Reborn Japan for entertainment

Chapter 306 Snowball Fight
After filming the intimate kissing scene, Kiyoshi Sakamoto and Yui Aragaki often stayed together as if a switch had been turned on.

Whether it was waiting for the show or taking a break, the two basically sat on the side, chatting happily.

The strange thing is that everyone in the production team is not surprised by this, and they don't think there is any ambiguous relationship between the two, or say "the fake show is real".

In fact, in the first half of the film "Love in the Sky", it basically revolves around the relationship between the male and female protagonists, and they are all rival scenes between Kiyoshi Sakamoto and Yui Aragaki.

Therefore, the two who are good friends, on the one hand, in order to cultivate the tacit understanding of the couple in the play, on the other hand, because they are the most familiar people in the crew, so, in most of the day, the two People usually stay together, even when waiting for a play or taking a break.

This is a bit "blatant" situation, but the crew are all indifferent.

Because, they all think that they are good friends, they are familiar with each other, and they are the hero and heroine who play a lot of roles, so it is not strange to stay together.

Moreover, the introverted nature of the Japanese and their less curious character about things around them also play a part of the reason, which also makes them pay less attention to whether the relationship between the two is a boyfriend or girlfriend.

After all, they were only here to shoot the movie. . .

Therefore, in the crew, whether it is a scholar-bureaucrat or an actor, they often see Sakamoto Kiyoshi and Aragaki Yui, staying together to eat, chat and laugh together, but they will ignore that they are a bit "dog abuse" intimacy.

However, there was one person in the production crew who gritted his teeth and his eyes were angry when he watched this scene, and he couldn't hold back the anger in his heart no matter what.

That person is Keisuke Koide, the male lead of "Love in the Sky".

As mentioned earlier, Keisuke Koide fell in love at first sight with Yui Aragaki who met for the first time at the crew meeting.

This buddy is both jealous and envious of the scene where Kiyoshi Sakamoto and Yui Aragaki get tired of being together all day long.

How much he wanted to kick Kiyoshi Sakamoto away and become the person sitting next to Yui Aragaki. . .

However, there is no alternative.

To Yui Aragaki, he was just a stranger whom he had not known for long. . .

However, Kiyoshi Sakamoto was different.

Not to mention that Sakamoto Kiyoshi is the person Yui Aragaki likes, no one knows this, only Yui Aragaki knows it, oh, maybe Sakamoto Kiyoshi also vaguely felt it.

It's just that the two have known each other for three years, their relationship foundation is very good, and they are also famous relatives and friends in the circle.

This is already a distance that Keisuke Koide cannot cross. . .

Therefore, even if he was extremely upset watching it, Keisuke Koide couldn't just go up and tell the two of them not to "abuse dogs" like this in the crew.

He could only quietly watch the two flirting with each other from behind, while the jealousy in his heart was growing crazily like weeds blown by the spring breeze. . .

Don't underestimate a man's jealousy, sometimes, it will turn a man who is not bad by nature into a crazy person.

. . . . . .

After three weeks, the first half of the screening of "Love in the Sky" was only filmed in sevens and eighties.

In the first half, more scenes were filmed in "Beijun High School" in the play.

Especially in the library in the school, which bears the beginning and end of "Hongshu" and "Meika", there are many scenes.

However, Yui Aragaki, who is gradually immersed in the role, and Kiyoshi Sakamoto, who is performing steadily as always, with the cooperation of the two protagonists, the time it takes to finish filming the first half of the film is still faster than the expected progress , hurry up.

This kind of efficiency also made the Dongbao producers on the set gradually smile more on their faces. . .

After entering the filming of the second half of the movie, Keisuke Koide's scenes will appear, and gradually increase.

And Kiyoshi Sakamoto's role is gradually decreasing.

However, Kiyoshi Sakamoto was also happy about this.

After all, I shot the high-intensity action movie "Hot-Blooded High School" for more than a month, and then I came to Oita from Osaka without stopping. Come.

Physical fatigue is fine, after all Kiyoshi Sakamoto is still young and strong.

And after last year's vacation, my body has also recovered.

However, it was mainly because he was tired, which made him want to end the filming of the movie early and go home to rest.

The continuous filming, constantly playing other people's lives, somewhat made him feel depressed. Therefore, in the second half of the movie, his own role began to decrease, and he still felt very happy.

In his opinion, since this "Love in the Sky" is a story told from the perspective of the heroine, and it is also starring Yui Aragaki, he doesn't need to be too good at acting, so as not to steal the scene of Yui Aragaki .

In that case, he only needs to complete his performance in a satisfactory manner.

In this way, he can not only concentrate too much energy, but also take the opportunity to be lazy.

This is also the reason why Kiyoshi Sakamoto's subsequent performance was much more mediocre than his superb performance at the beginning. . .

Because he was being lazy on purpose.

. . .

After entering the third week of filming, the entire crew of "Love in the Sky" has entered a state of high-speed operation.

The speed of shooting began to get faster and faster.

The busiest part of the production team is not the actors, but the scholar bureaucrats who set up the scene.

At this time, it is only the end of May, but the changing scenes of the four seasons are to be filmed in the film.

In particular, there are a large number of scenes that need to be shot in the snow in winter, and they are very important and absolutely indispensable in the film. Therefore, the scholar-bureaucrats are very busy with this.

Although Oita is a city suitable for all seasons, it is not possible to violate the laws of nature and have a heavy snowfall in May. . .

Therefore, this requires artificial snow.

In order to shoot the snow scene in winter, the crew specially purchased two snow-making machines to make artificial snow.

Under the guidance of the set designer, artificial snow was used instead of real snow to decorate the scene.

During breaks, the actors will also help out.

However, when helping, the giant loli Yui Aragaki, who felt at ease because of the familiar person Kiyoshi Sakamoto on the set, took this opportunity to expose her dark belly.

When she was helping to arrange the snow scene, she deliberately picked up some artificial snow, rubbed it into a snowball, and threw it at the back of Kiyoshi Sakamoto who was helping.

With a "snap", Kiyoshi Sakamoto, who was suddenly attacked, looked at Yui Aragaki with a "provocative" face, and hugged the snow ball from the ground unceremoniously, and began to roll up a big snowball.

Seeing Sakamoto Kiyoshi's unconventional tricks, Yui Aragaki, who was looking forward to having a "couple chasing snowball fight" with him, rolled his eyes and looked at Sakamoto Kiyoshi speechlessly.

At this time, Aragaki Yui thought so in his heart.

"I hit you with such a small snowball, just wanting to have a snowball fight with you, but, you wood, you actually hit such a big snowball?!! Do you want to knock me unconscious?! Baga!"

However, Kiyoshi Sakamoto, who doesn't know the girl's heart, regained the feeling of having a snowball fight with Xiaoqiao in Hokkaido at this time.

So, suddenly, the old man chatted with Kiyoshi Sakamoto, who was in a teenage frenzy, picked up the big snowball that could knock people unconscious, and looked at Yui Aragaki with an expression of eagerness.

His eyes seemed to say, "You are dead!"

And Aragaki Yui looked at him, really holding such a big snowball, and walked towards her, she started to step back, and asked in a panicked tone, "Hey! What do you want to do? !"

However, Sakamoto Kiyoshi, who deliberately wanted to scare Aragaki Yui, would let her go so easily. . .

"If you hit me once, let me hit it back, that's only fair..."

Hearing Sakamoto Kiyoshi's extremely realistic acting skills, the giant loli, who was a little scared, turned around and ran away.

Seeing Yui Aragaki who was running away, Kiyoshi Sakamoto, who was giggling in his heart, also hugged the big snowball and started chasing the Okinawa giantess who caused trouble. . .

The two were chasing each other while talking.

"Yada (hate)! Don't come here!"

"Hahaha... Who told you to hit me first..."

"I know I was wrong, let me go!"

"Well, no!"

Seeing the hero and heroine who seemed to be chased by two children in the snow scene also aroused the interest of the actors and scholar-bureaucrats. Everyone started to pick up the artificial snow spread on the ground and began to "fight" each other. . .

Even Natsuki Imai and screenwriter Mutsuki Watanabe joined the battle.

And Keisuke Koide, who didn't really want to join the battle, was also attacked by an unknown snowball, and temporarily let go of his jealousy, and started to have a snowball fight with the surrounding scholar bureaucrats.

This snowball fight in May lasted for about 10 minutes before it ended.

This artificial snow snowball fight made the whole crew feel the novelty of playing with snow when it is approaching summer.

However, such a commotion ruined a lot of the snow scene that had already been arranged in a mess, and it would take another day or two to rearrange the scene. . .

However, regarding this, the scholar-bureaucrats, as well as the supervisor Imai Natsuki and others, all said that it was harmless.

Anyway, the progress is quite fast, and there is no rush, and the members of the film crew are also relaxed because of this snowball fight. This effect is more conducive to the next filming.

Coupled with the troublemaker Yui Aragaki and the collaborator Kiyoshi Sakamoto, they kept bowing and apologizing, which flattered the scholar-officials. . .

(End of this chapter)