All Realms Landing

Chapter 246 Comprehending the Taixuan Sutra ([-])
When Tang Xiu walked into the second stone room, he realized to his surprise that one night had already passed.

There are already many servants from the Knights Island, coming in and out of the stone room, delivering toiletries, or breakfast, etc. to those who have learned martial arts in the stone room.

The service of Xia Ke Island is very thoughtful, and it can be said that this place is a paradise for people in martial arts.

In the second stone room, there were quite a few people, either staring in contemplation, muttering to themselves, arguing loudly or even fighting each other, etc. They simply turned a blind eye to Tang Xiu's arrival.

Even some of these people don't wash up at all, and don't eat breakfast, which can be regarded as a waste of sleep and food. Presumably, they only remember to eat when they are hungry!
After Tang Xiu washed up and had breakfast, he began to comprehend the martial arts in the second stone room.

On the big stone wall of the second stone room, there are engraved Taixuan Jing and the second line of the ancient poem "Wu hook, frost and snow", and there are many illustrations of ancient poems below.

Tang Xiu looked carefully and saw a sword technique.

It is already the pinnacle of swordsmanship in martial arts!

I saw that the ancient poem illustrations on the wall were densely engraved with characters. In Tang Xiu's eyes, these strokes were like long swords, and there were hundreds of them in total.

These sword shapes are either horizontal or straight, or slanted or pressed, in Tang Xiu's eyes, Hao Ran has turned into a series of sword moves.

Some of the sword points were pointing upwards, some were downwards, some were inclined to fly, and some were to fall sideways. Tang Xiu looked at the thousands of sword moves one by one, then shook his head and walked towards The third stone chamber.

Although the swordsmanship he saw from this second stone room was also the pinnacle swordsmanship in martial arts, as the successor of Dugu Nine Swords, his swordsmanship had already reached the pinnacle.

Therefore, for Tang Xiu, this second stone room did not yield much, but it was not as good as the palm technique learned in the first stone room, and benefited a lot.

He walked into the third stone room. As soon as he stepped into the stone room, he felt the sound of the wind, and the three well-dressed old men started running lightly and abnormally fast.

These three people ran extremely fast, and they only brought the room full of vigor, which is difficult for non-grandmaster level masters to do.

Tang Xiu glanced at it, and these three old men were indeed master level masters of over 70 levels. They presumably were invited to the Knights Island in the early years. It is not difficult to reach the level of a master.

These three old men were chasing and running, but kept talking in their mouths, the tone was very calm, which showed that their internal strength was very high, and they did not have shortness of breath due to galloping.

I only heard the first old man say: "'Xia Ke Xing' was written by the great poet Li Bai, but Li Bai is a poet fairy, but not a sword fairy. Why does a short poem of 24 lines contain the principles of martial arts?"

The second person said: "The one who created this set of martial arts is a great master of martial arts who is astonishing in history and unattainable. He just borrowed this poem from Li Bai to express his miraculous martial arts. Let's not be too stubborn and rigid. In Li Bai's poem 'Xia Ke Xing'."

A third person said: "Although Brother Ji's words are very reasonable, but the sentence 'Silver saddle shines on a white horse' cannot be understood without Li Bai's poetry."

The first old man said: "That's right. Not only that, I think it has to be connected with the sentence in the fourth room 'Shu Da Ru Meteor' to be the correct answer. The explanation of poems must not be taken out of context. Let's study martial arts. It can’t be taken out of context.”

The three of them have high martial arts skills, and they didn't sit down and talk slowly, but chased each other non-stop.

Tang Xiu had guessed which category the martial arts recorded in the third stone chamber and even the fourth stone chamber belonged to.

Light work!

Lightness kungfu is an extremely important part of martial arts, such as Dongfang Bubai, Happy King, and Wudang ancestor Zhang Zhenren's Ti Yunzong, etc., all attach great importance to body skills.

Tang Xiu looked at the stone wall, as expected.

The "Silver Saddle Photo White Horse" in the third stone room belongs to the lightness kung fu.

In the illustration of the ancient poem, the picture is a horse running with its head held high, and the clouds under its feet are filled with clouds, just like flying in the sky.

Tang Xiu stared intently, and gradually felt that the steed seemed to come alive and flew out of the wall as he wanted, and the internal force in his body also began to circulate involuntarily.

It is a method of footwork operation!

Tang Xiu looked at it for a while, and then walked into the fourth stone room. The fourth line of the ancient poem in this stone room, "Shu Da Ru Meteor", is indeed related to lightness kung fu.

He stared and forgot for a while, and the internal force in his body was running faster and faster.

Finally, Tang Xiu also started to walk in the room. When he stepped out, it was as if he had crossed the space, from the center of the stone room to a corner of the room.

He stepped out again, still as if he had crossed the space, from one corner of the stone room, he appeared directly in another corner.

This lightness skill is already shocking the world and has reached its peak!

Not even Dongfang Bubai's swift teleportation technique could reach the point of "lifting weight like light", because Tang Xiu's lightness skills and footwork were already close to the legendary "shrinking the ground to an inch."

Tang Xiu was already proficient in advanced lightness exercises, such as Wudang Tiyunzong and some lightness exercises recorded in the Nine Yin Scriptures, etc. At this moment, from the third stone room and the fourth stone room "Silver saddle shines on a white horse" and "Sada like From the illustration of the ancient poem "Meteor", there is a great understanding.

He gradually integrated the lightness kung fu method he had learned before with the lightness kung fu method he had realized, and he actually comprehended a lightness kung fu method that had reached its peak.

At this moment, his lightness kung fu is no longer inferior to anyone in the world, and it is even difficult for anyone to compare with his lightness kung fu of "lifting the weight as if it is light, shrinking the ground to an inch".

But this lightness skill also has flaws, that is, it can only be used on the ground, if it is moved in mid-air, it will not be so magical.

Even so, Tang Xiu felt that he had benefited a lot, and walked into the fifth stone room with great interest.

But at this time, another day and night had passed.

After Tang Xiu washed and ate again, he looked at the martial arts on the fifth stone room...

He has really benefited a lot from the study of the stone chambers, and the "Taixuan Jing" is indeed the first unrivaled magic art in ancient and modern times.

The fifth sentence "kills one person in ten steps", the tenth sentence "take off the sword and cross your knees", and the No. 17 sentence "save Zhao Huijin hammer", each sentence is a set of swordsmanship.

For Tang Xiu, these sword skills did not yield much, as his sword skills had already reached their peak.

The ninth sentence "passing Xinling to drink", the No. 14 sentence "Five Sacred Mountains are light", and the No. 20 sentence "The fragrance of a hero's bones to die", but they are also boxing and palm techniques.

No. 13 sentences "Three cups of breath", No. 16 sentences "Yin Qi Suo Nisheng", No. 20 sentences "Xuanhe Daliang City", are the internal strength of breathing and breathing, etc...

(End of this chapter)