I am a writer in Tokyo
Chapter 214 The Self
Whether it was intentional or unintentional, everyone knew one thing.
That is, a new book by Xiaoyuan Kazuki will be released to the public soon, and it is claimed to represent the current social form of Neon.
Of course, those competitors tried their best to badmouth the game, and they all said some not-so-nice words, for example, they kept talking about the temporary change of the ending.
Shouting some words that disrespect readers or literature.
In fact, people in Neon also fall into this kind of situation, and there are very few people who maintain subjective sobriety among them. Most of them are hot-headed guys who follow what others say.
When books from other publishers were neatly placed on the shelves, people were surprised to find that there were no works by Kazuki Koin.
"Where are Teacher Xiaoyuan's books?"
"Yes, where is Kazuki Koin's book? Didn't it say it will be released soon?"
"What's going on with that book that claims to represent contemporary neon social ideology? I've said before that the ending needs to be changed or something. Is it still happening now because of this ending?"
"I don't know, but since there are no books by Teacher Xiaoyuan, let's read other books."
Most likely, this is because the previous confrontation in the literary world gave Lost Paradise and the books on its opposite side a certain degree of exposure.
So when no one can find Lost Paradise, they instinctively regard those books in the same echelon as Lost Paradise as replacements.
The absence of Lost Paradise is not because there is a problem with Xinchao's arrangement, but because everyone from the Faculty of Literature of Tokyo University stopped it.
Many professors originally organized a meeting to evaluate current literary works and summarize Neon's current literary situation from a critical perspective. This of course required the selection of some typical literary works.
After the announcement was made, Editor-in-Chief Kashiwagi immediately brought the Lost Paradise authorized by Kitajima Koma to many professors.
The editor-in-chief claimed that because the book has not been officially announced, everyone needs to read it in a relatively confidential environment.
Oshima Kazuya also gave a big thumbs up. In this way, other literary works will naturally not be able to enter the review process, and during this period, many judges will also have no contact with the outside world because of this so-called confidentiality regulation. any communication.
This led to the book Paradise Lost directly taking the lead in the literary world.
Trendy people naturally care about market share, but the original intention of writing this book was not to occupy market share, but to get out of neon and go global.
"This novel looks very bold." A professor hissed. He had already flipped through the book hastily. While he was surprised by Xiaoyuan Kazuki's writing skills, he was also impressed by the "scale" of this book. "I was shocked.
"After this book is released, it is estimated that it may cause quite a stir, and in this reserved country, it will make Xiaoyuan Kazuki a being that everyone keeps at a distance from."
Everyone here is well aware of the Neon Man's urinary nature, and that extreme subtlety will become like a dead flower in the wind under the impact of this book.
"So, professors need to find a legitimate reason for this book. Of course, I personally think that this book can represent contemporary society to a certain extent." Editor-in-chief Kashiwagi smiled and pushed up his glasses. , he has considerable confidence in Kitajima.
Professor An Tan glanced at Professor Ueno, who was the team leader, he thought for a while, and said slowly: "Actually, it is about finding a legitimacy, it is better to say that it is about finding a step for the Neon people to go down.
Of course, I think that when Teacher Xiaoyuan wrote this book, his focus may not be on the points of immorality and breach of ethics. Compared with these, what we need to pay attention to is what he expressed. What is the joy in the loss of joy? "
Professor An Tan's perspective was very unique, and it was obvious that no one present had thought about this issue.
Editor-in-chief Kashiwagi suddenly thought of a small incident that happened in the editorial department before, which was a story about an editor and a snowman.
So now, the editor leaves very late every night.
Seeing that everyone was silent, Professor An Tan continued: "I think this name is "Paradise Lost". The lost joy in it is the joy of true life, and its theme is not necessarily about true life. A kind of tender yet aggressive inquiry and exploration. His starting point is not to explore what the people in the article did, but what they wanted to do and the strong feelings they had.
Just as we feel violent joy and intense sadness to prove that we are still alive, this still has great instructive significance for the practical difficulties faced by modern people. "
"The people we see must be human beings in themselves. If even the most basic life is gone, then we will naturally not talk about other things. After all, it will appear extremely illusory and mechanical. Nowadays, everyone Everyone is desperately trying to get it, which is nothing more than a truth that everyone must understand and practice all the time: talents are the most warm-hearted, social-emotional, precious and important thing in this society.
So when I was reading this book, I tried not to explore whether it was an exploration of the moral bottom line or something else. I saw the discussion and observation of many topics in this book such as love, sex, marriage, and freedom.
This seems to be enough for us to write several papers and award several master's degrees if taken alone. However, it is obvious that Kazuki Xiaoyuan stuffed all these issues into one book or even several stories.
I have to say that his methods are brilliant and his intentions are extremely lofty. "
"In the life attitude of neon people who have an extremely strong group character, it is not easy to show the nature and naturalness of neon culture. At least so far, I have only seen the person Kazuki Xiaoyuan. Do this.
Everyone simply rejected a microcosm of their lives, a middle-aged office worker who was extremely tired inside and a housewife who looked dignified in appearance. No one would feel strange to them. At this time, they launched a suicidal destructive plan. Love, such an act, makes all modern people who are gradually numb in the rush and busyness feel the same feeling from the bottom of their hearts.
This is a kind of resonance that goes straight to the depths of the soul. Just like in the Snow Kingdom before, Xiaoyuan Kazuki is always so...direct to the soul. It seems that no one can do this as well as him. "(End of chapter)
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