tearjerker director

Chapter 1187 The real suffering is silent, because they can't make a sound

Li Yi told the story of "Hiding Into the Dust and Smoke" in a "country love" model.

This makes Cao Shujun, Tang Lu and other old directors who like to shoot the kind of criticism of reality, dig out the dark side of society, and reflect real problems, feel like they can't go up and down.

Because Li Yi's story of "Hiding Into the Dust and Smoke", in their opinion, can completely expose the ugliness of human nature. Two hard-fated people can completely dig out why they are so miserable and show more onlookers indifference and so on.

But in the end, if you shoot according to the plot Li Yi said, what is that?
The poor version of life and death, unswerving love until death?

A rural version of Liang Shanbo and Zhu Yingtai?Romeo and Juliet?
What are these people riding on horses?

For a while, they looked at Li Yi strangely.

The previous "Warm Spring" has long been thrown out of the sky by them, because compared to stories like "Warm Spring", they clearly noticed that the story of "Hidden Into the Dust and Smoke" is more expansive. , then a very stunning rural movie can definitely be made.

However, when he saw Li Yi's smile, Tang Ludi reacted immediately.

Sure enough, Li Yihuang clicked on it.

Yes, stories can be told in this way, but can movies be made in this way?

You can also shoot like this.

But there must be more content that movies can show, so don't look at the core of this story as if it is love, but in fact, when it is made into a movie, what the audience will see will definitely not be the so-called love.

Not to mention anything else, let's just say that the blind date at the beginning, in the description of just a few words, has actually revealed a lot of things.

For example, the horse has iron to feed the donkey, such as Cao Guiying's incontinence, etc., and their family's attitude towards them.

If these are made into a movie, it is impossible not to show them.

Therefore, this will definitely not be a movie full of affection and warmth, on the contrary, it will be a very heart-piercing movie.

Storytelling can only tell the main line, but making a movie, a complete movie, cannot only have the main plot.

There will inevitably be a series of side plots, why is it so difficult for Ma Youtie?

Why is it that although the life of the two people is poor, they love each other and have a touching warmth, but in the end it turns into despair?

Just by accident?

Absolutely not!

Others responded one after another.

The next moment they looked at Li Yi with a touch of heat in their eyes.

Why did Li Yi tell the story here?

It's definitely not showing off, and he couldn't have filmed both stories himself, right?
These days, in fact, these directors, if you want to say that they have no strength or ability, it is impossible.

So why are there so few good movies made by them?

In fact, the biggest reason lies in the shortage of scripts!

Compared with commercial films, in fact, good scripts for literary films are more difficult to find.

Because commercial films have routines and templates.

It’s not that the scripts of commercial films are not important, but at least there are traces to follow. However, literary films do not have any specific templates in this regard. The Hollywood three-stage structure can be applied to commercial films, but literary films cannot. .

From this point of view, there are many commercial films that follow the trend, but there are very few literary and artistic films that can be seen by following the trend.

For a director, making a literary film is artistic creation. If you imitate others in artistic creation, then what are you talking about artistic creation?
Commercial films are different, making money, not shabby!
And from their eyes, it can be seen that the second story Li Yi told is really promising.

Because of this kind of story, there are too many places to dig, and more importantly, if the main line is enough to cause tears, then the branch lines, background, etc., can completely avoid being too dark and depressing.

At the same time, such a movie may be released in theaters, and there is no need to worry about no one watching it.

Why do you say that?

In fact, the reason why many literary and artistic movies make the audience drowsy is really because everyone has no appreciation ability?

Or lack of vision?

In fact, it is really not, but because many literary films have a very slow pace, and the main plot is often cloudy. Many literary film directors do not like to give a clear main line.

Even, when they make a movie, they may not have a complete story line.

"Director Li, what's the name of the second story?" Tang Lu finally couldn't help but asked.

"Hide in the dust and smoke!"

"Hiding in the dust and smoke?" Everyone couldn't help being a little stunned, but after chewing carefully, everyone's eyes lit up.

"It's such a good one to hide in the dust and smoke!" Cao Shujun couldn't help but applaud.

Everyone nodded, but they didn't say what was good.

Some things, if you understand it, you understand it, and it’s useless if you don’t understand it.

"However, your story doesn't contain any bitterness. How can it be completely opposite to the previous story?" Tang Lu asked.

Li Yi smiled and said: "Because I always feel that the real suffering is silent, because they can't make a sound, and no one listens or cares. In the end they get used to silence."

Cao Shujun was silent, Tang Lu was also silent, Zhou Changqing was thoughtful, and everyone else had different reactions.

However, Li Yi said self-consciously: "Because of his health, Cao Guiying is regarded as a burden by his family, and no one cares about it. Ma Youtie is separated from his family, and only thinks of him when he needs the help of coolies.

Except in front of each other, the two are silent most of the time, and no one cares about their thoughts and opinions.

The final fate of Ma Youtie and Cao Guiying is like the dust on the vast land, disappearing into the yellow sand and smoke.This kind of life is so small that it is not worth mentioning, and no one cares about it. This is the source of the two people's real suffering.

I always think that suffering is not to tell you how miserable they are, but their inner suffering and tolerance, which are common to people like them.They are repeating their lives every day, and we may not be able to live a day.

They turned "bitterness" into a habit, a habit that is inherent in life.

The yellow sand all over the sky will eventually cover all of this, and no one cares about what was buried under it.

So, they finally disappeared into the dust and smoke.

Before long, no one will care how they end up, and it will be quickly forgotten.

People in the village may only mention that there used to be two people when chatting, that's all!

Compared with the story of "Warm Spring" which is bitter and sweet, then "Hidden in the Dust and Smoke" is except for a little bit of sweetness and a little bit of bitterness, and the rest is bitter.

However, I think that the reason why suffering can become strength is not because of the suffering itself, but from our introspection of the causes of suffering, as well as the sympathy and courage shown in the face of suffering!Just like the hero and heroine in the story "Hiding Into the Dust and Smoke". "

(End of this chapter)