Actors start from the college entrance examination

Chapter 422 Try an action scene?
Why did he go to war?

It is because he worships his brother and wants to be affirmed by him even more.

The reason why he was fearless before going to the battlefield was because he was completely ignorant of the battlefield.It wasn't until I saw the people who were killed in the bombing for the first time after following the team that I was so scared that I ran away without daring to breathe.

I can only be wronged and tell my brother: I saw the people who died in the bombing.

There must be blood in war, and Wu Wanli realized it the moment he saw it.

In Su Ze's design, the first shot is the highlight.Because he chased after the battlefield without receiving training, when he first saw his brother being suppressed by the foreign devils, he wanted to shoot very much, but he was full of hesitation.

Both his eyes and his body showed that he was afraid of hitting his brother accidentally.

Wu Qianli could see his hesitation, so he kicked a knife, but he still didn't dare, he had never killed anyone, even though he was a wild child, he had never had blood on his hands.

Holding the knife at this moment, the whole person was shaking with nervousness, gasping heavily, and his mind went blank, as if he had been immobilized.

Su Ze intends to convey to the audience the struggle of human beings facing the test of life and death through expressions and body parts.

Before he finished the psychological struggle, he was subdued by another beautiful ghost on the ground and grabbed him fiercely. His brother couldn't get away and had to kick another pistol, so Wu Wanli's first shot was under forced circumstances. opened for self-preservation.

Su Ze closed his eyes. After shooting, his eyes were shocked and dazed. His micro-expressions must be very rich, such as shock, fear, fear, relaxation, and even a kind of stimulation and excitement...

Then he took the pistol and fired the second and third shots at the enemy outside, and then unconsciously looked at his right hand. First, the recoil must have made his hands numb, and second, he realized that the power of the gun was so great!
In the face of war, any lines are feeble. Only in the face of life and death, the more instinctive and primitive the reaction, the more immersive it will be for the audience.

In other words, it must not be acted!
Looking at Su Ze's ever-changing eyes and that familiar micro-expression, Wu Jing was amazed and shocked. This is a face that can convey complex emotions even with the highest-definition close-up!

As a director, the most important criterion for casting is whether the actor can withstand close-up shots.

Don't rely on lines, step by step from the face of an urchin to the face of a soldier.During the period, not only went to the country to cherish the hometown, the artillery fire, but also the parting of life and death...

Such a small child, such a big psychological impact, such a complicated war environment, this kind of change progresses layer by layer...

How do you convince the audience that you have a story without saying a word?

In his heart, Wu Wanli was very scared in this environment. He didn't know what to do to survive, and he wanted to be a hero, not to be looked down upon by his brother and comrades. This is the most straightforward and stubborn young mind.

But in the difficult and dangerous war environment, it looks particularly pure and dazzling. This is the face and story of a young man, which is completely different from other veterans.

This is also why screenwriter Lan Xiaolong substituted Wu Wanli's perspective into the story, because he told the audience that they knew nothing about war and were not omnipotent superheroes.

In all fairness, the biggest highlight of this drama is Wu Wanli, no matter the elder brother Wu Qianli he played, Lei Gong portrayed by Hu Jun, or Zhu Yawen, Li Chen and Ouhao...

They are all tough guys with iron bones, warriors who defend their homes and the country, and they are all images that have been formed in the audience's minds.

But Wu Wanli is different!

The difficulty lies in the walking, sitting posture, looking at people's eyes, and disdain when talking to people when he first appeared on the stage. How can he vividly express the ignorant, stubborn and wild spirit of a country boy?
The sharp-billed monkey, walking with a hunchback, hair like a bird's nest, and tattered and patched clothes, looks like the kind of fisherman's child who has been affected by the war for a long time and cannot eat enough or keep warm.

The more famous an actor is, the heavier the inner burden will be. The audience's inherent image is deeply rooted in the hearts of the audience, like layers of shackles, and they dance properly wearing shackles.

What is good acting in Wu Jing's eyes:

What?This is so and so!
No way?I didn't recognize it?
real or fake?

That's called bullshit!
Because I was born in Yeluzi, after so many years of hard work, I have my own understanding of actors.

Some of them are from majors, such as the three major art schools, especially the Chinese opera, which cultivates more experiential schools. When filming and injecting emotions, they will substitute their own personality factors, such as Duan Yihong.

If such actors do not have multiple personalities, audiences who think they are familiar with them for a long time will think that a certain actor is the same in everything they perform. For example, Cheng Daoming and Jiang Wen have this kind of trouble.

On the other hand, if a certain role is a big success, driven by the market, the employer, producer, and artist team will work together to promote the artist to play a homogeneous role, such as Wu Jing himself.

After Zhang Ziyi played Crouching Tiger, Hidden Dragon, she played various Jade Dragons for a long time, and after Zhao Wei returned to the Pearl, there were also a lot of various little swallows.

Even the chances of meeting the most suitable role for one's own are few and far between, even for leading actors, and it is rare to meet them a few times in a lifetime.

There are [-] ways to deal with acting in a play, which is not necessarily better than relying on intuition and talent to deal with it. Meeting the right role at the right time is even more amazing.

For example Xu Sanduo from Baoqiang, Cheng Dieyi from Leslie Cheung, Yu Jiaolong from Zhang Ziyi, Wang Jiazhi from Tang Wei, Liu Pingguo from Bingbing, Li Ansheng from Zhou Dongyu, Xiaobei from Qianxi...

This kind of role is rare in their respective acting careers!
But there is a kind of people who are different. Each role seems to be tailor-made, and it looks like what it plays. Compared with thousands of people, thousands of faces are the highest level of actors.

For example, Liang Jiahui, and Su Ze in front of him.

"Your expression and body are the strongest I have ever seen!" Wu Jing exclaimed, "No one!"

Seeing that Su Ze wanted to be humble, he waved his hand and said, "This is the truth. I think you can try action scenes in the future. Literary dramas are no longer a challenge for you, right?"

"If you are interested, we can try it together!"

Su Ze smiled and nodded in agreement. He was very interested in action scenes, and since Wu Jing was willing to lead the way, he must have wished for it.

The more the two discussed, the more tacit understanding became. From the perspective of age, Wu Jing is more than enough to be an uncle, let alone a brother.

After being baptized by the war wolf, I heard that in order to experience life, I ate, lived and trained with the special forces for a whole year, and my body is ready-made.

On the contrary, in the face of the younger brother Wu Wanli, he must show the warmth between brothers under strict conditions, which is not a problem for Wu Jing now.

The first night passed in the tent, everyone lit a bonfire, hundreds of people were lively, looking up at the starry sky was a rare experience for Su Ze.

Starting tomorrow,
Let me see what a really big scene is!
(End of this chapter)