Chapter 329 Ambiguous Play

"Being able to make such a dry game shows a problem."

Zhang Zifeng stared at Su Ze, put his finger on Su Ze's heart slowly, and said word by word: "Are you missing something here?"

Su Ze looked at the pretty face close at hand, and even felt the fragrance blowing towards his face, his eyes gradually blurred, but his expression became more and more rigid, his mouth was dry, and he said hoarsely: "What's missing?"

"It's missing." Zhang Zifeng's heartbeat was beating wildly. Looking at the object of his crush, he gradually approached, blushing and saying, "A princess!"

"Crack!" The moment the director yelled, he was taken aback for a moment, then remembered something, jumped forward quickly, and kissed Su Ze directly.

Then he jumped up immediately, and hurriedly said: "I'm sorry, I'm sorry, I was too deep into the drama and didn't hear it."

Su Ze: "..."

director:"……"

"It should be more calm here."

"Yes, do you understand the teasing?"

"Okay, that's how it feels!"

At the beginning, the two of them still couldn't let go, especially Su Ze, who seldom made intimate scenes and was seriously inexperienced.

Afterwards, I got used to it. After all, I was too familiar with it. My sister also has experience, and she quickly got into the mood, especially Zhang Zifeng. This is the biggest highlight of this role.

A man in trouble in science and technology + an illegitimate daughter who was neglected, both had unfortunate childhoods, and they are both destitute people.The characters are set to be two people who can share joys and sorrows and can resonate.

In such a desperate relationship, hiding and fleeing all the way, Yu Hai showed his little tenderness to Lu Jie everywhere, which came from the careful thinking of a straight engineering man.

"From the beginning to the end, you must remember that you are a lively, free-spirited, yet gentle and delicate girl." During the break, Su Ze brainwashed Zhang Zifeng, and this girl always felt a little elusive.

"The difficulty of this role is that it is lively and free and easy to sway the willfulness of youth, while at the same time telling the story of its own desolate growth path."

"The key point you need to grasp is the image of optimism and open-mindedness despite the fate, sometimes resolute and strong, sometimes pitiful."

"What's more terrible is that she is understanding and understands Yu Hai's fragility and treats him with tenderness, carefully caring for Yu Hai's heart."

Zhang Zifeng was speechless, this is too difficult!

"Take your time." Su Ze knew that there was no need to be in a hurry. At worst, it would take more time to polish. Anyway, other actors are progressing very fast. Zhang Zifeng's place is a big selling point, so it's normal to spend a little more time.

After taking the fruit peeled by Zhang Zifeng himself, she continued: "She has a strong sense of empathy. You can see that when she was pretending to be Lu Jie, she obviously understood and sympathized, right?"

"When I told Yu Hai about Lu Jie's childhood, the grief wasn't faked. Instead, I felt it was an expression of true feelings, mixed with feelings of sympathy, remorse, regret and guilt."

"When we were living, after knowing Yu Hai's rough life, we understood and cared for him from the bottom of our hearts. The more empathetic and considerate a person is, the more he has to betray his heart in order to get rid of the crime. , to betray the one you love..."

Staring at Zhang Zifeng, he said seriously: "Although you seem to be acting as a perpetrator, why isn't she a victim?"

Zhang Zifeng was thoughtful, trying to figure out Su Ze's words, and had absolute confidence in Su Ze's inner analysis of the character.

The role is very challenging, not only the appearance and temperament, but also the heart.Fortunately, with Su Ze by his side, he could point out the problem every time. As long as he could feel his gaze, everything would be at ease.

Su Ze was also lost in thought, and had a deeper understanding of the hero during this time.A character with an unfortunate childhood and a sensitive heart despite a high IQ.

Yu Hai should be the worst in the play. First, he suffered domestic violence and then his father died, and finally he was bullied at school, and even became a tool for his mother to vent.

After finally owning his own business as an adult, he fell into the abyss of usury because of the investor's conspiracy, and it was precisely because of this that he was deceived by the beauty trick.

But even if he planned the kidnapping, I still think he is the most open-minded person in the show, the most open-minded person despite being deceived.

Be serious and responsible for your own team, and spare no effort for the results of the team.For being bewitched to make a kidnapping game, knowing that Shen Hui's family is well-off and no one will be hurt because of this has no conscience, worrying at most is just a rational risk issue.

Faced with the deception of his lover, his heart has been healed in every bit of life. Although he is very angry, he is willing to throw fire and water for love.

Su Ze can only use three words to describe this role: It's hard to understand!

From the beginning to the end, Yu Hai never complained about his own misfortune, which is also the place where he loves this character the most. He buried all the haze in his heart and never told others.

Until a girl appeared who understood the sensitivity and fragility of his heart, carefully cared for his heart, and for the first time gave him the warmth of home and a sense of belonging that he had never had before.

It is precisely because of this that he is willing to sacrifice himself for that girl, including sacrificing his favorite game design.

The shooting progress is very smooth. Except for the daily filming, Su Ze likes to stand near the director and study. In order to create a strong sense of film and suspense, one side is on the screen and art, and the other is on narrative and editing.

Ten Days Game has a large number of indoor scenes. In terms of art style, Zang Xichuan used a large number of fuchsia and neon lights to render the colors of the interior space, which is worthy of being used by Lao Mouzi.

According to his words: Fuchsia, neon and blood are similar in color, one is to represent the danger and anxiety hidden in the calm, and the other is to show the ambiguous feelings between the kidnapper and the hostage.

Then there are two lines going hand in hand. The two timelines are aligned with the main story line ten days before Yu Hai and Lu Jie's talk, and the other follows Geng Le and Miao Jia's talk about ten days later.

With the design of two sets of timelines, the audience wondered what happened to the criminal who lived alone in the same room ten days ago?
And eager to learn the truth from the police ten days later.

It feels like showing you the first 100 pages and the last 100 pages of a detective novel at the same time?

There are various details before and after, and every detail is not missed, so that the overall layout of the story can be realized when the two story spines meet.

A hair in the house is easy to be seen, but an elephant in the house is not seen!
At the suggestion of Su Ze and Liu Yijun, the director readjusted the beginning of the first episode. In the first scene, Yu Hai is directly kidnapped by a loan shark to an abandoned building.

The second key shot is to show Wu Yuke, the squadron leader who has just been transferred to the police station, constantly adding information about the role interpreted by Geng Le.

The third shot shows the found female corpse, wearing leather jacket and pants, with a butterfly tattoo on her waist and high heels on her feet.

Tell the story of how a well-designed kidnapping case went out of control!
(End of this chapter)

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