Actors start from the college entrance examination

Chapter 50 It's Me Again?
"Come on, spread out and keep a distance of two meters."

"Lie on the ground, close your eyes, and listen to my guidance."

"Lesson one, let's learn to relax."

Everyone lay down and began to relax with Han Xuefei's guidance. Unlike Liu Tianyi, this time they used the puppet relaxation method.

Su Ze closed his eyes and imagined that his body became a big puppet, his hands were loosely tied to his wrists by threads, his forearms were loosely tied to his upper arms by threads, and his upper arms were also tied to his shoulders.

The feet, calves, and thighs are also connected by a thread, and the neck is also a soft thread. The thread controlling the jaw and lips relaxes, allowing the jaw to hang weakly on the chest.

The thin threads that connect all parts of the body are loose and soft, and the whole body just lies loose on the ground like this.

Su Ze observed the surroundings and found that all the students quickly entered a relaxed state, should they all have studied the art test training?

Han Xuefei began to check, knelt down and touched the student's body with her hands from time to time, signaling to continue to relax.It wasn't until everyone was satisfied that they clapped their hands and said, "Okay, sit up."

"It seems that you all have learned to relax, not just puppet control, but also many other actors can use, such as meditation and even yoga."

"Everyone needs to find the way that suits them best by exploring their needs. Only when actors are fully relaxed can they further open up their inner world and deeply understand the emotions of the characters."

"A good actor should study his body and know what he looks like minute by minute?"

"You should be good at knowing yourself in space, and every movement should be strictly calculated. If you see a person fall, you should know why you fell?"

After speaking, he turned on the big screen, showed the courseware and said: "Today we will start to learn Meyerhold's most important theoretical organic modeling technique."

Human impulsive movements: movements of a single organ, including muscle tremors or nerve distribution, eye movements, human hands and feet, and facial expressions of individual muscle groups.

A complex movement or series of actions of the whole organism, moving, walking, running, the act of reading, writing, carrying heavy objects, complex movements constituting some kind of work.

Restrained behavior that loses external motivation or gives motivation only to a small extent.

Receptors, conductors, effectors...the study of the response mechanism of the nervous system...psychological response as the object of natural science.

Reflexes and their associations, connection, interdependence...physiological and reflexive normalization...stimulant influence of the voice...

All kinds of theories emerge in endlessly, just listening to the name will stimulate you!

As expected of a Chinese drama, this thought flashed in my mind, compared to the system, it is straightforward without saying a word, and theoretical accumulation is the short board that I lack the most.

"You probably haven't heard of Meyerhold, have you?"

"In my opinion, he is one of the neglected geniuses of the last century!" Han Xuefei briefly showed the introduction and explained: "His theory believes that the essence of drama is the performing arts of actors, and acting is to externalize the inner character of actors. "

"Because the body is the most expressive stage element, it is necessary to strictly train the body so that it has modeling, rhythm and improvisational ability, so that it can be experienced naturally in the action."

"It's called outside-in!"

Su Ze's eyes lit up, it makes sense!

The hero sees the same.

"Any psychological state is restricted by a certain physiological process. As long as actors find the correct way to solve their physical state and enter the situation at the same time, they can infect the audience and make them feel like they are on the scene."

"In the past, our jargon was called arresting people, firmly grasping the audience's attention, and every move can affect their emotions."

Han Xuefei felt the enthusiastic eyes from the students, and said with a smile: "This is a very high level. Those who can really reach this state are basically in human arts and Mandarin. You are far behind."

Everyone roared with laughter, and the classroom atmosphere was relaxed and natural. Su Ze found that Meyerhold's requirements for actors were completely different from Stanislavsky's.

It requires a training process from the outside to the inside, that is, the internal experience of the actor is accumulated from countless external body parts, and finally the performance transition is naturally achieved.

It plays a leading role here and there, and is in a dominant position.

Reminiscent of the micro-expression and non-physical training during this period, I suddenly realized that those stressful light spots produced by a series of body postures or movements are the key to improving acting skills?
For ordinary people, actions are actions and emotions are emotions, or are they unable to perceive the subtle connection between actions and emotions?
The reason why actors perform is to master the wonderful collision point between action and emotion!

It suddenly became clear, and there was a feeling of enlightenment. A lot of systematic training seemed to have dug a canal, and now the theory is like clear water, and it will come to fruition immediately.

"Meng Jinghui, you should have heard of it, right?" Han Xuefei explained: "He thinks Meyerhold is a very good theater director, and I especially admire organic modeling techniques."

"The requirements for actors are also very strict, and even believe that every action of an actor must be precisely positioned. I have participated in his own theater performance workshop, and I am very impressed."

After speaking, he looked at Su Ze and said, "Everyone has seen Su Ze's mime, don't you think it's amazing?"

"Su Ze, come up!"

Su Ze stood up and walked onto the stage. Han Xuefei asked, "Tell me your opinion."

Sensing everyone's attention, Su Ze said seriously: "I agree with Meyerhold, especially the training method. It can be said that I am a mime that has been studied a little bit by groping."

"We all like to say that the experience school is great, and all kinds of praises can be entered in a second. This kind of state is not unheard of, but how many actors can achieve it?"

"In my opinion, acting is not something mysterious and unattainable. It is as simple and simple as eating and drinking. Ordinary people are acting every day, but they are playing themselves."

"Well said!" Han Xuefei applauded and agreed: "This is also the meaning of the existence of Chinese opera. Acting skills are not unattainable. Why can we actors perform on stage or in front of the camera?"

"It's because of hard training!"

After speaking, he looked at Su Ze and smiled: "I still remember the suitcase you performed three times. Many students have never seen it. Do it again on the spot?"

Before Su Ze could react, Zhang Yu immediately called out, "Yes, I got goosebumps when I saw it!"

Everyone was instantly excited. The umbrella that Su Ze performed last time was unforgettable. So there are others?

Su Ze is speechless, isn't this your class, Mr. Han?
Why is it me again to catch the ducks on the shelves?
(End of this chapter)