Reborn Japan for entertainment

Chapter 410 Master-Apprentice Combination (Tickets and Subscriptions!)

"why not?"

Fukuyama Masaharu, who was sitting on the sofa, asked with dissatisfaction.

"Really not, it will be laughed at by others..."

But Kiyoshi Sakamoto was sitting in the operating position of the recording studio, that is, the chair where the sound engineer sat.

With a wry smile on his face, it can be seen that Sakamoto Kiyoshi was a little helpless in the discussion with Fukuyama Masaharu.

"how come?!"

Hearing Kiyoshi Sakamoto's words, Fukuyama Masaharu stood up from the sofa suddenly, and said excitedly, "Fart! Will your "MASAKIYO" not be laughed at by others?!"

"It's better than your so-called "Nagasaki man"..." Sakamoto Kiyoshi lowered his head and murmured in the photo of Masaharu Fukuyama's lust.

"What did you say?!" Hearing Kiyoshi Sakamoto muttering secretly, Fukuyama Masaharu was also laughed angrily.

"It's nothing, I'm just talking to myself..."

"Humph!"

Kiyoshi Sakamoto, who had passed by, also thought of the current predicament, and sighed with his head up to the sky.

"Ah! It's really difficult to come up with a name!!!"

"Well, I think so, especially when naming the group..." Masaharu Fukuyama also sat down and agreed with approval, "I have no experience with this at all."

The distress on their faces was evident.

The reason why the two are so distressed is actually because the two belated first master-student cooperation has officially started!

As early as a few months ago, during the preparation stage of Kiyoshi Sakamoto's latest personal album, Kiyoshi Sakamoto proposed to collaborate with Masaharu Fukuyama on a single.

However, because of Universal's refusal, the matter fell through.

After a few months, Fukuyama Masaharu has switched from Universal to Sony, and became a singer belonging to the same company as Sakamoto Kiyoshi.

In that case, the matter of cooperation can also be restarted.

Moreover, Kiyoshi Sakamoto also held the idea of ​​"You don't want us to cooperate? I just want to cooperate with you!", ready to slap Universal and Kenji Kitano in the face!

Kiyoshi Sakamoto kept in mind Universal and Kenji Kitano's long-standing attacks, as well as some small actions behind the scenes, looking for opportunities to win the round.

And this master-student cooperation is just his opportunity for revenge!
Therefore, he immediately discussed with Masaharu Fukuyama about collaborating on a single.

Masaharu Fukuyama is also very interested in the action of "slapping Kenji Kitano in the face".

Who told Kitano Kenji to dare to interfere with his photography, hum!

Therefore, the two began to discuss happily.

However, when the two had their first cooperation meeting, they were blocked.

Because, after discussion, the two decided to release this collaborative single in the form of a limited combination.

However, the name of the combination that the two racked their brains to come up with was met with complaints from the other party.

The name of the group that Kiyoshi Sakamoto came up with is "MASAKIYO"

As the name suggests, this guy didn't bother to think about it, so he just borrowed the method of forming a limited combination with Lan last time, and put himself and Masaharu Fukuyama's initials together. . .

No wonder Masaharu Fukuyama complained about it.

"No freshness, rough!" This is Masaharu Fukuyama's evaluation of the name.

However, the name Fukuyama Masaharu came up with was even more speechless.

"Nagasaki man" what the hell is this?

In the words of Kiyoshi Sakamoto, "Are you afraid that people don't know that we are from Nagasaki?"

As soon as he heard the name of the group that Fukuyama Masaharu came up with, at that moment, Kiyoshi Sakamoto made a decision in his heart, that is.

Must not use this name! !
"It's LOW burst, okay?!"

Sakamoto Kiyoshi did not dare to say this to Fukuyama Masaharu face to face. . .

After all, he didn't want to be beaten.

. . .

"Then what should we do now? This name is not good, and that name is not good. Why don't we discuss the song we prepared first?"

After discussing for nearly an hour, the two who were still stuck on the name of the group were a little impatient.

Therefore, Masaharu Fukuyama also put forward effective suggestions.

"Uh, that's fine." Kiyoshi Sakamoto felt that there was no point in continuing. It's better to finish the song of the single first, and then slowly think of the name. . .

The recording studio returned to calm again.

"Ahem, because there is no specified concept, so I wrote this song, please teach me!"

Sakamoto Kiyoshi pulled the chair, approached the table, then picked up the acoustic guitar that had been waiting for a long time, and prepared to perform his own song.

"Okay." Masaharu Fukuyama said the same

After getting permission from Masaharu Fukuyama, Kiyoshi Sakamoto took off the plectrum pinned to the neck, adjusted the pitch, lightly swept the strings, and played the guitar gracefully.

The song that Kiyoshi Sakamoto took out is called "おっぱい", which translates to the meaning of Oupai. . .

Regardless of the name, this is actually a very healing song.

This is a song from the album released in 2012 by singer-songwriter Ishizaki ひゅーい, who debuted in 2016.

It can also be said that it is such a touching song that uses metaphors to tell that troubles are nothing.

Kiyoshi Sakamoto was also healed countless times by this song in his previous life.

However, as soon as the first line of the lyrics came out, Masaharu Fukuyama's face almost turned green.

"Eat more chicken and cabbage, drink more soy milk, and your breasts will become bigger"

He almost reached out to punch Kiyoshi Sakamoto.

"This kid actually learned how to write little yellow songs?!"

However, as soon as the second line of lyrics came out, Masaharu Fukuyama's movements stopped in the air and gradually retracted.

"What you worry about is just a speck of dust in the universe"

Kiyoshi Sakamoto didn't notice Masaharu Fukuyama's movements because he closed his eyes when he played the song.

Otherwise, he would definitely be confused by Fukuyama Masaharu's inexplicable behavior.

. . .

After playing, Kiyoshi Sakamoto covered the sound hole of the guitar, and immediately looked at Masaharu Fukuyama expectantly, "Teacher, how are you?"

"Well, very good, your singing skills are getting better and better, and the chords and rhythms used in the songs are very pleasant to the ears." Fukuyama Masaharu crossed his arms and crossed his chest, commenting solemnly, "But..."

"But?" Sakamoto repeater repeated nervously.

"But, can you change your name? The name, uh..."

"A bit erotic?" Kiyoshi Sakamoto knew the meaning of Fukuyama Masaharu's words, and said it first.

"Ah."

"do not want!"

However, Kiyoshi Sakamoto felt that this name was just right, no more, no less.

Moreover, he felt that this song, in addition to being used as a comforting healing song, could also be used as a song to ridicule flat-chested girls.

Therefore, Kiyoshi Sakamoto, who found it very interesting, was determined not to change his name.

"I really can't help you..."

In the end, Fukuyama Masaharu, who was useless to persuade, also let him go. . .

After listening to Kiyoshi Sakamoto's song, it was Masaharu Fukuyama's turn.

Handing the guitar to Masaharu Fukuyama, Kiyoshi Sakamoto stretched out his palm, laid it flat, and said with a serious face, "Please start your performance!"

Obviously, Fukuyama Masaharu didn't know about this stalk, he just took the guitar with a puzzled face and started playing.

The song Fukuyama Masaharu came up with is called "蛍".

In terms of singing skills, Fukuyama Masaharu is by no means a top singer in the music world, but his gentle voice makes up for the flaws in singing skills.

As a creative singer, Fukuyama Masaharu has never slackened in his creation over the years, and the songs he creates are still steady but with different new ideas.

This song "蛍" is no exception, continuing the consistent Fukuyama style.

After savoring it carefully, the guitar chords used in the connection of the AB section of the song are quite suitable, which is enough to see his strong guitar skills.

Coupled with his blurred eyes and flirtatious movements during the performance, the charm of this song is completely exuded!
It wasn’t until Masaharu Fukuyama held down the guitar strings that Kiyoshi Sakamoto applauded very face-saving, and began to flatter him, “Perfect, he really is my creative genius teacher!” In addition to flattery, he didn’t forget to bring himself .

"It's like Chopin possessed himself, which made Beethoven cry when he heard it..."

It's just short of saying "Masaharu Fukuyama, creative unparalleled, unifying the music scene!" and other shameless flattery. . .

Snapped!
The shy Sakamoto Kiyoshi was slapped down by Masaharu Fukuyama with a slap.

"You are shameless, I want shame..."

Fukuyama Masaharu is still very confident in his own music.

However, it has not yet reached the level of Le Saint Beethoven. . .

Although Kiyoshi Sakamoto was suppressed, it could be seen that the corners of his mouth were slightly raised, as if he enjoyed the flattery from Kiyoshi Sakamoto.

"This kid, the skill of flattering has improved..."

Kiyoshi Sakamoto, who was headshot, silently touched the sore spot on his head, and suddenly thought of something, looked at Fukuyama Masaharu with inquiring eyes, and asked, "By the way, teacher, which song should we choose for the title song of our single?" a?"

Although the original intention is, on the one hand, to fulfill the wish of the two masters and apprentices to cooperate, on the other hand, it is also to embarrass Universal and Kenji Kitano, so this collaboration single is only possible.

However, Sakamoto Kiyoshi did not think too much.

It wasn't until just now that he remembered that a single usually only has one title song, so which one to use?
Judging from the quality of the songs, the two songs are on par. They are both gentle lyrical songs, very suitable for the tail of spring, bringing the last ray of spring breeze to the public with a gentle voice.

From the perspective of publicity, Fukuyama Masaharu's "蛍" may be better than Sakamoto Kiyoshi's "おっぱい".

After all, what's the name of the song. . .

Judging from the two collaborators, Sakamoto Kiyoshi is a junior and a student of Fukuyama Masaharu, so it is natural to give up the title song.

Therefore, Sakamoto Kiyoshi also asked casually.

In his opinion, even if it is a collaboration single, the collaboration between him and Masaharu Fukuyama is different from the collaboration between him and Lan. . .

However, Masaharu Fukuyama's answer stunned him.

"Do not choose any capital!"

"What do you mean?" Sakamoto Kiyoshi was a little confused.

"Why don't we make a double A?!"

"Eh?!!"

　The author is also a difficult household to name. . .

　　
　
(End of this chapter)