Reborn Japan for entertainment
Chapter 282 The First Long Step
Chapter 282 The Long First Step
The specific content of Kiyoshi Sakamoto's "Sony Promotion Plan" is that after he reached the second step of the "Sony Project" and became a director of Sony Music, he, as an operator, officially began to implement a The series' new actors and singers, and even new idol groups!
And this group of newcomers are all future hot actors and singers who he signed in advance through the memories of his previous life, collectively referred to as the "Sony family"
Then, as the producer and operator of this group of "Sony-type" artists, he trained them to become even more powerful artists than in their previous lives, becoming a national actor in the actor world, a big name in the singer world, and the pinnacle of idols!
Thus becoming a character like Yasushi Akimoto or Tetsuya Komuro.
However, compared to them, Sakamoto Kiyoshi's status will inevitably be more detached.
Because, when he became the director of Sony Music, the strong financial resources behind him can support him, lead Sony Music, and dominate the entire Japanese entertainment industry!
At that time, Sakamoto Kiyoshi could even wrestle with the burning department who controls half of the Japanese entertainment world!
This is his ultimate goal, which is the fourth and final step of his plan.
"Sony Domination Plan"!
Of course, the premise is that his "Sony Project" can become a director of Sony Music by acquiring Sony shares and replacing Sony Music shares. . .
Only when the second step is achieved, can he carry out the third step of the plan, which is the "Sony Department Implementation Plan".
Only then will Kiyoshi Sakamoto need Masaki Kanta and Rena Nengnian to support Sony's actor section for him.
However, just the first and second steps will take a lot of time.
Therefore, Kiyoshi Sakamoto is in no hurry to "ripen" the two 14-year-old children, Rena Nonen and Masaki Kanada. . .
After all, there is plenty of time for them to grow up.
. . .
Besides, although Sakamoto Kiyoshi moved quickly and steadily in the first step of the plan.
However, it doesn't mean that his qualifications and works like this can make him a more influential Japanese king than Takuya Kimura.
After all, in front of Takuya Kimura, the king of Japanese dramas, Kiyoshi Sakamoto is still a little tender.
Leaving aside Kimura's slap in the face of TV dramas, even in terms of music, Kiyoshi Sakamoto and THE SUN band are still a long way from SMAP.
Therefore, after Sakamoto Kiyoshi's careful consideration, he decided to strategically abandon TV dramas.
In his opinion, it is basically impossible to surpass Takuya Kimura's achievements in TV dramas over the years.
You know, among the TV series with the highest ratings in Japan, more than six of the top ten are all TV series starring Kimura Takuya!
Moreover, in 2014, Takuya Kimura won his tenth Japanese Drama Academy Award for Best Actor trophy! ! !
That is to say, even if 17-year-old Sakamoto Kiyoshi starts to star in Japanese dramas and wins a Japanese drama academy award for best actor every year, he will have to wait until he is 27 years old to keep pace with Kimura Takuya.
And beyond him?
It is impossible to talk about it!
This is still based on the highest calculation. Even if Kiyoshi Sakamoto is a reborn and knows which TV series will be popular, he may not be able to make every TV series he starred in have high ratings, so that he can get the best actor awards.
Even for Takuya Kimura, it took more than [-] years to get these ten heavy trophies. Calculated in this way, it will take at least ten years for Kiyoshi Sakamoto to compete with Takuya Kimura in Japanese TV dramas.
And this, for Sakamoto Kiyoshi, a reborn person who knows the future, is really a waste.
That's why Kiyoshi Sakamoto thought about giving up TV dramas and focusing on music and movies.
. . . . . .
In terms of music, Sakamoto Kiyoshi wants to surpass Kimura, it's very simple.
If it wasn't for his personal and THE SUN's total album sales, surpassing their SMAP; or he would have won an international music award.
In terms of record sales, under the background of the global record market being impacted by the Internet age, the record sales are no longer as they were in the 90s, when they were sold casually and exceeded one million.
Record sales will only get lower and lower, and when the record is completely unsold, what will Kiyoshi Sakamoto do to surpass SMAP's record sales of more than 2000 million copies? !
Therefore, at this time, Kiyoshi Sakamoto needs to use some serious music awards to add points.
For example, the Grammy, the most authoritative music award in the world, is known as the "Oscar of the music industry"!
If Kiyoshi Sakamoto, or the band THE SUN led by him, can win the Grammy Awards, such as one of the three awards for Best Single of the Year, Best Artist of the Year, and Best Album of the Year, then Kiyoshi Sakamoto will surely become the number one music player in Japan!
After all, Japan is a country that likes to lock itself up and play by itself, and the same is true of the Japanese music scene. The closed environment has created them with no precedents and opportunities for winning international music awards.
Although they don't seem to care too much on the surface.
However, breaking out of Asia and going to the world, this may be a dream that every musician who stands at the top of the Japanese music scene is thinking about.
In the history of the Japanese music scene, there are only a few people who have won Grammy Awards, and they are still small awards.
For example, the No.1 Grammy winner in the Japanese music scene, Kiyoshi Sakamoto's "distant relative", Ryuichi Sakamoto.
In 1989, Chinese musician Su Cong, Japanese musician Ryuichi Sakamoto, and American musician David Byrne jointly created the original soundtrack of the movie "The Last Emperor", which won the Grammy Award for Original Soundtrack for Visual Media.
This is the first musician in the Japanese music scene to win a Grammy Award, and it also made the Japanese music scene a zero breakthrough in the Grammy.
The most recent award was in 2001, when Japanese musician Kitaro won the Grammy Award for Best New Age Album for his album "Thinking Of You".
However, these are just some small prizes, consolation prizes with no gold content.
At the Grammy Awards, only the three awards are the most convincing and valuable.
Therefore, if Kiyoshi Sakamoto can get one of them, he will become the number one player in the Japanese music scene.
However, it is interesting to say that everyone named Sakamoto has made great achievements in the music industry.
There was Kyu Sakamoto before, Ryuichi Sakamoto after, and now Kiyoshi Sakamoto.
Perhaps the god of music prefers the surname Sakamoto among Japanese surnames. . .
The transcendence in music cannot be fully guaranteed to allow Kiyoshi Sakamoto to acquire the nationality of Takuya Kimura. Therefore, at this time, a wide medium of film is needed to make Kiyoshi Sakamoto's name resound throughout Japan.
In terms of movies, although Japanese movies are slowly dying, after entering the second decade of the 21st century, almost the entire Japanese movie market has been captured by movies adapted from various novels and comics.
However, under the background of such a gradually declining era, for Kiyoshi Sakamoto, who has the memory of the future, it is a good time to flex his muscles and take advantage of the opportunity to take off!
The worst of times, but also the best of times!
It just depends on who it is.
You know, under such a background, if Kiyoshi Sakamoto relied on his own memory and acting skills to star in every movie, either at the box office or winning multiple professional film awards, then Kiyoshi Sakamoto surpassed Takuya Kimura, Simply not too simple. . .
As long as these two aspects can achieve these achievements, Sakamoto Kiyoshi will basically be the most dazzling sun in the entertainment world!
At that time, in the entertainment world, Sakamoto Kiyoshi existed like the poem "will be the top of the mountain, and look at the mountains and small mountains".
However, unlike Du Fu, Kiyoshi Sakamoto really stood on the top of the mountain.
. . . . . .
The tram arrives at the station, and at the station, there are also Sakamoto Kiyoshi's thoughts that have drifted away.
Returning from Ikeda City to Osaka City again, Sakamoto Kiyoshi's mood at this time is completely different from the mood he just arrived in Osaka yesterday.
After quickly signing "Soda" within one day, Sakamoto Kiyoshi felt that Osaka in his eyes was more beautiful than yesterday. Even the Okonomiyaki shops that can be seen everywhere in Osaka have become So special.
So, after getting off the train, Kiyoshi Sakamoto ran to an Okonomiyaki restaurant in front of the station, and had a meal with Sakura Inoue first. . .
"I'm starting!" Putting his palms together, holding the chopsticks, facing the hot Okonomiyaki in front of him, Kiyoshi Sakamoto started.
"Hiss! It's hot! But it's delicious!"
Kiyoshi Sakamoto, who looked like a child, and Sakura Inoue, who was eight years older than him, thought about it in his heart.
"What kind of boy is this?"
As a bystander who watched Kiyoshi Sakamoto visit Guan Sheng's family and successfully sign General Guan Sheng, she suddenly couldn't tell the difference. A man with the air of a superior person, which one is the real face of Kiyoshi Sakamoto?
Or, both of them?
When she was thinking about this doubt, Kiyoshi Sakamoto, who was sitting opposite her, suddenly reminded her.
"Sakura sauce, if you don't eat it, the food will be cold!"
"Eh? Oh!" Inoue Sakura was also interrupted by his words, and picked up the chopsticks in a daze, ready to pick up Okonomiyaki.
However, she seemed to realize something, and asked, "Eh? What did you call me just now?"
"Eh? Sakura-chan, can I call you that?!" Kiyoshi Sakamoto was talking while turning the Okonomiyaki with a shovel.
"Uh... It's okay, but we seem to have known each other not long ago... You suddenly called me Sakura-chan, I always feel a little..."
"I'm not used to it..." Inoue Sakura replied a little unnaturally.
After all, she and Sakamoto Kiyoshi had only known each other not long ago, and they were a little too close to be called "Jiang" so soon. . .
"It's okay, you are uncle's niece, that is, my peer, that is, my friend, I call my female friends sauce, you can just treat me as a hentai! Ahahaha!" Sakamoto As Qing was talking, he started to make fun comparisons.
Seeing Kiyoshi Sakamoto who suddenly convulsed, Sakura Inoue felt at this moment that the joking boy in front of him should be his real face.
Although she is not his fan, Inoue Sakura looked at the handsome Kiyoshi Sakamoto with a gentle smile, and couldn't help muttering, "Well... for the sake of being so handsome, he can call him whatever he wants! "
(End of this chapter)
The specific content of Kiyoshi Sakamoto's "Sony Promotion Plan" is that after he reached the second step of the "Sony Project" and became a director of Sony Music, he, as an operator, officially began to implement a The series' new actors and singers, and even new idol groups!
And this group of newcomers are all future hot actors and singers who he signed in advance through the memories of his previous life, collectively referred to as the "Sony family"
Then, as the producer and operator of this group of "Sony-type" artists, he trained them to become even more powerful artists than in their previous lives, becoming a national actor in the actor world, a big name in the singer world, and the pinnacle of idols!
Thus becoming a character like Yasushi Akimoto or Tetsuya Komuro.
However, compared to them, Sakamoto Kiyoshi's status will inevitably be more detached.
Because, when he became the director of Sony Music, the strong financial resources behind him can support him, lead Sony Music, and dominate the entire Japanese entertainment industry!
At that time, Sakamoto Kiyoshi could even wrestle with the burning department who controls half of the Japanese entertainment world!
This is his ultimate goal, which is the fourth and final step of his plan.
"Sony Domination Plan"!
Of course, the premise is that his "Sony Project" can become a director of Sony Music by acquiring Sony shares and replacing Sony Music shares. . .
Only when the second step is achieved, can he carry out the third step of the plan, which is the "Sony Department Implementation Plan".
Only then will Kiyoshi Sakamoto need Masaki Kanta and Rena Nengnian to support Sony's actor section for him.
However, just the first and second steps will take a lot of time.
Therefore, Kiyoshi Sakamoto is in no hurry to "ripen" the two 14-year-old children, Rena Nonen and Masaki Kanada. . .
After all, there is plenty of time for them to grow up.
. . .
Besides, although Sakamoto Kiyoshi moved quickly and steadily in the first step of the plan.
However, it doesn't mean that his qualifications and works like this can make him a more influential Japanese king than Takuya Kimura.
After all, in front of Takuya Kimura, the king of Japanese dramas, Kiyoshi Sakamoto is still a little tender.
Leaving aside Kimura's slap in the face of TV dramas, even in terms of music, Kiyoshi Sakamoto and THE SUN band are still a long way from SMAP.
Therefore, after Sakamoto Kiyoshi's careful consideration, he decided to strategically abandon TV dramas.
In his opinion, it is basically impossible to surpass Takuya Kimura's achievements in TV dramas over the years.
You know, among the TV series with the highest ratings in Japan, more than six of the top ten are all TV series starring Kimura Takuya!
Moreover, in 2014, Takuya Kimura won his tenth Japanese Drama Academy Award for Best Actor trophy! ! !
That is to say, even if 17-year-old Sakamoto Kiyoshi starts to star in Japanese dramas and wins a Japanese drama academy award for best actor every year, he will have to wait until he is 27 years old to keep pace with Kimura Takuya.
And beyond him?
It is impossible to talk about it!
This is still based on the highest calculation. Even if Kiyoshi Sakamoto is a reborn and knows which TV series will be popular, he may not be able to make every TV series he starred in have high ratings, so that he can get the best actor awards.
Even for Takuya Kimura, it took more than [-] years to get these ten heavy trophies. Calculated in this way, it will take at least ten years for Kiyoshi Sakamoto to compete with Takuya Kimura in Japanese TV dramas.
And this, for Sakamoto Kiyoshi, a reborn person who knows the future, is really a waste.
That's why Kiyoshi Sakamoto thought about giving up TV dramas and focusing on music and movies.
. . . . . .
In terms of music, Sakamoto Kiyoshi wants to surpass Kimura, it's very simple.
If it wasn't for his personal and THE SUN's total album sales, surpassing their SMAP; or he would have won an international music award.
In terms of record sales, under the background of the global record market being impacted by the Internet age, the record sales are no longer as they were in the 90s, when they were sold casually and exceeded one million.
Record sales will only get lower and lower, and when the record is completely unsold, what will Kiyoshi Sakamoto do to surpass SMAP's record sales of more than 2000 million copies? !
Therefore, at this time, Kiyoshi Sakamoto needs to use some serious music awards to add points.
For example, the Grammy, the most authoritative music award in the world, is known as the "Oscar of the music industry"!
If Kiyoshi Sakamoto, or the band THE SUN led by him, can win the Grammy Awards, such as one of the three awards for Best Single of the Year, Best Artist of the Year, and Best Album of the Year, then Kiyoshi Sakamoto will surely become the number one music player in Japan!
After all, Japan is a country that likes to lock itself up and play by itself, and the same is true of the Japanese music scene. The closed environment has created them with no precedents and opportunities for winning international music awards.
Although they don't seem to care too much on the surface.
However, breaking out of Asia and going to the world, this may be a dream that every musician who stands at the top of the Japanese music scene is thinking about.
In the history of the Japanese music scene, there are only a few people who have won Grammy Awards, and they are still small awards.
For example, the No.1 Grammy winner in the Japanese music scene, Kiyoshi Sakamoto's "distant relative", Ryuichi Sakamoto.
In 1989, Chinese musician Su Cong, Japanese musician Ryuichi Sakamoto, and American musician David Byrne jointly created the original soundtrack of the movie "The Last Emperor", which won the Grammy Award for Original Soundtrack for Visual Media.
This is the first musician in the Japanese music scene to win a Grammy Award, and it also made the Japanese music scene a zero breakthrough in the Grammy.
The most recent award was in 2001, when Japanese musician Kitaro won the Grammy Award for Best New Age Album for his album "Thinking Of You".
However, these are just some small prizes, consolation prizes with no gold content.
At the Grammy Awards, only the three awards are the most convincing and valuable.
Therefore, if Kiyoshi Sakamoto can get one of them, he will become the number one player in the Japanese music scene.
However, it is interesting to say that everyone named Sakamoto has made great achievements in the music industry.
There was Kyu Sakamoto before, Ryuichi Sakamoto after, and now Kiyoshi Sakamoto.
Perhaps the god of music prefers the surname Sakamoto among Japanese surnames. . .
The transcendence in music cannot be fully guaranteed to allow Kiyoshi Sakamoto to acquire the nationality of Takuya Kimura. Therefore, at this time, a wide medium of film is needed to make Kiyoshi Sakamoto's name resound throughout Japan.
In terms of movies, although Japanese movies are slowly dying, after entering the second decade of the 21st century, almost the entire Japanese movie market has been captured by movies adapted from various novels and comics.
However, under the background of such a gradually declining era, for Kiyoshi Sakamoto, who has the memory of the future, it is a good time to flex his muscles and take advantage of the opportunity to take off!
The worst of times, but also the best of times!
It just depends on who it is.
You know, under such a background, if Kiyoshi Sakamoto relied on his own memory and acting skills to star in every movie, either at the box office or winning multiple professional film awards, then Kiyoshi Sakamoto surpassed Takuya Kimura, Simply not too simple. . .
As long as these two aspects can achieve these achievements, Sakamoto Kiyoshi will basically be the most dazzling sun in the entertainment world!
At that time, in the entertainment world, Sakamoto Kiyoshi existed like the poem "will be the top of the mountain, and look at the mountains and small mountains".
However, unlike Du Fu, Kiyoshi Sakamoto really stood on the top of the mountain.
. . . . . .
The tram arrives at the station, and at the station, there are also Sakamoto Kiyoshi's thoughts that have drifted away.
Returning from Ikeda City to Osaka City again, Sakamoto Kiyoshi's mood at this time is completely different from the mood he just arrived in Osaka yesterday.
After quickly signing "Soda" within one day, Sakamoto Kiyoshi felt that Osaka in his eyes was more beautiful than yesterday. Even the Okonomiyaki shops that can be seen everywhere in Osaka have become So special.
So, after getting off the train, Kiyoshi Sakamoto ran to an Okonomiyaki restaurant in front of the station, and had a meal with Sakura Inoue first. . .
"I'm starting!" Putting his palms together, holding the chopsticks, facing the hot Okonomiyaki in front of him, Kiyoshi Sakamoto started.
"Hiss! It's hot! But it's delicious!"
Kiyoshi Sakamoto, who looked like a child, and Sakura Inoue, who was eight years older than him, thought about it in his heart.
"What kind of boy is this?"
As a bystander who watched Kiyoshi Sakamoto visit Guan Sheng's family and successfully sign General Guan Sheng, she suddenly couldn't tell the difference. A man with the air of a superior person, which one is the real face of Kiyoshi Sakamoto?
Or, both of them?
When she was thinking about this doubt, Kiyoshi Sakamoto, who was sitting opposite her, suddenly reminded her.
"Sakura sauce, if you don't eat it, the food will be cold!"
"Eh? Oh!" Inoue Sakura was also interrupted by his words, and picked up the chopsticks in a daze, ready to pick up Okonomiyaki.
However, she seemed to realize something, and asked, "Eh? What did you call me just now?"
"Eh? Sakura-chan, can I call you that?!" Kiyoshi Sakamoto was talking while turning the Okonomiyaki with a shovel.
"Uh... It's okay, but we seem to have known each other not long ago... You suddenly called me Sakura-chan, I always feel a little..."
"I'm not used to it..." Inoue Sakura replied a little unnaturally.
After all, she and Sakamoto Kiyoshi had only known each other not long ago, and they were a little too close to be called "Jiang" so soon. . .
"It's okay, you are uncle's niece, that is, my peer, that is, my friend, I call my female friends sauce, you can just treat me as a hentai! Ahahaha!" Sakamoto As Qing was talking, he started to make fun comparisons.
Seeing Kiyoshi Sakamoto who suddenly convulsed, Sakura Inoue felt at this moment that the joking boy in front of him should be his real face.
Although she is not his fan, Inoue Sakura looked at the handsome Kiyoshi Sakamoto with a gentle smile, and couldn't help muttering, "Well... for the sake of being so handsome, he can call him whatever he wants! "
(End of this chapter)
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