ze finished speaking, he simply started performing in public.I saw a set of movements flowing smoothly, especially various small details.For example, look sideways at the size of the flame...beat the egg and scrape the inside of the eggshell with your fingers...the egg flower is full of rhythm
Especially when the oil was hot in the pot, the body leaned back slightly, and even the eyes narrowed instinctively.

"Beautiful!" Headmaster Hao couldn't help applauding secretly. As an old Jianghu trained in human art, he can tell how high the details of this kid are in a simple performance!
The most rare thing is the instinctive reaction of the body, which can only be achieved after many times of simulated training, just like a good boxer, the body has long formed the habit of avoiding, otherwise he would have been knocked out by KO.

"Brilliant!"

"Hey, this is called acting without physical objects!"

"Impressed!"

"Boss Su is amazing!"

"Hey, when will I reach this level."

"There is hope, in the next life!"

The atmosphere of the venue was at its peak. After all, it was a Chinese opera, and there were the most freshmen present, and there was no lack of physical performances, but it tortured them a lot.

Su Ze waited for the venue to be quiet, and continued: "Why do you have to perform without physical objects? Can't you perform with things?"

"Sense of acting!"

"Imagination!"

"It was just at the simplest level. After you are proficient, you have to imagine the cause and effect of this meal. Why eat fried rice with eggs?"

"What's your mood during the frying process? Is there any emotion you want to express? What do you think when you eat?"

"Or to extend a little bit, what do you think about when you go to the supermarket to buy vegetables? What do you think about on the way home? What do you think about when you wash the vegetables? What do you think about when you wash the dishes?"

"If all the logic can be cleared up, this is the complete psychological change process of the character."

"Good!" Headmaster Hao took the lead in applauding, and then the applause was like thunder.

Experts will know if there is one as soon as they make a move.Just listening to this analysis, you know that your acting skills are not bad. As long as you can think of it, you will have a chance to do it. Even if you can't do it temporarily, you can still achieve your goal through hard training.

I'm afraid you can't even think of it!

"Details!" Lin Hongtong looked at the confident and calm Su Ze, with acting skills at this level, the so-called experiential school or the method school are bullshit.

No matter from the outside to the inside or from the inside to the outside, isn't the sense of substitution what actors pursue all their lives?
As long as the audience can take over the roles and experience the joys, sorrows, sorrows, and warmth of human relationships together, is it important?
Isn't there only one goal in the end for any means?
real!

I think of the words of a senior once: Don't take acting too seriously!

Whether you do well or not depends on whether you believe in the state you set for yourself.

A good actor can let the audience know how thirsty he is just by drinking water.

Because he believed he was in that state!
"This is the true charm of acting without physical objects." Su Ze said confidently: "It is also a basic skill worthy of daily training for an actor all his life."

"It's like the BUFF of playing games. All the practice efforts are to get closer to the desired performance state step by step."

"Everyone talks about acting skills?"

"In my opinion it's just a technology!"

"It is the step for our actors to enter the heart of the characters. No matter what method, as long as we can integrate into the characters and experience their true state, that is the goal."

(End of this chapter)