Actors start from the college entrance examination

Chapter 265 Advanced!

In Liao Fan's words: "Jiangyang is you acting, if someone else...

it is more than words.

Su Ze concluded that the two scenes of losing the wallet and the final suicide are quite challenging. They are not emotional, and it is difficult to infect people. The audience's sense of substitution for Jiang Yang's sadness will be weakened.

If the acting is too vigorous and full, it will be over, or even fake, and if it is deliberately sensational, it will be too much. This degree is really difficult to grasp.

Of course it's just a little difficult.

I have to say that after the baptism of chasing the murderer in the white night, I feel that the control of details has improved to a higher level, and there is a sense of breakthrough after an epiphany.

System training is just the usual accumulation, like playing games and downloading dungeons to practice leveling and increase experience points.

You must really stand in front of the camera, go deep into the heart of the character, and face a powerful opponent in order to reach the critical point of upgrading and breakthrough, and find opportunities to upgrade the level.

Both are indispensable.

The crew is progressing very fast, 20 days have been basically completed, and it can be finished in two or three days at most. Su Ze has the most roles, and Liao Fan and Tan Zhuoning have already left.

Summarizing the work during this period, Su Ze is very satisfied. Every time he cooperates with an excellent team, he has different results. The psychological crime of chasing the murderer in the night is an arc alliance with [-]. Because of the personal style of the big bald head, the atmosphere of the whole team is relaxed.

That's right, don't look at the filming of suspenseful reasoning.

Xin Yukun's team has another style, rigorous and neat, also because of the director's personality, there is not much nonsense, and everything is based on the work.

This time I worked with Chen Yifu, although the other party is a newcomer, but his professionalism is good, at least he has been recognized by the actors.

Of course, in the end, it still depends on editing, especially the three-line narrative structure. If the cause and effect cannot be fixed, the entire army will be wiped out, and all the efforts of others will be in vain.

These are not things that Su Ze can worry about. The production team is finished, and apart from the necessary publicity, the actors are basically retired. As for those malicious operations?
It's all rubbish!

As the last part of Zijin Chen's trilogy, Undocumented Crime's style is a bit like Chasing the Murder in the White Night, and the silent truth contrasts with the hidden corner.

From the perspective of adaptation, Su Ze believes that the similarities dilute the dark atmosphere of the original work and add a lot of bright colors.The difference is that the hidden corner is in the style of a dark fairy tale, and the whole play can be understood as a huge narrator's trick.

The Silent Truth follows the style of social documentary, covering as much as possible the broader social reality, and showing the complexity of human nature through different roles.

From the hidden corners of the creative level, a large number of metaphorical shots are used to enrich the ambiguity of the text with the ambiguity of the image, so that the small screen also has a strong sense of cinema.

The Silent Truth makes good use of matching editing and parallel montage to change different timelines. The most classic example is the impossible eye contact between Yan Liang and Jiang Yang.

Everyone was chatting together yesterday, and the screenwriter bragged that even Zijin Chen himself liked this script adaptation, especially the role of Yan Liang?

Su Ze agrees with this, because in Long Night, Jiang Yang is the protagonist, and Yan Liang is just a tool to fulfill his wish.

And this time, the adaptation adds drama to Yan Liang, which is placed in the same important position as Jiang Yang, and has an independent story line.Immediately let this character be flesh and blood, full and distinct, no longer just a tool person, with its own background and specific motivations.

The reason for this is because of the basic theory of drama: a character who is not contradictory is not likable.

With the deepening of the investigation, coupled with his own experience, Yan Liang projected a part of his life to Jiang Yang to a certain extent.

It seems that the whole person is much warmer. Su Ze likes this adaptation very much, because the characters' personalities grow at a speed visible to the naked eye, which is more real and contagious.

why do you like it?
After all, the two had no rivalry at all, and they discussed and communicated with Liao Fan in private. This is also one of the important gains from the work to open Su Ze's mind.

Starting from psychological crimes, I have been considering many issues, such as what is the value and significance of the opponent?
Fang Mu Taiwei, Guan Hongfeng Zhou Xun, even Hu Yajun and Liu Lin played the dead mother...

Some are brothers, some are in love and kill each other, and some are simply life and death...

No matter what the above relationship is, there are a lot of rivalry. The characters face-to-face and cooperate to fight together, but the silent truth is different.

The two protagonists, Jiang Yang and Yan Liang, have never met each other. Why set up such an opposing relationship between characters?
What is the significance of abruptly linking the two together?
Later, I gradually realized that precisely because Yan Liang could not see the real Jiang Yang, the screenwriter instead arranged for a good comrade-in-arms named Liu Mingyang who had a personality very similar to Jiang Yang.

In the process of getting along, Yan Liang had the opportunity to constantly think about this case and reflect on Jiang Yang.It affects Yan Liang's attitude towards Jiang Yang on the surface, and enriches Jiang Yang's character image on a deep level.

advanced!

White Night Chasing Murder and The Invisible Guest are both original scripts. In all fairness, the adaptation of The Silent Truth is far more than psychological crime!

To put it bluntly: if psychological crimes could be adapted to this level back then, it would definitely not just be a hit.

These are all hindsight, and Su Ze doesn't regret it. No matter how successful the work is, there will be regrets when looking back. Even if Bai Ye chases the murderer and let the current self act again, there are still many things that are not satisfied and not enjoyable.

Liao Fan is a respectable senior who is willing to absorb other people's opinions for the role. For example, the pinball that never leaves his hand is a small gesture suggested by Su Ze.

Because it is the relic of the son.

Although there is not much ink, it can be seen that Yan Liang loves and misses his son.So Jiang Yang, who is also a father, chose to divorce in order to protect his wife and children. Facing his son, he asked him: Where do people go when they die?
Tears are streaming down my cheeks!

For Yan Liang, he lost his son, so he understands Jiang Yang's cherishment of his son.For Jiang Xiaoshu, he lost his father, so the ending design Yan Liang gave Jiang Xiaoshu the pinball in his hand.

It symbolizes the transfer of the identity of "father/guardian" from Jiang Yang to Yan Liang, and a simple action can make up for what Yan Liang said was missing in his heart.

It also shows Yan Liang's recognition and admiration for Jiang Yang, which also means the inheritance of father-son love and justice belief.

The son who lost his father, and the father who lost his son, in a journey of pursuing justice, finally complete each other.

Thinking of this, Su Ze sighed endlessly, the wrath of a man is easy to get, but the heart of a child is hard to find.But how many people in this world can be like them?
Even if Jiang Yang pays the price of his life, what will change in the end?
The night is still long, and the dawn is far away.

I still remember filming the last scene the day before yesterday. The director waited for the time when the rain had passed before the sky cleared.

Jiang Xiaoshu raised his head and looked around, as if looking for the cloud that belonged to his father.The camera is zoomed out, the sky is cloudy, and it seems that it is about to clear up.

A line suddenly flashed in Su Ze's mind:
I have never seen such a gloomy and bright day.

(End of this chapter)