tearjerker director

Chapter 1197 Darkness Before Dawn, Light After Dawn

The movie ended, but there was no sound in the theater.

In fact, Li Yi's movie did not make tears as much as in the past.

But it is more uncomfortable than the kind of tear-jerking film that makes people cry happily.

There is no reversal or climax in the whole film, it just tells the story of two marginalized people in the countryside.

It's just that although the whole film doesn't complain, it makes people feel the ubiquitous suffering!
"Do you think the relationship between Ma Youtie and Cao Guiying is love?" Suddenly one film critic asked another film critic.

"I think it's love, and it's higher than love.

It is sympathy for each other, and mutual respect.

It is mutual redemption and mutual fulfillment.

It is the sincere treatment of two hearts, and the support of two hard-working people to move forward. "

"I think so, although life is very bitter, they can use hope as sugar and taste the sweetness.

Although their lives are poor, they use their heart to create a sense of ritual.

This is the original appearance of love, without any utilitarianism, without any deceit, hot and sincere!
But I also feel that in such a movie, love is used to describe the relationship between the two of them, and it always doesn't feel right. "

"It's very simple, because it's too bitter and too difficult!"

Because there is another movie to be screened next, no one left.

Naturally, discussions began.

Is it love between Ma Youtie and Cao Guiying?

As the film critic said, how can it not be counted?

But if love is used to evaluate the relationship between them, it doesn't seem quite right.

Even, love is used to describe the relationship between Cao Guiying and Ma Youtie, because love is too extravagant for the two of them.

"I didn't expect that director Li Yi, when shooting a local film, can actually shoot a sense of it. There are really many details."

"Who said it wasn't? From the opening scene of the film, the one calling out is the fourth child, but the one coming out is a donkey. You can see it!"

"More than that, Ma Youtie has never been on the table. Even if he is on the table, he doesn't eat big fish and meat. He only eats steamed buns and eats. This is also very similar to a donkey. A donkey eats corn and eats grains. .”

"When he scolded the old donkey, he actually scolded himself."

"Director Dog is quite ambitious! Hidden in the dust, hidden in the dust, how do you feel after watching this movie?"

"What does it feel like? Anyway, I'm in a panic!"

"There is despair in the plain, full of sadness in the silence."

"Do you think there are such people in reality?"

"Why not? Never underestimate the evil of human nature!"

Everyone chatted and discussed.

At this time, the second movie "Warm Spring" was officially screened.

It can be said to be a seamless connection.

When seeing the title of the film "Warm Spring", the film critics and the media all showed weird expressions.

Even though they knew the titles of these two movies before, after watching "Into the Dust and Smoke", and then watching the title of "Warm Spring", they always felt like they were being tricked by Li Yi.

After all, "Into the Dust" really doesn't tell much from just looking at the title, but "Warm Spring", whether it's warm or spring, is obviously a more sunny thing, which is different from what "Into the Dust" shows. Despair, suffering, and unsatisfactory stories, obviously, this "Warm Spring" is the complete opposite.

They complained in their hearts, but everyone still quieted down, focusing their eyes on the big screen.

At the beginning of the movie, it was before dawn, the sky was dark, a little girl was running with something like a windmill in her hand.

Suddenly she fell and the windmill fell out.

She picked up the windmill, and the camera showed a close-up of the front, her dirty little face was full of tears of grievance.

"Warm Spring" appeared on the big screen.

Maybe ordinary audiences don't care about these metaphors and other shots, but everyone present can be said to be "professional" people.

Many film critics reacted immediately.

Especially before the movie reappeared, the sound of a rooster crowing resounded, making them more sure of the tone of the movie.

It was dark before the dawn, but light after the dawn.

It implies that the little girl's life was dark before that, but it is about to usher in the light.

The same word Nuanchun also corresponds to this scene.

Nuan doesn't need to explain, Chun also doesn't need to say more!
In the room, the old man was smoking a dry cigarette, and the sound of a rooster crowing came from outside again.

In the next shot, the old man's son carries water home and shouts, "Father!"

The old man also shouted: "Bao'er!"

Immediately aroused dissatisfaction from his son: "How old am I, why am I still called Bao'er?"

Baozhu went back carrying water, and saw his wife was looking at a picture of seeking a child non-stop. Through the conversation between the two, everyone knew that they had been married for many years but had no children, which has always troubled the couple.

The camera changes, and the old man is going out with a hoe to go to the field, but when he passes by, he sees a group of people around there. He takes a closer look and sees a little girl lying on the cart.

It was picked up by Ergou in the village at the entrance of the village, probably a little girl who fainted from hunger.

No one knew who she belonged to.

Everyone looked at the village chief and let the village chief make up his mind.

The village head was also in a dilemma, saying that there are so many families in the neighboring village, where can I find out?
The village head asked everyone who would like to adopt this child?

But everyone said that they have children and that they don't have enough food.

The daughter-in-law of the village chief's family also said that they have two children in their family.

The surrounding villagers left one by one.

Although Bao Zhu's father had been suffering all his life, he couldn't bear to see the child like that, so he decided to take him back to raise him first.

He took the child home, and his son and daughter-in-law were immediately dissatisfied.

The old man talked badly, saying that he would talk about it after the child woke up and asked clearly.

In the middle of the night, Baozhu's daughter-in-law woke up with a start and asked, "What if the girl wakes up and won't leave?"

The old man was repairing the little girl's toy windmill when suddenly the little girl woke up in a panic.

Seeing the old man, he shrank to the corner in fright.

The old man gave her the windmill and brought her some cakes.

Xu Shi was very hungry, so the little girl took the cake and gnawed it.

The old man asked her what her name was and how old was she?

Only then did she reply: "Xiaohua, it's seven years old!"

Her family lives in Shanghe Village, and her grandma made the windmill for her.

"Grandpa will send you home tomorrow, okay?"

But Xiao Hua shook her head in shock: "If I don't go home, they will beat me to death!"

"Tell grandpa, why did your parents beat you?"

"They are not my parents, my parents are dead, my grandma is dead, they won't let me eat, I am hungry, Grandpa, please don't send me away, I can wash clothes, I can cook, I can do a lot of work you Just give me one meal a day!"

"When Xiaohua grows up, treat grandpa well, grandpa, I will give grandpa the paper pinwheel made by grandma!"

Seeing Xiao Hua begging, Grandpa couldn't help feeling a pain in his heart.

All she wants is one meal a day
She wants to give her most cherished paper pinwheel to her grandpa, just to keep her from being sent away.

(End of this chapter)