Actors start from the college entrance examination

Chapter 282

Performance is status, as long as you are in the show, nothing else is a problem.

Not only Su Ze, but even Zhao Yang, who played the villain Chang Wannian, also broke through his acting skills this time, contributing an unprecedented state.

The image of the villain this time needs a sense of roughness that is not refined but has deep inner strength, not like a vicious and cunning devil, but more like a greedy and violent tyrant.

As for Tian Xiaojie, it is not easy. The seemingly gentle lawyer is similar to the role he has interpreted before?
More fun!

On the one hand, he knows where the wind is blowing, but on the other hand, he is trapped by his conscience.In the midst of great anxiety and a sense of crisis, I know that every choice I make will correspond to a completely different future.

There is no way to go up and unwilling to go down, and the soul is gradually torn apart in ramblings.

Even Tian Xiaojie's performance directly embodies the theme of bursting and silent to some extent.The inner contradictions and hesitation of the characters must be conveyed with a restrained performance.

Every choice made by Xu Wenjie is also silent in another sense, and this silence eventually leads to a burst.

After this cooperation, the three heroes of Pingkang have become closer. They discuss details on the set every day, study how to plump the characters, and strive to break through their own limits.

Xin Yukun is extremely fortunate to have met such a good actor!

The relationship network composed of three people and three lines, the unpredictable and unpredictable inner drama, extends countless choices, just like a stable pyramid structure, putting the deep darkness of human nature on the table, making you as dumb as the male lead.

Have you ever experienced aphasia?
The kind of situation where you want to speak and express, but suddenly you can't speak for various reasons, and you feel frustrated and painful.

As if his mouth was suddenly blocked, the words that were about to spew out had no way to vent, so they had to accumulate inside.

Like a volcano about to erupt, it was suddenly covered!
If it were you, how would you vent?
Fast is skillful kung fu, slow needs real kung fu.Su Ze feels that many domestic movies can achieve style as long as they slow down, but our creators are always afraid that the audience will be impatient?

So I chose very full music, very short shots, and a very tense rhythm to drag the audience, for fear that they would run away?
Xin Yukun is completely different.

From the Heart Labyrinth to the Invisible Guest, and now the Burst of Silence.Don't rush, don't be cramped, the story unfolds gradually.

With a good plot, the audience will definitely slide to the end as long as they enter the pit.What hooks people is the story, the suspense, and the strong sense of anticipation brought by the excellent character design, which is the embodiment of the creator's ability and self-confidence.

The details of many scenes are impressive, such as many shots of eating.In the restaurant, the villagers are gnawing on the bones of the meat, Chang Wannian is gnawing on the tomatoes, the hero is eating meat in the restaurant, and eating at home...

They are all gobbled up, simply using the details of eating to directly express the vulgarity of the villagers, Chang Wannian's domineering, and Zhang Baomin's character.

Parallel editing is used for several climax passages. The passage where Zhang Baomin goes to the butcher restaurant to find the child, the butcher cuts the meat, flashes back to the conflict scene between the butcher and the protagonist, the child makes a sound, the camera is raised, the butcher wears a blindfold, and the clues advance synchronously.

Quite a master style!

Another example is to go to the company to find a child, and the fight is turned upside down. Chang Wannian smashed the seven meat and eight vegetables with an ashtray, and the fantasy two children escaped from the cave and the little girl was carried out in reality. The tension of the role of the lawyer reaches peak.

In Su Ze's eyes, a good movie must polish the details carefully. When Chang Wannian was negotiating with another small boss, the camera turned to the meat cutting machine, and the sense of oppression hit instantly.

The lawyer, Zhang Baomin and Chang Wannian confronted each other. The lawyer said his son was lost, so you want to kill him?

A simple "return" child, satisfies the reality of shooting and killing children for thousands of years.Of course, Zhang Baomin did not understand what the lawyer said.

In the last collaboration, I discovered that Xin Yukun has his own understanding of composition, and this time, Blast and Silence is more mature and natural.

The male protagonist enters Chang Wannian's hunting collection room, and the camera directly seems to enter the animal world, showing a neat photo frame effect?

The silhouette of the characters running in the tunnel, the silhouette of the two children walking to the top of the mountain, the distant view of the mountain when the male protagonist is looking for someone, the shot of passing by the big truck...

Ingenuity abounds.

What is film texture?
This is!
It's a pity for Su Ze. Black crime films have a stable audience at home and abroad. For example, the Coen Brothers, who are familiar to movie fans, are among the best.

South Korea is unique because of its political elements integrated into this theme, Johnnie To's Galaxy image is an expert in digging the theme.

"Treading Snow and Looking for Plum Blossoms", "Big Buddha Plus", "The Witness" and "Blood Guanyin"

Compared with the prosperous landscape of other countries, the so-called crime movies seem like a desert in China?

"Looking for a Gun", "Tengu", "Kekexili", "Crazy Stone", "West Wind"

So-so, barely, barely!

Su Ze believes that black crime themes have strong storytelling, relatively low cost, and hormonal elements such as violence, murder, and suspense, so they are naturally high-quality movie themes.

But it also inevitably involves the ugliness of human nature and the dark side of society. Passing the review is the biggest threshold. No matter how good a work is, it doesn't make sense for it not to be released.

If Su Ze were asked to choose a few domestic directors with this theme, apart from Xin Yukun, only Cao Baoping would be the only one.

The Scorching Sun and The Murder Chaser also proved Cao Baoping's strength. Of course, Heart Maze, The Invisible Guest and Cracking Silence also made Xin Yukun not inferior.

Chen Zhengdao is actually one of them, and the master of hypnotism and memory is barely a crime theme, but the style is different.What he pursues is more refined, focusing on social issues on the surface.

Then there is Cao Baoping, who dares to describe the complexity and ugliness of crimes, with a well-regulated style, and the script is just above the pass, if it is not for the choice of actors...

In all fairness, Su Ze admired Xin Yukun more, both in terms of depth and breadth, especially the sharpness of the issues at the bottom of society, as long as they can pass the review, they are all good works that are thought-provoking.

This kind of theme is easy to produce high-quality goods, the premise is that the creator's exquisite polishing of the story and details, as well as the excellent performance of the actors.

Those shoddy works that hope to use traffic stars and big IP to make money in the market, in addition to overdrafting the audience's reputation for the subject matter and earning some salivary money, are left with a pile of cultural garbage.

It was started in early August and completed in just 26 days. This speed is perfect.

Thanks to everyone's hard work, the cost was controlled at 800 million, plus the post-production and publicity, the maximum of 500 million can be settled without a sound.

It's nothing to the rich and powerful Kanazawa!

The next step is post-editing, Xin Yukun is very relieved, and then discusses the distribution cooperation with Bona, and it is expected to be released in theaters by the end of the year or early next year.

After all, Fatty Yu is an old Jianghu, and there is basically no problem with passing the trial. As long as there are not many revisions, Su Ze is very confident in Burst and Silence!

(End of this chapter)