Chapter 250 Guiding the maze
At that time, Su Ze was also drunk after listening to Kong Xue's report of the name of the dish. No wonder he was known as the favorite of the entertainment industry.

I can't accept it!

Regardless of commercial value or box office appeal, regardless of fashion attributes or resource background, it completely swept away thousands of troops.

Just ask who else?
At the end of the recording, Mr. He was going to treat the guests, but he heard that the third son of Chinese opera had other plans, so he sent everyone away with a smile.

When she came to the hotel and entered the private room, Qian Xi took a deep breath and said in a relaxed way, "I can finally take a breath."

"What movie did senior brother film recently?" Zhang Zifeng asked tentatively.

"I just finished filming a war scene, and I'm reading a book while taking a rest." Qian Xi handed the menu to Su Ze and Zifeng and said, "Order, I can do anything."

Su Ze was not too polite, he could feel the closeness of the other party, they were all young people, so there was no need to be too hypocritical.

Just order a few specialties, no drinks, a pot of chrysanthemum tea, and chat while eating.

"The graduation defense will be completed next month, and the four years of Chinese opera will be over." Qian Xi has no appetite, put down her chopsticks, and sighed: "University passes so quickly."

"Yes, in a blink of an eye we are already in the second semester of our junior year, and we will graduate the next year." Zhang Zifeng recently lost weight, only ate a few mouthfuls of fish, and put down his chopsticks: "It's just a blink of an eye."

Su Ze looked at Qianxi, then at Zifeng, and said helplessly, "Eat them all, it's shameful to waste them!"

"I also want to eat more, but my body doesn't allow it." Qian Xi rubbed her stomach, and explained: "Just after the physical examination, the doctor said that I have a stomach ulcer, so I must eat light food and eat nutritious meals every day. Life is hard."

"Irregular diet during filming?" Su Ze reminded: "You still need to pay more attention to your body. You look for illnesses before [-], and illnesses look for you after [-]."

"Especially us men!"

Qian Xi: "..."

When the topic was opened, Qian Xi was not polite, and said straight to the point: "Your acting skills are outstanding among people of your age, including many Mesozoic actors. Can you tell me the secret?"

Afraid that Su Ze might misunderstand, after all, we met for the first time today, and explained: "Many directors told me that if I want to improve my acting skills, I have to work on the details, but I can't always grasp the feeling, so..."

Su Ze nodded. The exchange of acting skills between actors is the best topic to get closer. For example, in the last recording, I wanted to discuss the new script with Peng Peng. We are all colleagues, and this kind of communication is more natural.

"Su Ze is the monitor of our acting class. He often guides his classmates' acting skills, including my sister, who helps analyze the characters in the script."

Seeing Su Ze's silence, Zhang Zifeng thought he had some concerns, so he hurried to smooth things over.

"I've watched you as a teenager and Chang'an Twelve Hours. Of course, it's mainly movies." Su Ze understood Zifeng's misunderstanding, and said with a smile: "Your strength is your eyes. It is a talent to be able to convey the complex emotions in your heart through your eyes."

Qian Xi straightened her back and recognized Su Ze's acting skills very much, especially if the other party was the same age, the suggestion was more reference, otherwise she would not take the initiative to get closer, just hoping to get professional advice.

Sensing Qian Xi's sincerity, Su Ze nodded secretly. It really wasn't a waste of fame. Just being modest and studious killed many so-called traffic stars in seconds.

Since he was open and honest, he didn't have to hide it, and said seriously: "To be honest, I don't really like the outside world who always use the so-called acting skills to describe our actors' professional ability."

"It seems that only those with strong explosive power are called acting?"

"Crazy chattering is acting?"

"You have to play a lunatic who breaks down to be called a good actor?"

The three questions made the two nod their heads one after another. The audience cannot be entirely blamed for the misunderstandings. After all, they are not professional graduates, and their acting skills are very subjective evaluations.

What's more, although acting theories and genres are different, the Zhenger Bajing College assessment does not allow students to act out emotions such as schizophrenia or completely out of control, because this is not the essence and purpose of acting.

"Take the crying scene as an example. Crying is not the point, and even the breakdown is not the point. I think the highlight should be a layered transmission of inner emotions, a transmission of emotions from the inside out."

Su Ze analyzed: "Through this kind of transmission, the actors convey the inner things of the characters to the hearts of the audience, so there will be a short-term emotional externalization in the end, which will make the audience empathize all of a sudden, and their hearts will be touched, and they will also flow down. Tears even felt that physical pain."

As Qian Xi, who regards acting as her lifelong career, she agrees with Su Ze very much.

I have worked with many top directors, and they often tell themselves a truth: good acting skills do not come from actors talking about themselves, but from their understanding and experience of characters.

Through emotional communication, the audience can have empathy and spiritual touch, so as to comprehend and understand the characters on the spiritual level.

This is why good actors and professional actors will definitely study the script in advance and write a lot of biographies.

It is because as an actor, the experience and understanding of the characters must be much more than what is presented in the script, and an inner spiritual script needs to be constructed when performing.

There may be one or two hundred words of subtext behind every undetectable micro-expression, so that the emotions can be accurately conveyed, and this is where Su Ze's strength lies!
After debuting for so many years, there are two kinds of garbage actors I have met: the first one is shoddy, for example, this morning’s play was improvised with lines that were still warm from the printer?
Don't tell me about Wong Kar Wai!
His actors all finished mental scripts in painful NG or simply became crazy!
Most of the market is like this, but there is another kind that is more difficult to detect, and is even mistaken by the audience as a drama bone?
It's that kind of highly stylized academic.

All professional courses of the acting academy have a set of stylized acting templates.How to express anger, how to express sadness, how to express joy, your body language, facial expressions and eye movement, etc.

In other words, a kind of performance inertia has been formed through long-term training. This stylized acting skill, combined with trained clear, sonorous, cadenced, and magnetic lines, is enough to satisfy the masses who do not know the truth.

Shouting is worthy of being an old academic drama.

In fact, these people just memorized the lines, and then called out the corresponding acting templates from the memory bank according to the literal emotions.

Perform for the show's sake!
"You have very few facial expressions." Su Ze looked at Qian Xi and analyzed: "According to my observation, most of them convey subtle emotional changes through the eyes and the corners of the mouth, right?"

Seeing Qianxi nodded, he continued: "Maybe it's because you use less of your other facial muscles, so your eyes are more prominent. This is an advantage, but it's also..."

"I understand!" Qian Xi hurriedly said, "I knew this a long time ago."

"Well, micro-expression is a series of training." Su Ze recalled the hard work of the past few years, and said with deep emotion: "The acting skills I understand are to accurately convey appropriate and strong spiritual experience through very small changes in expression, which is very important to the audience. There’s a lot of empathy.”

"It sounds mysterious. If I had to describe it, it might be the depth of that emotion."

(End of this chapter)

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