Quickly wear I have countless vests

Chapter 258 Starlight and You, I Want Both 67
Everyone's eyes were unconsciously attracted by that voice, and they looked there.

At the moment on the fourth stage, Xia Ling was dressed in simple summer clothes.

In terms of clothing, the two are completely different in terms of shape and color.

And just now on the stage, it was Xia Ling's ordinary big move, a big move that other trainees and even artists need to study for at least three or four years and may not be able to learn it.

Her big move is expensive because it is different from the ordinary big moves I have seen before.

It's not the kind of simple somersault, her flipping body, for some reason, makes people feel that she is as beautiful as a white flower, and there is no sense of disobedience.

In ancient times, there were swordsmen with their long swords in their sheaths, walking in the north and south of the river with a bit of wanton chic, and the sword spirit was born freely.

Those two turns of her body just used the strength of her waist and followed the rhythm of the sword. Seeing her dancing like this made people think of a picture of a woman dancing with a sword.

The dance effect of this kind of dance is different, mostly because the dancer has done a little trick when dancing this dance.

Speaking of singing and dancing, whether it is vocal music or dancing, it is all about the details.

The audience in the distance didn't notice Xia Ling's handling of the details just now, they just felt that the moment just now not only touched the rhythm of the heart, but also felt so beautiful.

The spectators and trainees who watched the game closely all found Xia Ling's extreme and even somewhat surprising handling of the details.

Han Xuexue was the closest to Xia Ling, so she naturally saw all Xia Ling's performances just now, and all the fragmentary movements were reflected in her eyes.

She lowered her eyes, and the next second she was thinking, if it was her, would she be able to do it.

Soon Han Xuexue raised her head and stopped thinking about it. She felt that she and Xia Ling only focused on two different aspects.

But just now, for Xia Ling's big move, her hands were on the ground, that is to say, she turned on the stage floor.

This kind of flipping seems to be very simple, and some children can do it, even without a teacher.

But if this is the case, there is absolutely no such almost glamorous visual effect.

At that time, Xia Ling obviously did tricks on his hands.

She rolled over just now, but her hands did not come down at the same time. The moment she stood upside down, her hands fell to the ground one second apart.

The hands moved slightly, forming an internal horoscope, and moved sideways to the upper right. Accompanied by that, half of the body landed to the right in an absolutely soft posture.

Both feet landed on the ground, and Xia Ling took his waist as the axis, driving his limbs, and using his body, opened an incomparable light-colored flower in the air.

Her softness and her dancing posture made people's eyes shine, and also made many audiences who saw her do a simple big move just now feel refreshed, and the passion in their hearts seemed to be ignited.

But it's not over yet.

This is just the beginning, and then the climax of the music of the ancient swordsman Jianghu will come rushing.

And Xia Ling, who was in the center of the fourth stage, also began to embrace this battle system in an all-round way.

Music about ancient rivers and lakes, etc., generally has a chic and wanton lyrical style.

The former Han Xuexue took a straightforward path, every cell in her body seemed to be dancing, infecting thousands of audiences to the greatest extent she could.

The route Xia Ling took was not straightforward. He pinched the lyrical point of the music and led the audience to watch a simple journey of swordsmen in the rivers and lakes.

On the basis of the rigidity of her ultimate move, her dancing posture has added a bit of softness, which is the kind of rigidity and softness that can fit together perfectly.

She jumped up with a sense of boldness, and she spun and moved with a sense of beauty of a girl.

This kind of dancing posture is not inferior to expressiveness, because this is already an interpretation in another direction, called the name-scenario, also known as the realm.

(End of this chapter)