Reborn Japan for entertainment

Chapter 108 Improved Acting Skills
After completing an agreement with Uncle Abe Hiroshi, Kiyoshi Sakamoto began to follow Abe Hiroshi to learn how to act.

Sometimes, a good actor is not necessarily a good acting teacher.

Because things like acting skills can be taught systematically, there are only superficial things, such as: voice, lines, and body, these three categories.

Voice and lines.

Language and vocalization are important tools for actors to engage in professional performance activities. They are required to be clear, loud and have the power of transmission so that the audience can hear the lines clearly. They also need to be melodious and appealing, which can not only give people the enjoyment of beauty, but also attract the audience to have emotions. resonance.

Learn to deal with tone and intonation, master the rhythm of lines and the personalization skills of language vocal modeling.

The words of the lines must be clear. When speaking the lines, there should be no mixing of breath and voice, and it must be coherent. When there is no pause in a line, there should be no pause.

shape.

Simply put, it is body, form, and movement.The purpose of body training is to enable it to artistically reproduce the figure's representative posture, manners, and then accurately express the character's thoughts and feelings, and create a distinctive artistic image.

For this reason, the actor's body must be relaxed and flexible, coordinated freely, with clear outlines of movements, well-balanced rhythms, alert senses, and strong plasticity.

It can convey emotions and express ideas, and is good at capturing and simulating the external characteristics of various characters to meet the needs of playing characters of different ages, occupations, and personalities and the evolution of the same character at different times.

The most important performance is the combination of voice, lines, and body, which is also a comprehensive reflection of a person's sensibility, judgment, and ability to choose, understand, and express works.

This is also the final stage of actor training.

However, it is impossible to perform without learning the first three categories well.

Moreover, acting experience is a precious thing that can only be understood and cannot be expressed in words. Therefore, many times, when training a new actor, after training the voice, lines and body, some old actors are called. Pass on the experience of acting, but not everyone can get some experience from it.

However, Kiyoshi Sakamoto learned voice, lines and body from the acting teacher Sony brought him, and he learned it very well.

However, I just couldn't appreciate the performance experience of the acting teacher, so when I first filmed "Dragon Cherry", I didn't perform something that was too soulful.

In the final analysis, it is because Sakamoto Kiyoshi has too little acting experience.

However, after finding an experienced actor like Hiroshi Abe as his acting teacher, he should be able to learn a lot.

Sakamoto Kiyoshi thought so.

Therefore, Kiyoshi Sakamoto was always on the scene when he didn't have a role of his own, watching Hiroshi Abe's performance, and paying attention to his every move all the time.

Originally, "Dragon Cherry" was a hot-blooded drama, the soul character, and the leading male lead was Abe Hiroshi, so his roles, undoubtedly, were the most among all the people, so in the shooting time, it was also a long time, sometimes At the end of the day, Hiroshi Abe had no chance to rest during the eight or nine hours of shooting.

However, Kiyoshi Sakamoto also followed Hiroshi Abe's filming. While learning how to act, he also handed Hiroshi Abe some water and towels every now and then, just like Hiroshi Abe's little follower.

After Abe Hiroshi finished filming, Sakamoto Kiyoshi will start his small guitar teaching class.

In order to teach Uncle Abe Hiroshi how to play the guitar, Sakamoto also specially called Uncle Ishida, brought two guitars from the company, his personal favorite guitar, and gave one of them to Abe Hiroshi directly.

Hiroshi Abe was very surprised by this. When asked why he gave him a guitar, Kiyoshi Sakamoto replied, "For beginners, it is very important to have a good guitar."

Such words and actions also made Abe Hiroshi pay more attention when teaching Kiyoshi Sakamoto to act. . .

From the second day of the filming of "Dragon Sakura", the crew all knew that there must be some kind of agreement or contract between Sakamoto Kiyoshi and Abe Hiroshi.

Because, when Hiroshi Abe was filming his own scenes, Sakamoto was like a little fan, carrying an actor's chair, sitting on the scene, and watching Hiroshi Abe's performance seriously.

After all, the role played by Sakamoto is just a soy sauce, to put it nicely, the male number three.

Unlike Tomohisa Yamashita and Masami Nagasawa, the scenes are quite heavy.

Kiyoshi Sakamoto was at the scene, very free.

That's why Kiyoshi Sakamoto often went to watch Hiroshi Abe's performance, hoping to learn something from it.

And after the daily shooting task, Hiroshi Abe will sit with Kiyoshi Sakamoto to guide what is wrong with Kiyoshi Sakamoto's performance today, or where you can be better; after discussing the performance, the two will come up with Guitar, enter the link of "Sakamoto Guitar Teaching Small Class".

Therefore, if Hiroshi Abe or Kiyoshi Sakamoto cannot be found at the scene, the staff will know that the two must be in the rest shed again. If it is not "Abe Acting Classroom" or "Sakamoto Guitar Class", there is nothing like other Like actors, they have their own things to do.

Time keeps moving forward. . .

Sakamoto Kiyoshi's strong learning ability was quickly revealed under the guidance of Abe Hiroshi.

Originally, Sakamoto Kiyoshi's various acting skills are far superior to ordinary newcomers.

It's just that when acting the inner emotions of the characters, it's a bit empty, and with the help of Hiroshi Abe, Kiyoshi Sakamoto quickly found his own way of acting for this shortcoming.

That is a mashup.

A combination of three performance styles, experience school, expression school and method school.

Because of his strong memory ability, Kiyoshi Sakamoto will remember everything he has seen in his mind. Therefore, during the performance, this ability is also displayed vividly.

When it is necessary to enter the play, Sakamoto Kiyoshi will extract the performance clips of Abe Hiroshi from his brain when he is performing into the play, and then use his own learning ability to set his own scene in the scene of Abe Hiroshi, just like Abe Hiroshi Like the upper body, deeply immersed in the inner world of this character.

And when the performance needs to be more superficial, what Sakamoto Kiyoshi learned from the acting teacher can already handle it.

Soon, one week after the filming of "Dragon Cherry", the director Takashi Komatsu, and the screenwriter Qin Jianli, who was very optimistic about Kiyoshi Sakamoto, were pleasantly surprised to find that Kiyoshi Sakamoto's acting skills had improved by leaps and bounds.

"It seems that the little guy you recommended has good acting skills. He is better than Yamashita and Nagasawa in terms of lines and body language." Hot coffee, while talking with the screenwriter, Qin Jianri, who was sitting opposite.

After a week of filming, the whole crew slowly found the feeling, and various filming work went smoothly, so today they can only have a few hours of rest.

And as the director who has been in control of the whole scene, Takashi Komatsu can also take a break from his busy schedule to live with Qin Jian, take a break, and chat.

"I didn't expect that Sakamoto's acting skills have improved so much. Sure enough, he is not only a genius in music, but also a genius in acting..." As an advocate, Kiyoshi Sakamoto, who has never acted before As a singer, for the recruits, Qin Jian's life is also under a lot of pressure.

Although Kiyoshi Sakamoto's popularity and fame can attract more viewers to the TV series, but, after all, this is TBS' summer ambition work, and it is not very good to find a new acting talent.

However, when Sakamoto Kiyoshi was filmed for the first time, Sakamoto Kiyoshi's performance was still very good. The lines and body language were all in place, but there was a little jerky feeling and the character's emotions were not expressed too much, that's all.

Even with such a performance, the director and screenwriter have already let go of the stone in their hearts.

However, at the same time, the two began to have another kind of thought about Kiyoshi Sakamoto.

That is, since Kiyoshi Sakamoto is so young, his acting skills are already quite solid, so if he improves a little bit, wouldn't it make the whole show more perfect and interesting?
Therefore, the two decided not to let Kiyoshi Sakamoto go along like this, and "polish" Sakamoto a little, to see if they can stimulate Kiyoshi Sakamoto's potential.

As a result, Kiyoshi Sakamoto found a way to improve himself, and that was to recruit Hiroshi Abe as his acting teacher.

Under his guidance, Kiyoshi Sakamoto has made progress, which is obvious to all, and it also makes Takashi Komatsu and Qin Jian feel very gratified to live.

"It doesn't matter whether he is a talented actor or not. Anyway, his acting skills are already good enough. It doesn't take such a good performance to play a supporting role that doesn't have many roles. Too good acting skills will take away the light of the protagonist. Of course, I It’s Yamashita-san, not Abe-san.” Director Takashi Komatsu also recognized Kiyoshi Sakamoto’s current acting skills, Kiyoshi Sakamoto a week ago is completely different from Kiyoshi Sakamoto a week later.

But now, Kiyoshi Sakamoto's greatly improved acting skills made him feel a little uncomfortable.

Because, Kiyoshi Sakamoto is just a little male number three, and that kind of acting skills will overwhelm the audience.

"Well, I have also thought about what you said. But, have you ever thought, if his role in the scene is increased a bit, will it be more interesting?" Qin Jian daydreamed, touching The beard on his chin expressed such a thought.

"You mean, add drama?" In Japanese TV dramas, the director often listens to the screenwriter's opinion, because during the filming, the screenwriter may constantly change the script.

"Well, that's what I thought..."

The two started a discussion about Kiyoshi Sakamoto in the director's studio.

The person involved, Kiyoshi Sakamoto, had already arrived at a famous kaiseki restaurant in Yokohama, Kanagawa with the main actors of "Dragon Sakura".

The idea of ​​coming to eat kaiseki cuisine is the idea of ​​a big foodie, Yui Aragaki.

Before Gakki came to Yokohama, he searched for gourmet restaurants here, and found this kaiseki restaurant.

During the filming period, I didn't have a chance to go out to eat, but today I just had a few hours of rest time, so Gakki thought about calling Sakamoto Kiyoshi and Nagasawa Masami, and the three of them went to eat.

After Sakamoto Kiyoshi learned about it, he thought that if the three of them went, it would be better for everyone to go together.

So he called his "acting teacher" Hiroshi Abe, the beautiful "teacher" Kyoko Hasegawa, and other members of the six-member Long Ying group.

That's why it happened that a group of people appeared at a famous kaiseki restaurant in Yokohama.

"This is the first group activity of the Dragon Sakura production team. Mmm, it's very commemorative." Sakamoto Kiyoshi looked at Abe Hiroshi, Yamashita and others sitting around while eating delicious kaiseki cuisine.

　Thank you for the rewards of the taboo little yellow book, the weather is organophosphorus, Tang corpse does not wave, StiffanyX, snail Xia Ye, and all the book friends for their support, thank you very much.

　　
　
(End of this chapter)