urban bible
Chapter 628 Such a director...
Chapter 628 Such a director...
The black director is a well-known director in the whole country.As a young member of China's tenth generation of directors, he has produced several works that have won awards abroad.
Of course, these works have only won awards abroad, and have not been screened in China at all-to put it bluntly, there are too many dark sides and gray areas involved, so they will not pass the review at all.
As far as China's film censorship system is concerned, it is relatively strict.That's pretty strict, at least in the eyes of those in Hollywood.
The introduction of a quota system for Hollywood films every year is enough for the six (or seven) major Hollywood film companies to look at Huaxia's giant cake and sigh in awe. Ten places.
However, not all domestic people can understand the protection system of this censorship system for Chinese local films.They only feel that China's market is not open enough and too strict, but they don't even think about these Hollywood movies, are they really just movies?
Lin Dong has read related books and knows that China's film industry has experienced several major crises.
The more famous times, one is the early stage of reform and opening up, because of the opening up, foreign films are also shown relatively wide, and there are many blockbuster films that come in.
If according to the common sense, a country and a film industry that is in a state of waste, there will be a large number of foreign films rushing in before it can get up again, then I am afraid that the domestic film industry has not yet recovered. There is nothing left of being impacted.
Fortunately, although the opportunity was given to them, Renhe was not on their side at the time.At that time, it was not only old American Hollywood movies and Eastern European movies that hit China, but more Japanese movies.
At that time, China and Japan were in the best period since that century. In order to compensate for the damage caused to China by the war of aggression against China, the Japanese government provided China with a large interest-free loan.At that time, the people were also quite friendly to Japanese "friends", except of course the group of old people who had been abused.
After all, after opening up, people discovered that the country had developed to that extent!
And what followed, including Japanese cultural products, people who have experienced that era, all know how popular Japanese film and television works such as "Manhunt", "Blood Clot", and "Volleyball Girl" were at the beginning!
And Huaxia's directors who made films such as "Red Sorghum" at that time were also touted to the sky by the Japanese.
Of course, in fact, they also have no good intentions.Just like France, Britain and other countries are exaggerating about the tenth generation of directors, they just wantonly exaggerate the dark side of the bottom of the Chinese people through the hands of the Chinese people.
The reason why the "cultural invasion" failed to succeed that time, no one thought that the last hero was actually "piracy"!
Yes, it's a bootleg!
At that time, China was waiting to be revitalized, various laws were not perfect, and the crackdown on piracy was not as strong as it is now (it is not strong enough now either).Whether it is from Japan, Hollywood or other countries, the film and television works have been besieged by overwhelming piracy before they are released in theaters.As far as the impact on ordinary people is concerned, it is absolutely huge.But in terms of profit, it is basically nothing.
Although Hollywood has the task of helping to promote the "universal value" of Laomei, those people are businessmen after all, and they will not do things without profit.
Therefore, in the eyes of a sensible person, that wave of attack was aggressive, but retreated silently.In the eyes of ordinary people, they only see a large number of foreign film and television programs flooding the market, but quickly disappearing without a trace.
Later, with the gradual improvement of the domestic system and the introduction of the quota system, the door of prevention was blocked. Although many people complained, a discerning person can still see that the advantages outweigh the disadvantages.
Turn around and talk about this black guide.
China's censorship system for domestic films is very general, and this has been tainted for a long time.I hope that film censorship can follow the example of Europe and the United States and implement a classification system. This is the dream of filmmakers.
However, for this thing, for a while, there is no hope at all.Just think about it.
The black guides and their seniors have actually experienced similar things.With a lot of enthusiasm, I first shot those shadows in China that are not known to the public. These films may carry the director's painstaking efforts, ambitions, struggles, ideals, etc., but, to be honest, this type of film, I am afraid that no matter which country, it is unlikely that such a film will be screened on a large scale in its own country.
For example, you go to the old American Hollywood to shoot a film about the old American first President Washington ordering the massacre of Indians?Although this is a historical fact, Lao Mei will never let this kind of film appear on the public screen.
Or make an old-fashioned school shooting case, the police killing a black man for no reason, without superheroes in it, just shoot such things, do you think it can pass the trial?
By the same token, no one wants these small-probability events to mislead the public into thinking that their world is like this.
Therefore, as for the film directed by Hei, as for the type of film, Lin Dong just watched it and didn't pay any more attention.It is impossible for this kind of uncensored film to be screened on a large scale in the mainland.Only film producers in Europe and the United States who are committed to promoting China's backwardness and "popularizing" the "truth" in China's society to their citizens will pay attention to such films.
In the past generations of directors, because they won a certain unit award at the Cannes Film Festival in France, or they would be walked on the red carpet, they would be widely reported by the domestic media, and then their reputation in the country would rise, and then they would start shooting feature films, fame and fortune. Double income.
Although the black director has also won a certain unit award in France, but now with the increase in the transparency of the news, many people in the industry have understood that the so-called French love for Chinese films is just to show the bad side of China , showing how much they value "Chinese culture", the actual result is that most of these so-called award-winning content will not be broadcast on French media at all, and the "Chinese impression" accepted by the French people is still political.Those contents that the government gave them to regulate.
And because of this, although the black director "won the award", he is not well-known in China. To be honest, in this era of fast food culture flooding the Internet, not many people really watch the films he made.
So, the black guide came to Lin Dong.
He and Lin Dong have already talked twice, hoping to put his film on Bifang's virtual platform.
How can this be?
(End of this chapter)
The black director is a well-known director in the whole country.As a young member of China's tenth generation of directors, he has produced several works that have won awards abroad.
Of course, these works have only won awards abroad, and have not been screened in China at all-to put it bluntly, there are too many dark sides and gray areas involved, so they will not pass the review at all.
As far as China's film censorship system is concerned, it is relatively strict.That's pretty strict, at least in the eyes of those in Hollywood.
The introduction of a quota system for Hollywood films every year is enough for the six (or seven) major Hollywood film companies to look at Huaxia's giant cake and sigh in awe. Ten places.
However, not all domestic people can understand the protection system of this censorship system for Chinese local films.They only feel that China's market is not open enough and too strict, but they don't even think about these Hollywood movies, are they really just movies?
Lin Dong has read related books and knows that China's film industry has experienced several major crises.
The more famous times, one is the early stage of reform and opening up, because of the opening up, foreign films are also shown relatively wide, and there are many blockbuster films that come in.
If according to the common sense, a country and a film industry that is in a state of waste, there will be a large number of foreign films rushing in before it can get up again, then I am afraid that the domestic film industry has not yet recovered. There is nothing left of being impacted.
Fortunately, although the opportunity was given to them, Renhe was not on their side at the time.At that time, it was not only old American Hollywood movies and Eastern European movies that hit China, but more Japanese movies.
At that time, China and Japan were in the best period since that century. In order to compensate for the damage caused to China by the war of aggression against China, the Japanese government provided China with a large interest-free loan.At that time, the people were also quite friendly to Japanese "friends", except of course the group of old people who had been abused.
After all, after opening up, people discovered that the country had developed to that extent!
And what followed, including Japanese cultural products, people who have experienced that era, all know how popular Japanese film and television works such as "Manhunt", "Blood Clot", and "Volleyball Girl" were at the beginning!
And Huaxia's directors who made films such as "Red Sorghum" at that time were also touted to the sky by the Japanese.
Of course, in fact, they also have no good intentions.Just like France, Britain and other countries are exaggerating about the tenth generation of directors, they just wantonly exaggerate the dark side of the bottom of the Chinese people through the hands of the Chinese people.
The reason why the "cultural invasion" failed to succeed that time, no one thought that the last hero was actually "piracy"!
Yes, it's a bootleg!
At that time, China was waiting to be revitalized, various laws were not perfect, and the crackdown on piracy was not as strong as it is now (it is not strong enough now either).Whether it is from Japan, Hollywood or other countries, the film and television works have been besieged by overwhelming piracy before they are released in theaters.As far as the impact on ordinary people is concerned, it is absolutely huge.But in terms of profit, it is basically nothing.
Although Hollywood has the task of helping to promote the "universal value" of Laomei, those people are businessmen after all, and they will not do things without profit.
Therefore, in the eyes of a sensible person, that wave of attack was aggressive, but retreated silently.In the eyes of ordinary people, they only see a large number of foreign film and television programs flooding the market, but quickly disappearing without a trace.
Later, with the gradual improvement of the domestic system and the introduction of the quota system, the door of prevention was blocked. Although many people complained, a discerning person can still see that the advantages outweigh the disadvantages.
Turn around and talk about this black guide.
China's censorship system for domestic films is very general, and this has been tainted for a long time.I hope that film censorship can follow the example of Europe and the United States and implement a classification system. This is the dream of filmmakers.
However, for this thing, for a while, there is no hope at all.Just think about it.
The black guides and their seniors have actually experienced similar things.With a lot of enthusiasm, I first shot those shadows in China that are not known to the public. These films may carry the director's painstaking efforts, ambitions, struggles, ideals, etc., but, to be honest, this type of film, I am afraid that no matter which country, it is unlikely that such a film will be screened on a large scale in its own country.
For example, you go to the old American Hollywood to shoot a film about the old American first President Washington ordering the massacre of Indians?Although this is a historical fact, Lao Mei will never let this kind of film appear on the public screen.
Or make an old-fashioned school shooting case, the police killing a black man for no reason, without superheroes in it, just shoot such things, do you think it can pass the trial?
By the same token, no one wants these small-probability events to mislead the public into thinking that their world is like this.
Therefore, as for the film directed by Hei, as for the type of film, Lin Dong just watched it and didn't pay any more attention.It is impossible for this kind of uncensored film to be screened on a large scale in the mainland.Only film producers in Europe and the United States who are committed to promoting China's backwardness and "popularizing" the "truth" in China's society to their citizens will pay attention to such films.
In the past generations of directors, because they won a certain unit award at the Cannes Film Festival in France, or they would be walked on the red carpet, they would be widely reported by the domestic media, and then their reputation in the country would rise, and then they would start shooting feature films, fame and fortune. Double income.
Although the black director has also won a certain unit award in France, but now with the increase in the transparency of the news, many people in the industry have understood that the so-called French love for Chinese films is just to show the bad side of China , showing how much they value "Chinese culture", the actual result is that most of these so-called award-winning content will not be broadcast on French media at all, and the "Chinese impression" accepted by the French people is still political.Those contents that the government gave them to regulate.
And because of this, although the black director "won the award", he is not well-known in China. To be honest, in this era of fast food culture flooding the Internet, not many people really watch the films he made.
So, the black guide came to Lin Dong.
He and Lin Dong have already talked twice, hoping to put his film on Bifang's virtual platform.
How can this be?
(End of this chapter)
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