Actors start from the college entrance examination

Chapter 263 Moisturizing and Silent Acting
On the sixth day after the start-up, it was finally Jiang Yang's turn to make his debut, and the progress was one-third faster than expected. Everyone was full of expectations for Su Ze.

Especially for a few old actors, when they saw the sunny and handsome Jiang Yang appearing in front of the camera for the first time, there was only one thought:
It's nice to be young!

"This is the role he should play at this age!" As a woman, Tan Zhuo can feel the beauty exuding from Su Ze at this moment, so vigorous, so full of hope, so desirable.

"The future is boundless!" Ning Li couldn't help but applaud. What is the highest state an actor pursues?
It's not just acting like what it is!
Anyone who can reach the standard is a top expert. Who would have expected to see such potential in a young man in his early twenties?
The back waves of the Yangtze River push the front waves!

Liao Fan's heart is also very complicated. If you haven't watched Bai Ye Chasing the Murderer, Su Ze's performance can only be regarded as quite satisfactory. After all, is it difficult for actors to interpret the state of this age?

This is why many so-called idol idols choose to act in ancient costumes or romantic dramas. After all, the male and female protagonists are handsome men and beautiful women in their prime.

In Liao Fan's opinion, whether a truly mature actor can play a cross-age role is an important criterion. It is difficult for a young actor to play an old one because of vicissitudes of life and accumulated experience.

For the old to play the young, the difficulty lies in the invincible hope of youth, no matter which one can be solved simply by persuasion.

In this comparison, the role of Jiang Yang in The Silent Truth is still slightly less difficult than Bai Ye chasing the murderer.

Su Ze didn't care about other people's thoughts. The moment he stood in front of the camera, he became Jiang Yang himself, feeling every move of the character.

Characters that are too good are often untenable. The effective method is to increase the details and flaws, and the second is to enhance the sense of tragedy of being destroyed.

In my opinion, Jiang Yang's flaws lie in his early hesitation. For example, his girlfriend Wu Aike complained that he is not a man if he does not reverse the case?
Jiang Yang was angry and funny, and said with a little bit of a couple's coquettish tone: How can this have something to do with whether he is a man or not.

The reason why Su Ze handles the details in this way is because this character agrees to investigate the case after obviously having utilitarian considerations, which is also an important trigger for the character to change step by step.

The core of Jiang Yang's role is only three words:

Tragic!
Su Ze's request to himself is to show the different states in the past ten years, from a high-spirited young man to a dying man with white hair and gray beard, from comfortable to helpless in body movements, from bright to sad, and then to the final stage of digestion. compassion.

The breaking point is set at the last scene where he hangs himself!
So Jiang Yang in the early days was angry. Hearing of Hou Guiping's injustice, he was filled with righteous indignation.Facing Li Jianguo's ugly gesture, he was furious.Hu Yilang of the Kahn Group threatened his son, and he ran away on the spot.

Because he was young and frivolous and has not seen the dangers of society, and because his passion has not been polished by reality, in short, Jiang Yang's understanding of justice at this moment is shallow.

With the development of the plot, especially in the scenes where Pingkang Sanjie eats hot pot several times, there are plots of drinking. Su Ze deliberately deals with drinking in a different state every time.

When he drank it for the first time, he looked like a novice in the workplace. He took a sip of it and immediately became hot. He even made a small emoji to his girlfriend who was worried that he was fine.

The next few times I drank it more and more naturally, and every time there was a little design to show the process of the character gradually changing.

Until the last hot pot game when he was released from prison, he suddenly raised his wine glass and clinked glasses with the other two in a very awkward and unnatural posture, which immediately showed Jiang Yang's psychological and status gap at that time.

It also paved the way emotionally for losing the wallet and crying later.

The bystanders are okay, after all, many details are not easy to capture, the most shocking thing is the immersive co-actors, especially Wu Aike's actor Zhao Yuanyuan.

I know that Su Ze is awesome, but only by experiencing it for myself can I understand how awesome he is!
The most shocking scene is the scene of the two breaking up, which is short, silent, full of metaphors and has great tension.

Especially looking at Jiang Yang's extremely complicated eyes full of nostalgia, at that moment Zhao Yuanyuan seemed to be under an illusion, and the beauty of the past appeared like scenes in the movie version...

Impressive!

My heart is broken!

At this moment, I really understand how big the gap between myself and the powerful faction is!
A simple look is crushing without any suspense!

This is Zhao Yuanyuan's feeling, and it's different for others. For example, Zhu Wei, played by Zhao Yang, is also the actor who plays with Su Ze the most. Every time, it seems that Jiang Yang is standing in front of her alive.

Among other things, just coughing up a detailed design is breathtaking.The reason why he is a terminally ill patient is not because he is hunchbacked and old, but because of this dying cough.

Su Ze coughed very restrained every time, and often stopped halfway through the cough.People who perfectly show a real cough and people who are really sick actually really don't want to cough it out by themselves.

I also don't want my cough to be too long, so as to show that I am seriously ill or cough too loudly to disturb others. This subtle inner state is vividly expressed by Su Ze.

When he was young, Jiang Yang didn't have many roles, and it was basically no difficulty for a master of Su Ze's level. The highlight is to read all the joys and sorrows in the world, and taste all the cold eyes and sorrows. How will he behave after that?
Surprised to find that Su Ze was calm about the state of the character, with the fear of taking a step back and the compassion of seeing through life and death.

This kind of daring is not not daring to face evil forces, but it is specifically aimed at those he loves, respects and cherishes, he does not dare to get too close to them, and he does not dare to accept their kind thoughts.

For example, when Chen Mingzhang gave him a big red envelope, he was very at a loss when he accepted it?
If it was him ten years ago, he would definitely accept it generously, and even made a few jokes about reciprocity.

But in Jiang Yang ten years later, he would feel that a friend's kindness is too heavy.

Trembling, like walking on thin ice!
When the plot got to the scene where Jiang Yang lost his wallet, seeing his heart-wrenching state, Zhao Yuanyuan didn't even understand why this happened?

It wasn't until Su Ze gave the answer that he suddenly realized that the direct reason was that the bank card and ID card had to be reissued.

For people like Jiang Yang who have suffered injustice, every formal occasion, every time he introduces his past identity, it is a revisiting of old wounds.

It's like torture!

That's why Su Ze kept mumbling to himself: I lost my wallet, I lost my wallet, I lost my wallet...

The obsession is too much, the spirit is too depressed, and the chatter of seemingly unimportant trivial things is like a knife like a sword like a sharp edge, which makes people feel unbearable.

Only those who know how to understand Su Ze's good intentions in many seemingly simple details, only through the slightest changes can the texture of vicissitudes of life be compared, and the audience's heartache Jiangyang can be made.

imperceptibly,

Deep into the hearts of the people!

(End of this chapter)