Actors start from the college entrance examination

Chapter 308 The camera can talk

Every era has its own temperament, and every age stage has its own personality. This is the biggest difficulty.

Audiences who like to watch period dramas are looking for the memories of those years. No matter how awesome the plot is or how full the characters are, as long as it feels wrong, everything else is nonsense.

"Accent?" Su Ze looked at the script. The biggest difficulty now is the local accent. The last time a spoon played a fool, there were no lines throughout the process, so there was no problem with the accent.

It can be said that since his debut, this is the first time he needs to learn a local accent, which makes Su Ze very excited and a little challenged.

"There is still one week." After making up his mind, he will go all out and use the system time difference to study the characters and practice the local accent. Four months should be enough.

"Reyiza?" Kong Xue is also studying the script of "Mountain and Sea Love". Needless to say, Noon Sunshine's gold-lettered signboard, Kong Sheng's gold-medal TV drama director, and other actors are well-known and capable...

Why did the heroine choose Reiza!

After a special investigation of the background information, the Beijing Film Academy is good, but most of the time is a model, and there are very few works that can be produced since his debut. The most famous one is the female partner at the twelve o'clock in Chang'an the year before last?
If it wasn't for Sunshine at Noon, if it wasn't for director Kong Sheng, if it wasn't the first collaboration...

Does she deserve it?
Forget it, dawdling in a group of acting schools is far more difficult than imagined, just like a pack of wolves getting in with a little sheep?

Look at the miserable appearance of Zhao Yuanyuan in the silent truth!
What is drama bone? He laughs and laughs in life, and he is very kind.But when you really want to act seriously, no one will give shit face.

It's not uncommon for the backstage of Renyi to scold the street for a line.

It seems that Su Ze has always been in the crew like a duck to water?

That's because the strength is strong enough!

Try another person?

Do you really think those powerful factions have no temper?
Ha ha!

Thinking of this, Kong Xue smiled. She was very dissatisfied with Reyiza. She was neither popular nor capable, so why should she be favored by Kong Sheng?

But it doesn't matter, Sunshine at noon's play is famous for its details, not to mention the actors, even Fu Huadao is a well-known professional in the industry, want to mix seniority in this kind of crew?

court death!

Picking up the script again is not without risk. If it is not produced by Noon Sunshine, if the director is not Kong Sheng, and if the cast is not good, then Su Ze will not be allowed to try the so-called period drama!

Especially poverty alleviation dramas are difficult to shoot, because poverty alleviation itself is a very serious matter.Most of the poor people live in rural areas with poor transportation, and the characters are either ignorant or kind and honest.

The poor do have a sense of humor of the poor, but it is difficult to grasp the middle level, and poverty alleviation is a process in which the government organizes to lead the people to become rich.

I must believe that the poverty alleviation staff are particularly positive and optimistic, and even have a lot of personal charm.But the background of the whole process is difficult, arduous and full of challenges.

This determines that many things are not good-looking, such as the clothes are all kinds of dirt, the scene environment is dirty and messy, and even the handsome ones have to be unkempt. How can there be any sense of beauty?
If young audiences don't like to watch it, it means that they don't make much money, and many film and television companies will not take the initiative to shoot.Therefore, most poverty alleviation dramas are filmed by official departments.

The official department has done practical things, but they don't know how to make them look good and attract the audience.Film and television companies know how to play routines, but they don't know the real details of poverty alleviation.

So it's all about slogans!

The audience is not stupid, you are wearing high heels and shaking the red wine glass to help the poor?
So there is not a single work on this subject that can be sold!

This is what Kong Xue is most worried about. After all, since Su Ze's debut, TV dramas have always been unfavorable. Even his debut novel Psychological Crime is a hit. Now it has more than one billion hits, and it is a Douban [-] masterpiece.

You Qi has just won the nomination of Fei Tian, ​​Golden Eagle Best Actor, and it is the time of the heyday. What if this drama overturns?
Thinking of this, I can only smile wryly and shake my head, there is no way, what can I do without any risk, can director Kong Da, the gold medalist director of the Sunshine at noon, come to invite me personally, can I not give face?

Young people must get out of their comfort zone, try more and make more breakthroughs, all of which will be slapped on that kid's face, who can bear it!
It can only be said that the right time, place and people just happened to catch up. Su Ze really needs to try new characters and new themes. The three suspenseful works have already become gods. If the script is not particularly excellent, he will not accept it.

Taking a step back, even if the drama in the era of poverty alleviation is not popular, it is a gift film for a century after all. Is it really because of the ratings that so many talents are rushing to catch up?

Domestic TV dramas have almost reached the end of their cooperation with Noon Sunshine. Kong Sheng is definitely one of the top directors. Zhang Jiayi, Yan Ni, Zu Feng, and Guo Jingfei are all acting schools...

Such a luxurious lineup is once in a lifetime!
So what if the ratings hit the streets?

Who dares to say that the actor is not good enough?

Period dramas themselves are niche, if you don’t like them, someone will like them, whether you like them or not!

Looking back at Su Ze, he spent most of his time in the system space, practicing the local accent, and was tired of studying scripts and writing biographies.

There is no composition, ordinary art, no hierarchy of light and shadow, but the rhythm is still extremely slow.

These are the main reasons why poverty alleviation dramas are not liked by the audience. The background is inherently difficult and difficult. If you continue to shoot like this, it will only make it more bitter and bitter. Who wants to watch it?

After all, most viewers follow dramas just for entertainment, not to find unhappiness. How many of them listen to Guo Degang to cultivate their sentiments?

I have to say that Kong Sheng is excellent, and his background in photography is exquisite, and he is extraordinary just by looking at the sub-shots.

Take the opening scene as an example, the scene where the protagonist I played takes Director Ma to Yongquan Village.For the long shot from the middle ground to the long shot, it is specifically indicated that a golden filter must be added.

Close your eyes and imagine: the whole world seems to have a warm feeling under the sun. The rolling hills and people on bicycles constitute a magnificent and beautiful scenery like an oil painting.

Spectacular!

Su Ze has been to the Northwest and lived in the Gobi, and knows that it is a desolate atmosphere that cannot be described in words.

The opening directly shocked the audience, feeling the insignificance of human beings in the face of nature, and instantly sublimated the theme, highlighting the magnificence of the local people fighting against the sky and the earth.

The silence speaks!
Scenes like this abound. For example, the protagonist’s younger brother, Ma Debao, flees with a group of second-generation villagers and Splash. When he really sees the railway at the foot of the mountain, he rushes down the mountain like crazy.

They have decided to leave this poor place and take the train to the big city to find a better future.

Here, Kong Sheng designed a shot that moves quickly parallel to the character, which is not only full of movie texture, but also combined with the passionate soundtrack, the emotion is instantly rendered in place.

Another example is a few friends chasing and fighting in the sun, all kinds of long and short shots are freely swayed, and the young people are reunited after a long absence without even a single line, and they are full of youthful touch.

The camera can speak!
(End of this chapter)