Top-notch artist in entertainment

Chapter 324 Red Dust Inn
After Dai Yin finished playing, Jiang Yuan stood up and took the lead in applause.

From the adaptation to the performance, it is basically flawless.

In addition, the recording this time was obviously more attentive than before, and the makeup and scene setting also made the performance more textured.

"It's so good, I didn't know you would change this one." After Dai Yin approached, Jiang Yuan couldn't help but said.

It was indeed a bit surprising, after all, the practice rooms of the two are connected together these days.

At least Shen Yi revealed it in advance, but Dai Yin's adaptation of "Lanting Preface" was completely unexpected.

"It feels like my soul has been washed!" Su Xiujin also praised.

"I saw Jiang Yuan's performance of this song before, and I found it extremely amazing.

Listening to the version played by Guzheng at this time also has a special charm. "Feng Tie praised the two of them once, and his words were impeccable.

"Traditional musical instruments are tops!" Shen Yi also gave a thumbs up.

After Dai Yin's performance, surrounded by praises, he became a little embarrassed, which was in contrast to the state of the performance just now.

Finally, after confirming with Sun Tao that there is no problem with the version just recorded and that there is no need to re-record, everyone went on to the next location.

Walking all the way, everyone was discussing their works on the way.

For example, Dai Yin shared some thoughts and ideas in his adaptation with everyone on the way.

Although everyone could not fully understand it, they all listened with enthusiasm.

During this process, he unknowingly walked to the next location, a painting workshop about a hundred meters away.

When they came to the painting workshop, it was obvious at a glance who was about to exhibit their works.

Both Liu Zhiyun and Su Xiujin stood up together, and they shared a scene for display.

"You first!" Su Xiujin said to Liu Zhiyun, and sat back again.

Liu Zhiyun responded directly, stood up and walked in front of the crowd.

Originally, in Jiang Yuan's imagination, this link should not be much different from the last one.

Probably the staff presented the painting, and Liu Zhiyun explained it to the camera and let it go.

But this time the presentation of the painting chose a more dramatic form.

After Liu Zhiyun stood in front, many group performers entered the scene and began to perform.

Directly use the form of performance to deduce the situation that Liu Zhiyun assumed when creating this painting.

At the same time, the paintings prepared by Liu Zhiyun this time were spread out in front of Jiang Yuan and others.

This time Liu Zhiyun painted with a new ink painting method, which is the same style as Jiang Yuan's album cover.

When the painting unfolded, Jiang Yuan and the others had a strong visual impact at first sight.

This time, Liu Zhiyun's pen is a landscape painting.

The Wencheng Mountains are depicted extremely completely, and at the same time, the changes of time are depicted on the scroll.

From a visual point of view, Liu Zhiyun has drawn different colors of the sky in different areas of the day.

The colors are bright and dark, and the brush and ink are full of graininess, creating a very three-dimensional feeling.

Looking at it this way alone, it is already a very beautiful work.

Taking a closer look, under different weather conditions, corresponding literary works are also incorporated.

From ancient times to the present, several representative works are shown in the details of the paintings.

After the painting was explained, everyone at the scene applauded in unison.

It is another beautiful work full of sincerity and details, and it can also be seen that it is a work that consumes a lot of energy.

This painting by Liu Zhiyun alone has shocked Jiang Yuan and others deeply.

And next, the display of Su Xiujin will be even bigger.

Su Embroidery Brocade has not yet appeared, and more than a dozen embroiderers came together and gave a detailed introduction to the works to be exhibited.

Su embroidery is an extremely delicate art. Previously, Su embroidery was mostly small objects, and it was not easy to complete it in a few days.

And this time such a big battle was because Su Xiujin moved a project that her team had been producing for a while to the show.

A Suzhou embroidery garment, a project in cooperation with a certain martial arts animation.

From the establishment of the project to the production, it took several months before and after, and more than a dozen embroiderers joined the battle.

In the past few days, Su Xiujin completed the embroidery of the last part of the costume, and moved this costume to the show.

After being shocked by the introduction, the scene turned on the headlights, and Su Xiu Jin appeared on the stage in a suit of Su embroidery.

Under the flow of light and shadow, the delicacy and beauty of Suzhou embroidery are vividly displayed.

It is a kind of beauty without words, beautiful and luxurious.

The camera recorded every detail of the clothing, and the sophistication made the scene amazed.

"In ancient times, being able to own a piece of Su embroidery was something to show off." Liu Zhiyun admired it while explaining it to Jiang Yuan and others.

After the photographer finished shooting the details, Su Xiujin recited a short poem in this dress to better show her temperament.

After the display, Su Xiujin left the stage wearing this artwork and changed back to her normal clothes.

The next shooting location was next door, and everyone completed the transition very quickly.

Jiang Yuan also went to change into a costume at the moment, and finally it was his turn to play.

In this issue, the song Jiang Yuan chose to sing is "Red Dust Inn".

The performance scene and the program group were arranged in the inn in a relatively simple and rough manner.

Jiang Yuan changed into a black-based national style high-definition outfit, and the musicians have already taken their positions on the scene.

After trying the equipment first, and after confirming that there was no problem, Jiang Yuan began to report to himself.

""Red Dust Inn", for everyone!"

After Jiang Yuan finished speaking, the performance officially began.

The camera was facing Jiang Yuan, with the background of the inn's doors and windows behind him.

The program group lights the doors and windows to create a visual sense of the natural light of the setting sun shining into the inn, which is somewhat similar to the scene in the song MV.

The prelude started with the piano solo as the introduction, followed by the string group, the bass began to start, and Dai Yin's guzheng also started to play.

A sense of atmosphere spread over the surface, and the tone of the song was set.

After the prelude, Jiang Yuan raised the microphone and started singing.

"At the end of the world is the wind and sand, the story of the world of mortals is called caring"

"Fengdao is hidden in ordinary people's houses, under the eastern fence, the ancient temple of idle clouds and wild cranes"

As soon as Jiang Yuan opened her mouth, she sang with a strong sense of narration, and she sang with a sense of quackery in just a few lines.

The singing is blended with the accompaniment of piano, guzheng, guitar, etc., without any sense of disobedience.

For Shen Yi, a fan of martial arts novels, there is a feeling that speaking is the world.

"Fast horses fighting in the rivers and lakes are nothing more than fame and fortune"

"How can a person with a country in his heart be happy and unrestrained, I just want to share the prosperity with you."

Jiang Yuan sang with great concentration, and the difficulty of the song was not too high for Jiang Yuan's current singing skills.

Both the breath and the strength are well mastered, and the emotion is very sincere, with a strong expressive force on the scene.

With a verse, it showed the scene a picture scroll of love and hatred in the world.

At this time, Feng Tie was also thinking carefully about the lyrics of Jiang Yuan's singing.

During this period of time, Feng Tie has listened to a lot of excellent lyric works, and after thinking about it, he feels that although lyrics and poetry are both written works.

But there are still differences in essence. Although his poems are well written, they may not necessarily produce good results when combined with the melody.

And this song "Red Dust Inn" aroused Feng Tie's desire to learn.

The song transitions to the chorus section, and the string group that disappeared in the verse part starts again, and at the same time, the castanets and other drum beats follow.

With the piano, guzheng and other instruments, the level of the entire accompaniment suddenly became richer, and the feeling of the scene was especially obvious.

"Who will laugh when the sword is out of the sheath, I just want to hold you in my arms now"

"The wind in the Hongchen Inn is like a knife, and the sudden rain falls and fate strikes!"

With the phrase "the sword is out of its sheath", the mood of the whole song is also mobilized.

The chorus part of "Red Dust Inn" is a little more difficult than "Blue and White Porcelain", and the highest note is sung to A4.

But for Jiang Yuan, whose singing skills have evolved a lot, this passage was easy to sing.

An artistic conception of unpredictable changes in the rivers and lakes is reflected in Jiang Yuan's singing.

The sentence "Surprise Rain Falls and Destiny Knocks" expresses this artistic conception vividly, and the treble of A4 is also sung in this sentence, which is full and powerful.

"Who is the leader in Ren Wulin"

After Jiang Yuan sang a chorus, Feng Tiedu still focused on the line "The sudden rain falls and fate knocks", and he sang the precarious feeling of the world in just a few words.

Attracted by the music again, it is already the interlude part.

The interlude part is the part performed by live musicians. Jiang Yuan is still immersed in the emotion of the song while listening to the music.

The camera is focused on the musicians at the scene, and one of the instruments has a very outstanding sound.

That is, Bawu, a wind and reed instrument, popular among ethnic minorities.

Bawu's timbre plays a leading role in the interlude, with a sense of resentment and murmur.

The camera also took a close-up of the musician specially invited by the program group.

After Bawu's performance stopped, Jiang Yuan sang again, and the song entered the second verse.

"The window lattice under the eaves slantly reflects the branches, and you sit on the floor and drink tea"

"I will remember you firmly with fine brushwork, and it is not elegant to pick up a pen"

In the second verse, Jiang Yuan sang more affectionately.

If the first stanza is more about rivers and lakes, then the second stanza is more about love.

The description of the entire lyrics, the sense of picture and narrative should be more intense.

"Sighing under the lamp, the beauty is close to the sunset"

"When I talk about fate, it's like practicing Zen without talking"

"Your tears filled the world on paper like pear blossoms"

"Love and hate are like freehand landscape paintings"

Three such as sang from Jiang Yuan's mouth, such as practicing Zen, such as pear blossoms, such as freehand landscape painting.

Fang Wenshan once mentioned in his lyrics, the third class, the third grievance, the third offense and the third example.

Waiting is "Fireworks Are Cold", Resentment is "Orchid Pavilion Preface", Resentment is "Blue and White Porcelain", and this is "Red Dust Inn".

The singing of these three things also made Feng Tie call it exquisite.

Compared with Feng Tie who focused on the lyrics, the others paid more attention to the whole.

Such a song also made Yu Shan feel intoxicated.

Compared with Shen Yi, he read martial arts novels earlier.

This song "Red Dust Inn" also sang a certain world in his heart.

"Who will laugh when the sword is out of the sheath?

The chorus was sung again, making the audience intoxicated.

The top-notch band performance, coupled with Jiang Yuan's equally perfect singing voice, completely showed the charm of the song.

"Whoever is the leader in martial arts, but I only bow down for you"

"Crossing the barren village and the wild bridge to find the ancient road, away from the hustle and bustle of the world, the catkins are floating in the hands of the child"

In the second chorus, Jiang Yuan became more emotional.

When preparing for the stage, Sun Tao once asked whether to add a female backup dancer to make the song more visual.

In the end, people were found, but the proposal was rejected after the rehearsal.

Sun Tao felt that if only Jiang Yuan appeared in the singing scene, matching the mood of the song, there would be a sense of loneliness and sadness left blank.

The interlude after the second chorus is the time for the band to perform.

This section is a show of people and ghosts, and the piano, zither and string parts are all extremely exciting.

Dai Yin and others also played very attentively.

After a very pleasant interlude, Jiang Yuan's singing voice sang again, blending into the whole performance.

"Whoever is the leader in martial arts, but I only bow down for you"

"You look back at me so charmingly, I have a smile in my eyes, the wine is fluttering and the flag is rustling in the wind, the sword is out of the sheath, and the grievances are out."

In the last paragraph, at the end of each sentence, Jiang Yuan will sing with a sense of drama.

But when he sang the last line, everything fell flat, and there was really a feeling that the grievances and grievances of the world were over.

After Jiang Yuan finished singing, she put down the microphone, but the live performance continued.

In the final performance, the erhu made its debut, adding a touch of charm to the whole piece.

As soon as the erhu's timbre came out, the sense of narrative and vicissitudes brought a perfect ending to the song, which was just right.

Jiang Yuan stood in the shadow of the sunset, listening to the live performance, still in the middle of the song.

It wasn't until the moment the performance ended that he slowly pulled away from the context of the song and bowed to take a bow.

Then began to report the names of the live band teachers to express our gratitude.

Finally, a special mention was made of the backup dancer who came to the live rehearsal but was unable to play together in the end.

At the scene, there was also warm applause for Jiang Yuan's performance.

There were not many audiences, but the applause was warm enough.

Many staff members at the scene were very excited because they could hear Jiang Yuan's first new song in advance.

After Jiang Yuan left the performance, Liu Zhiyun and the others were full of praise.

Especially Shen Yi, who was exaggerated, bombarded with a series of chatter.

Jiang Yuan was somewhat immersed in the aftertaste of the song, but at this moment she was directly pulled out by Shen Yi.

After the performance, the door of the inn opened.

The setting sun poured in, looking at the street scene outside the inn, Shen Yi suddenly stopped talking.

Everyone at the scene was also in a trance.

Ignoring the modern equipment on site, the street view outside makes people feel as if they are really in the rivers and lakes.

But just now, in this small inn, the song "Red Dust Inn" was shown in the minds of the audience like a martial arts love movie.

Feeling the aftertaste of this artistic conception, everyone went to the last shooting location.

(End of this chapter)