The cross-border king of entertainment

Chapter 169 0169, Yunfeng started class
Yunfeng rested his chin with his hands, staring at the computer monitor intently.

Wu Qiu and Nie Wenjun were watching his expression, seeing that he sometimes raised eyebrows, frowned, and shook his head. He seemed dissatisfied with the first audio cartoon of "Fengyun I", and they immediately became nervous. The five buckets fetch water in general, ups and downs.

The video was only 8 minutes long, and it was played quickly, and Yunfeng didn't say a word the whole time.

Seeing this, Wu Qiu and Nie Wenjun didn't dare to say anything, they just waited aside.

After a while, Yunfeng changed his posture, put his arms around his chest, and said in a deep voice, "Call everyone in the studio over, and have a small meeting."

Wu Qiu and Nie Wenjun looked at each other, thinking, it's over, the first sound comic of "Fengyun I" must not have met the requirements.

The two of them agreed with "Okay" and hurried to call others.

"Wu Qiu, what's the matter?"

"Come over quickly."

……

"Brother Nie, is he the 'boss'? Just like the rumors, young and handsome."

"Don't talk nonsense for a while."

……

"You said that I want an autograph from the boss, is that okay?"

"At least not now, look at the face of the boss, it's not very good."

……

In twos and threes, they whispered to each other and walked towards Yunfeng's place.

Seeing that everyone was coming, Yunfeng didn't speak, but moved the mouse, clicked the replay button, and then raised his hand to signal them to take a look.

This……

what's the situation?
They are all too familiar with this video, why do they want to watch it again?They didn't understand the purpose of doing this, but no one asked.

After the video finished playing again, Yunfeng said, "Tell me about your feelings after watching it."

"..."

They all looked at each other in blank dismay.

feel?

Evaluate yourself?

it is good?
not good?

After waiting for a while, no one spoke.

Yunfeng smiled gently and said, "Then let me change the question. Do you know why no one reads the audiobook?"

"I think it's because listening can't control the speed, and it's troublesome to go back and listen to something you didn't hear clearly."

"Yes, the mobile phone is generally used for listening, and the experience of the mobile phone player is poor, and it is difficult to drag and drop to locate."

"Also, listening to audiobooks generally uses fragmented time, such as commuting to and from get off work, riding in a car, running, etc. The environment may be messy, so you can't concentrate all your attention."

"And there are too few high-quality audiobooks, and those audiobook websites are not updated every few months."

"I think it's about the length of audiobooks. Take novels or comics as an example. A chapter can be read for two or three minutes at a fast pace, and at most 3 minutes at a slow pace. It can be adapted into an audiobook, at least in 10 minutes. more than a minute."

……

This question is much easier to answer than the previous one, and I heard from colleagues in the other two studios that Yunfeng is a very approachable and friendly person.

So, they let go, jumped to speak, and expressed their opinions.

Yunfeng listened, nodded slightly and said: "The problem of software experience can be adjusted by collecting readers' opinions, and other problems can be solved by improving the quality of audiobooks."

After a pause, he continued: "It's like watching anime or film and television dramas. Some will fast-forward the whole process, while others don't want to miss a minute. Why? The reason is very simple, there are no highlights, and it's tasteless , it’s a pity to abandon it.”

This is indeed the case. When they go to those audiobook websites to learn, they basically force themselves to read and listen to it.

but……

How to create the highlights of audiobooks?

Seeing the puzzled look on their faces, Yunfeng knew that their understanding of audiobooks was not deep enough, and then said: "Whether it is a novel or a comic, it is all through the storyline and the author's writing and drawing skills. , to feel the emotions in the words and pictures, but if you listen, you can feel the richer emotions in the story through rhythmic sounds and dynamic pictures.”

As he spoke, he suddenly became serious, and said, "Let me tell you about some of the problems I found from watching the first audio comic of "Fengyun I" just now."

Hearing this, they all pricked up their ears, ready to take notes, and they would not despise Yunfeng because of his young age.

Yunfeng looked at a man and a woman on the left, and said, "Let's talk about the dubbing first, Lu Xiaojia and Wei Xue's dubbing is very professional, and the control of the voice line is very good. Whether it's a monologue, male, female, young or old, each character has its own characteristics. .”

When Lu Xiaojia and Wei Xue heard this, they breathed a sigh of relief.

However, the next "but" made both of their hearts skip a beat.

Just listen to Yunfeng said: "However, the emotional investment is not enough. To put it simply, the voice is changeable and pleasant, but the sense of substitution is poor, and it does not express the character, psychology, temperament and charm of the characters shown."

When dubbing, the two of them simply adjusted the tone and intonation to reflect the differences between the characters, but ignored the emotional expression.

For audiobooks, "sound" is particularly important. If there is no emotion, it is better to use AI.

In the final analysis, it is because there is not enough attention to dubbing audiobooks.

"And if you want to express the character, psychology, temperament and charm of the characters you are showing, you can't play it casually, you must be limited by the performance of the characters, including movements, mouth shapes, and the time and space environment in the plot. It is best to be able to do it There is no difference at all.”

On Yunfeng's side, he said eloquently: "Then, it is impossible to achieve this simply by using external language skills. We must start with an in-depth analysis and understanding of the characters. The speed of the rhythm, accent, language habits, etc., as well as factors such as the specific scene in which it is located, the communication object, etc., are carefully studied to find out the potential psychological basis behind each line of the character. Only in this way, Only in this way can it be completely consistent with the language rhythm and inner rhythm of the character."

Although Yunfeng has never been in contact with the dubbing industry, he has done his homework in this area.

Furthermore, dubbing has a lot in common with manga drawing, except that one uses voice and the other uses pictures.

After hearing these words, Lu Xiaojia and Wei Xue looked at Yunfeng with more admiration in their eyes.

Because everything is true.

An excellent dubbing actor must have these abilities and qualities, and the dubbed works can be called masterpieces of dubbing art.

Lu Xiaojia said thoughtfully, "Boss, I understand."

Wei Xue said with flickering eyes: "Thank you, boss, I will pay attention to improving my abilities in related areas in the future."

Neither of them is a first-line dubbing actor. Some animations and film and television dramas that participated in the dubbing before were all low-cost, and the requirements were not high. Over time, they formed a habit of thinking that "almost is enough".

Yunfeng sort of woke them up.

Then, the next step is the picture.

Yunfeng turned his head to look at Nie Wenjun, and said: "The decomposition, reshaping, and transitions of the comics are very good, but the movement of the picture is not just the fading, melting, wipe, etc. between pictures. It is also possible to perform certain motion processing on the basis of pictures, so that people or things can make simple actions, such as walking forward, pushing and closing doors, and the camera can also produce push-pull panning.”

Nie Wenjun was doing animation before, but he suddenly switched to audiobooks, so he couldn't think of so much for a while.

The focus of audio comics is "sound", but it is not limited to sound. In order to strengthen the appeal of the story, it is possible to make more fuss about "movement".

Yunfeng continued: "It is obviously not enough to simply cut out the pictures of the original comics one by one and play them in the form of slideshows or PPTs. We must consider all aspects of the work that are worth moving. Factors, even if it is a punch, a falling stone, or even a crumbling drop of blood, as long as it can set off the appeal, it should be as vivid as possible.”

In terms of professional knowledge, Yunfeng is not as good as them, but in terms of knowledge and understanding of audiobooks, Yunfeng is far superior to them.

Then, Yunfeng said some details.

Such as onomatopoeia, including natural sounds, the sound of objects colliding, and so on.

Another example is the BGM, especially the BGM of the two protagonists Bu Jingyun and Nie Feng, including martial arts and literary dramas.

These can make the characters vivid and the plot lifelike, so that readers can feel as if they are hearing their voices and being there.

So far, Yunfeng's "Audiobook" class has come to an end.

What they can change in the end depends on themselves.

(End of this chapter)