Withering cross talk: a piece of truth, mountains and rivers shocked

Chapter 37
"impossible!"

"Absolutely impossible!"

Right after Lin Qingfeng finished speaking, Song De, who was sitting on the sofa watching the live broadcast, immediately jumped up!

As an operator who has gained fame by relying on "lost songs" all the year round, others don't understand how difficult it is, but he does!

When the new cross talk movement started four or fifty years ago, the old jokes of cross talk were gradually abandoned by most cross talk actors.

Instead, learn the new cross talk which is simpler and more convenient.

Abandon all performance forms including Taiping lyrics, Guankou ditties, etc.!

All in order to break through the shackles of the so-called original cross talk performance.

In such an environment, many non-staff people—that is, the group of people Lin Qingfeng exemplified have entered the cross talk world openly.

In order to let everyone stand on the same starting line, those who have just joined spare no effort to promote the development of new cross talk.

After all, if everyone doesn't say anything, no one will know if they will.

Under such circumstances, many cross talk actors who are still insisting on traditional performances have been squeezed out.

Under the influence of the mainstream that occupies the main publicity channels, traditional cross talk has taken countless scapegoats!

It not only hit all the traditional cross talk actors, but also made the traditional cross talk face a more dangerous situation.

No successor.

If no one listens, there will be no food.

Without fame, you will not receive apprentices.

Even if you receive an apprentice, can you support yourself?
Could it be that he watched his apprentice starving after him?

What's more, traditional art depends on selling tickets for a living.

Tickets are required for performances.

A show needs a venue and actors.

A performance cannot be supported by one or two actors.

There must be a complete acting troupe to have a complete performance.

This puts even more pressure on traditional actors!

There is a saying that goes well.

No one cares about unflattering boys, and no one does business that doesn't make money.

Traditional theater troupes have disbanded one after another.

Even with the inheritance, there is no one to inherit it.

The mainstream has also kept adding insult to injury over the years, and has been artificially erasing the traces of traditional cross talk.

Finally, one day, everyone was surprised to find out.

Traditional cross talk has really disappeared...

Those classic jokes disappeared into history forever with the disappearance of the older generation.

Even if some comic dialogue gardens still exist, the inheritance in them is just like a dead tree in winter.

There are no more than two leaves left.

Even in order to survive, many cross talk gardens have to say some new types of cross talk to cater to the mainstream circle.

Another ten years have passed.

The hundreds of cross talks that were originally recorded have gradually withered, and there are still dozens of them left.

Even so, these dozens of cross talks have been changed beyond recognition!

In recent years, not everyone in the cross talk circle wants to restore a few traditional cross talks.

After all, it's nice to say this kind of thing, and it's a bit of a cultural person's face when you say it.

And get some research funding.

But in practice, it turned out to be very difficult.

The operations of those years have almost wiped out the records of traditional cross talk.

The only thing that is still recorded is some information that has been occasionally uploaded to the Internet in the past ten years.

The traditional cross talk paper materials that the Music Association was originally responsible for saving were treated as garbage three to forty years ago and I don’t know where to throw them away.

I can't even find it!

As the most influential people in the cross talk circle, they are also operators of restoring traditional cross talk.

Of course he knows the difficulty of restoring traditional cross talk best!
Because the traditional cross talk jokes restored over the years were all edited by Song De and colluded with each other.

If it is easy to recover, then there is still a need to discuss with others in collusion.

The credit is not all my own!
If others want to share money, there is no way!

Now, suddenly someone said that he knew dozens of traditional cross talks.

It's not just Song De who doesn't believe it.

All the mainstream actors who are listening to cross talk don't believe it!
He talks about cross talk in a small garden, why does he know more than us mainstream ones!
Song De sat back on the sofa angrily, and said cursingly:

"This shameless little rascal!"

"Absolutely a liar!"

"He definitely wants to belittle us and elevate himself with these words!"

The commotion in the theater lasted only a short while.

After all, people who don't know about related matters don't feel how shocking this matter is.

Lin Qingfeng said slowly on the stage:

"Of course, more people watch cross talk on TV now."

"You can't blame TV for being bad. TV, a new medium, has a great effect on cross talk. It is admitted that people are good, but the key is how to do it."

Lin Qingfeng paused for a moment.

Said in a very serious tone:

"First of all, as an actor, you must be an expert."

"For example, those who sing Peking Opera at the BJ Peking Opera Theater, even those who play tricks all study in drama schools. He can only play tricks after graduation."

"If we say that today, there is no one in the BJ Beijing Theater, and they are recruiting again, and a group of laid-off workers in their thirties are recruited from the society, and those who come down from various units are enriched to go to the Beijing Theater, then everyone will think, ah, This group of people is not a singer, he has never learned."

"But for cross talk, everyone ignores this point."

"Cross talk, pay more attention to basic skills."

"Should start learning at the age of seven or eight, and become an apprentice at the age of eighteen or nineteen. Follow the master on the stage. In the twenties, gradually gain experience. In the thirties, mature. There is such a process. But in the Chinese cross talk circle, 90.00% of five cross talk actors are engaged in other jobs before the age of 25, and have never learned cross talk.”

"I know one stage, two stages, and travel all over the world. Why?"

"For example, when I went to Shanxi and Yuci, I went to this place to perform. I performed for 5 minutes and got 3 yuan. I don't want to come here again in this life."

"China is so big! You won't be able to turn around until you die, so go slowly!"

All the audience looked thoughtful.

Although I have watched traditional cross talk for so long over the years.

But many people still know little about the discovery and training of traditional cross talk.

Most people's impression of cross talk is that anyone can say whatever they want.

This is also thanks to the chaotic promotion of cross talk on TV over the years.

Whether it's an internet celebrity or an actor traffic star.

As long as you stand in front of the microphone, you can say that you are performing cross talk.

If it weren't for Lin Qingfeng, I really didn't know that cross talk actors also need to practice!
What's more, the inside story of the cross talk circle revealed by Lin Qingfeng is also very amazing.

Over the years, cross talk actors have traveled and performed all over the country, not just using theater and reimbursement to make money.

More private events such as receiving performances, openings and store celebrations.

While holding the national salary, while earning other extra money.

This is a routine operation in the comic circle.

Today, Lin Qingfeng exposed this inside story.

Many mainstreams are about to bite their teeth!
(End of this chapter)