Actors start from the college entrance examination

Chapter 468 So What?
The cooperation with Xu Anhua is amazing. It is an experience that Su Ze has never experienced since his debut. Sister Tao is not like a movie, but more like a life documentary.

The relationship between Luo Jie and Sister Tao that I created may have changed step by step. When I came to visit Sister Tao in the nursing home, many other elderly people were looking around curiously. When I asked about their relationship, Jin who was nearby The aunt said casually: Godson?
Su Ze was stunned for a moment, hesitation flashed in his eyes, but he finally admitted.

The camera immediately turned to Sister Tao who was next to her. Although her face full of age spots was a little tired at this moment, she always beamed with joy when she heard this sentence.

Every time I take Sister Tao to the park that I often go to, Xu Anhua designs a distance change here. In the past, the young master walked in front alone, and Sister Tao followed behind, and even kept calling to discuss business. Sister Tao is a kind of fulfillment of her obligation, but Sister Tao is also very satisfied.

But when he took Tao Jie to the park for the second time and the third time, he dragged Tao Jie by the hand, and even let Tao Jie hold his arm. This obvious change in the distance also proved the change between the young master and the servant.

When I got together with a few friends at home, someone found the beef gizzard made by Sister Tao. After eating, they recalled Sister Tao's goodness, and the camera subconsciously took a close-up of Su Ze's face.

Mixed flavors, indescribably complicated!
Roger works as a film producer, and when the film premiered, he brought not his real family, but his godmother Tao Jie.

At the end of the movie, the two walked out of the movie theater and met the famous actress Roland. This was a very dramatic scene. Two people who were about the same age lived two completely different lives.

Sister Luo Lan wears a famous brand and is respected by everyone. She is picked up by a special driver.On the right side, there is only Roger.

The stronger the contrast, the more it reflects the cruelty of this society. Cruelty is cruel, but it is very realistic.

Then Roger still held Sister Tao's hand as always, and the backs of the two of them slowly moved away from the camera.

A long shot from the same angle expresses something completely different. At that time, Sister Tao was sick, helpless, lonely, and helpless, but at this time, Sister Tao is still hunched over, but the people around her are not doctors but doctors. It's Roger.

One old and one young walked forward talking and laughing, and even Sister Tao's steps were much lighter.

After Sister Tao passed away, Luo Jie was downstairs at home, looking up as if the lights were still on upstairs waiting for him to come back, cooking a table full of delicious dishes, washing every piece of clothing clean, with a kind face.

But in the blink of an eye, the dead are like this.

In just 20 days, the shooting pace is as efficient as ever. After all, there are no big scenes and no special effects, and even the scenes are very simple.

"Godmother, am I right?" Liu Tianwang specially participated in the youth banquet, watched Su Ze tease Ye Dexian and said, "Can you be a young boy?"

"Yes!" Ye Dexian took Su Ze's hand and proudly said, "Of course I will have my second godson!"

Liu Tianwang was taken aback for a moment, then smiled, and Su Ze also laughed.

I have to say that there are many good actors on Hong Kong Island, and Ye Dexian is one of them.

"How is it?" Xu Anhua asked Su Ze: "I don't feel comfortable working with me, do you?"

"Others' works are full of dramatic conflicts, but mine are too bland."

Su Ze nodded first, then shook his head.The female director's narrative is unique, forsaking most of the dramatic conflicts, such as when Sister Tao finished wrapping the red envelopes, the audience thought her money would be stolen.

When the owner mentions her family, he thinks he needs to talk about it; when Sister Tao goes to the bathroom, he thinks she will be the one who fell...

But neither.

The director did not play for the sake of drama, but simply showed the most authentic side of life.Abandon those film techniques that guide the audience, so warm and life-like, plain, decent, and serious.

But Xu Anhua's details are the most natural and smooth since his debut, none of them!

"I prefer our English names." Su Ze said seriously: "A Smple Lfe"

Looking at Xu Anhua in front of him, Su Ze lamented that a woman director who seemed peaceful and indifferent, had sharper and sharper works than Xin Yukun.

"Woman, Forty" follows a middle-class family caring for an elderly relative with Alzheimer's.

Auntie's Postmodern Life centers on a lower-middle-class single woman in her 60s, working menial jobs to escape poverty where the individualism of a capitalist culture has gradually alienated people from social traditions and each other.

Not to mention Sister Tao, she pointed her finger at the pension issue, a big problem that the whole world can't help.

But the characters in Xu Anhua's lens never express their emotions clearly, they are too calm and quiet.The director hopes that the audience can guess the complex emotional state of the characters from indirect behavioral clues.

What touched Su Ze the most was the scene: the singer who visited the nursing home on the Mid-Autumn Festival TV station showed disdain when no one was watching. After the photo was taken, the mooncakes had to be taken back for use in the next nursing home.

It shows the hypocrisy of social care and indifference to the elderly.There is also the scene of looking for a nursing home for Sister Tao everywhere: all services in the nursing home are listed, and the prices are clearly marked, as if they are just dishes on the menu, without really understanding what the elderly really think and want.

Switching to other directors will definitely design various drama conflicts to express these, and even want to stand on the table and shout: Hey, hey, have you seen it?

But Ann Hui doesn't, just shows how ordinary people can adapt to modern life while still keeping the track of everyday life.

Her narrative style is so unpretentious that it may be overlooked, but through a series of details, she succeeds in creating a moving work.

It's a coincidence!

The completion of Sister Tao made Su Ze feel unsatisfied. This is the second Hong Kong film in a pure sense, and the first one is "Treading Blood and Seeking Plum Blossoms".

I have to say that local Hong Kong films have a unique charm. No matter what the subject matter is, they can analyze a pain point in society as sharply as a scalpel, and target the most sensitive nerves of Hong Kong Island.

Whether it is Weng Ziguang or Xu Anhua, they are not utilitarian. All the scenes and plots are only for the work, not the box office or even the audience.

Su Ze admired this very much!

This is also a quality that is lacking in the environment where the box office is king in the mainland. After all, movies are works of art and works that can carry emotions. If you blindly cater to the audience, you will inevitably lose your own character. How can you go your own way if you always please others?

A multiple-choice question that is difficult to choose, box office or self-expression?

Are the audience happy or are you happy?

Su Ze is very fortunate that now he is qualified to make a choice and bear the consequences, even if he can't pass the review and be released in the mainland, even if Sister Tao fails badly at the box office...

so what?

It's over if you play well!
(End of this chapter)