Actors start from the college entrance examination

Chapter 483 Is something wrong?
In fact, the truth is that Xu Hanlin died because he was accidentally pushed off the balcony and fell to his death while beating his daughter Xu Xue, and all this was seen through the telescope by Wang Yuanyang, who silently cared for his daughter after he was released from prison.

So he took the initiative to attack, and destroyed Xu Hanlin's body and traces with horrible methods such as heavy blows, burning stones, and sinking into the sea.After the body was accidentally discovered, he continued to lead the case, trying to take the blame for his daughter.

When Lin Zhengzhong investigated the Xu Hanlin case by investigating the suspicious points of the Xu Yiyun case 20 years ago, and was about to identify the real murderer Xu Xue, and had forced Wang Yuanyang to the top of the building for questioning, he who could not speak sent a letter explaining the truth texts to the detectives, while ending everything with death.

Father as a mountain.

When Wang Yuanyang smiled at Lin Zhengzhong and fell from the roof with open arms, the tears that kept falling proved the weight of these four words.

After just a few scenes, the director Zhou Xiangyang was very satisfied with Su Ze's performance, no wonder even Zhang Jiahui recommended it.

He plays a dumb person without a single line. To take such a character as the protagonist and carry the whole movie, the difficulty requirements for actors to perform can be seen.

So choosing an actor is very important, otherwise the whole movie will be devoted to this role.And Su Ze only uses facial expressions, eyes and body language to vividly interpret a prisoner who has been unjustly imprisoned for 20 years and a father who is desperate for his daughter.

In order to speed up the pace, the design at the beginning is a bloody group fight scene. Su Ze needs to fight against four, which is very real and sets a weird tone.

I didn't expect Su Ze's action scenes to be so strong, and the originally difficult design was done once, which made people hooked.

Subsequent editing, soundtrack, and Zhang Jiahui's gloomy expression all made the film more and more weird, and the occasional double-line overlapping narrative technique also increased the tension.

From the director's point of view, the core of this work is actually fatherly love. The three fathers actually love their daughters deeply. Even the controlling musician father played by Wang Minde is still willing to give everything he has. daughter.

Although this daughter is not his blood, he poured all his heart and soul into it, which can also be seen from the daughter he continues to raise his daughter.

In dealing with this role, you can't fall into the cliché of non-biological father and daughter, so that the whole story can be upgraded to a higher level.

Although the tone of the whole film is bloody and violent, it is still masculine and masculine. The cases are tragic but the personality is not chaotic. It explores the relationship between father and daughter in the range that normal people can accept and may happen to them.

The fathers played by Wang Minde and Ren Dahua both love their daughters, but they all fail. One is the failure caused by their own success, and the other is the failure caused by their own failure.

But their original intentions are good, and it is also the path that many people have walked or are walking, especially when they reach adolescence, there will inevitably be distance and conflict between daughters and fathers.

Wang Minde's management is too strict, things will be reversed, Ren Dahua's management is too little, and finally he can't control it. Good girls under high pressure and slightly laissez-faire little girls will do what their father fears most - premature sex with boys or men .

In fact, every father has a strong desire to protect his daughter who has worked so hard to raise him, and it can easily become a desire to control and limit his growth and contact with society and others. Loving her may also be harming her.

Because every adolescent child, regardless of boys or girls, will have a strong rebellious nature, and high pressure can only make the rebound stronger.

It's a pity that Su Ze is a little regretful. Instead, his mother became a weakness. Two of them died and passed by. Every time the police come?
Even the police who pass by to make soy sauce can't be suspicious, right?

Coupled with the fact that the husband died without mourning or crying bitterly, the slightly nervous and flustered eyes clearly told everyone: I am a person with a story.

Wouldn't it look better if the character was fuller?

Of course, no work can be perfect. The big hit itself is not a suspenseful reasoning in the strict sense, but a discussion of the relationship between father and daughter under a layer of skin.

Compared with To Qifeng, Zhuang Wenqiang, and Lin Chaoxian, this time the director showed another set of dark and deep cold violence, replacing the hot violence of gunfire with the tension of the plot.

Such as the fight in prison at the beginning, the destruction of corpses and traces under the moonlight, and the murder of a girl 20 years ago.It is obvious that the director's hobbies tend to be cult films, but in order to adapt to the censorship standards, he restrained himself.

When expressing such scenes, on the one hand, the lens light is used to emphasize, and on the other hand, side rendering and psychological hints are also mobilized to stimulate various associations of the audience.

Compared with the crime itself, the director pays more attention to the excavation and portrayal of the motivation of the characters.The Wang Yuanyang I play is an extremely serious criminal who looks very dangerous. He threatens the heroine every step of the way, and killing people in the moonlight is even worse.

But this is not enough to shock the audience. What shocked the audience even more is why did he do this?
Finally revealing his fate, his grievances and his injustice.

For this reasoning movie, the answer is important, but the human contradiction behind the answer is more interesting.When the audience thinks that everything is for revenge, the movie tells you no, everything is because of love.

The three fathers are all like this, but some of them are wrong love.Love is colder than death, more powerful than revenge, and it is a deeper human motivation than revenge or death.

Here, Su Ze has to lament that Hong Kong films have been looking for a breakthrough point for a resurgence over the years. Whether it is the story, the form or the structure, a different perspective is necessary for a resurgence.

"Death Gold" stands on the standpoint of black humor and satire of reality, "Sister Tao" stands on the feelings of warmth and affection, and "The Big Hunt" is another completely different kind of humanistic care.

It tells you that "the truth may not be important" and "the talent in front of you is the most cherished", which means living in the present.

The reason why in the first half of the movie is to continuously create an extremely horrifying and suspenseful atmosphere, and even use the bloody violence and tragic details of the murder scene as flavoring agents, constantly causing waves of challenges to the audience, is to bring the strong humanistic care to the end. ——The touching love——Push to the highest point.

When the audience understood that he was a father who had never grown up with his daughter and watched her grow up, this huge turning point brought a shock, and those ideas of positioning him as a criminal murderer were broken.

The actions of shaking feet, looking at hands, and being intimate with faces are more touching.

That's right, he is just an ordinary person who has the right to have the emotions that everyone should have.

Why spread Xu Xue's hand to look at it, hold it gently, then look at her feet, touch her again, see her face, put her forehead close to her cheek, and show an expression.

Every parent knows that when a child is young, do they feel that there are such small hands and feet in the world, and these small hands and feet are actually their own children? Looking at the sleeping face of the child, how much do you think? Get close to kiss.

And Wang Yuanyang missed all of these, he who has always only watched all this from the glass window, wanted to use this unreasonable way to have such emotions for a short time.

Is there something wrong?
(End of this chapter)