Reborn Japan for entertainment

Chapter 522 Start Writing the Script Today
It's not that Kiyoshi Sakamoto thinks that he is very good at writing, that he is very talented in writing, and that he can easily write a spy movie story with a smooth plot and grand scenes.

He simply thinks that this is something that can be done by himself and can only be done by himself.

In any case, he is also a person who was reborn in 2017.

I have seen more future movies than anyone else in this world.

Naturally, he has learned more about the plots of spy movies than any screenwriter in this world.

Just like the third installment of the "Mission: Impossible" series, Kiyoshi Sakamoto has already watched the sequels; for the "Bourne Shadow" series that he thought was over, Kiyoshi Sakamoto read the next two. several times. . .

Not to mention, "Kingsman", "Lonely Agent", "Secretly and Greatly" and so on that he had seen in his previous life, all over the world, word-of-mouth and box-office special agent movies.

He even has some understanding of the few spy films that are rare in Japan. . .

From a certain point of view, Kiyoshi Sakamoto can be called the person who knows the best about spy films.

Therefore, in his opinion, he is the most suitable candidate if one wants to write an agent story that is localized in Japan and makes people shine.

It's just that the bridges and plots that are suitable to be included in these future spy movies need to be localized to a certain extent through his pen and ink, and a script suitable for being made into a movie can be written!
Such a script can be written even by someone who is not specialized in screenwriting, but just learning to write.

What's more, Sakamoto Kiyoshi, a genius at learning?

Of course, a script cannot only have a big tree of the main storyline, and there are many details to deal with, which also requires him to spend a lot of time filling and polishing.

For example, what kind of tricks does the protagonist use when fighting the enemy; when chasing the enemy, whether to drive a motorcycle or a supercar; or, when the protagonist is caught, what method will the protagonist use to get out of trouble? . . .

These details are an important part of a complete agent story.

Regrettably, he is not like Ian Fleming, the author of the "007" novel, a former secret agent whose life is more exciting and awesome than James Bond's life; nor is he like one of the modern international thrillers. Like his father, Robert Ludlum, he is good at describing the turbulent international political forces, the intelligence personnel who take risks and make troubles, and the superb espionage operations.

What he can do is to read all the novels and movies about secret agents and spies on the market like he did when copying "Golden Dreamland".

Then, based on the Japanese local background, create a special agent movie suitable for Japanese audiences!
Therefore, in a short period of time, the script of this movie is unlikely to be completed.

However, Sakamoto Kiyoshi was glad that when he said that he wanted to write a movie script about agents, Yui Aragaki was excited and did not forget to remind him.

"You can ask Alex to help you!"

This made Kiyoshi Sakamoto slap his head, and suddenly realized, "That's right!"

As the captain of his security team and 24-hour personal bodyguard, Alex is an elite from the US Navy SEALs!

Whether it is fighting skills, shooting skills, or even sneaking ability, he is the world's top soldier king.

If he is going to write an agent movie script, Alex's personal experience and the various special forces skills he has mastered will help him to complete the agent script to a great extent.

And those valuable experiences will become the indispensable flesh and blood in this original script!

Since winning the positions of executive director of Sony and director of SMA, Kiyoshi Sakamoto's mentality has quietly changed.

In the past, he was more passive to wait and accept, waiting for the development of the situation; but after taking office, he felt that it was time to take the initiative.

From the two plans of the selection meeting and the script team, it can be seen that he is not just sitting in the office and handing over everything to his subordinates, but quietly waiting for the reply of the news.

Instead, take the initiative to take over some tasks that his subordinates cannot complete, and do it in person.

Inviting Fukuyama Masaharu and Kimura Takuya is like this.

And when he thought of writing a script for a secret agent movie, he didn't let the idea go on hold. . .

. . . . . .

After a long-lost date with Aragaki Yui, Kiyoshi Sakamoto revealed this idea to his security team leader and special forces elite Alex in the study of the Roppongi apartment the next day.

"Boss, what do you mean to say, you are going to write a movie script about secret agents, and for this, you need my help?"

When Alex heard Sakamoto Kiyoshi's thoughts, it could be seen from his eyes that he couldn't believe it.

In his opinion, Kiyoshi Sakamoto is a very talented person, especially at such an age, he was able to earn a huge fortune during the financial turmoil, which is not something ordinary people can do.

But even so, Alex just thought that his young Asian boss was a financial investment genius.

Uh. . .

He is also a superstar in the music world and a super-class acting school. . .

But he never thought that his boss could even write a screenwriter? ! !
The screenwriter, Kiyoshi Sakamoto, naturally doesn't understand.

However, if you don’t understand, you can learn!

With his learning ability, as long as he finds an experienced screenwriter and studies for a period of time, he can learn all the knowledge needed for screenwriting!

Including creating stories, lines, main scenes and cutscenes, highlighting the center of the story, shaping the characters and so on. . .

He has been in the entertainment industry for so long, and he has known more than six or seven screenwriters.

However, there may be only one screenwriter who is willing to pass on his housekeeping skills to him. . .

That was the screenwriter of "Dragon Cherry", and the day Qin Jian recommended Sakamoto Kiyoshi to audition for "Death Note"!

Since meeting Qin Jian in 2005, Kiyoshi Sakamoto has maintained a very good relationship with this well-known screenwriter in the circle.

Therefore, Sakamoto Kiyoshi felt that as long as he could pay enough, he would definitely be able to get the careful teaching of Qin Jian's life.

However, there is no rush to learn how to write a screenplay. First collect relevant information and data, which will be beneficial to his next script writing.

So, Kiyoshi Sakamoto captured the thoughts that almost wandered into the sky again.

"Yes!" Kiyoshi Sakamoto, who was sitting on a chair, held a pen and a small notebook, and looked at Alex with glowing eyes, "I want to invite you to be my film consultant and help me complete this script!"

Although this request was rather sudden, Alex was also a little puzzled, but since he received money from people, he naturally helped people to eliminate disasters.

Although the disaster relief package does not include writing scripts for the boss, he expressed doubts. . .

However, he still maintained a very professional professionalism, and replied in a calm tone, "Okay, BOSS!"

"So what do you need me to do now?"

"Um..."

"Then tell me first, how did you become a member of the Poster Commando!"

In the study room, a person began to tell his personal experience.

The other person, however, was lying on the table, writing furiously. . .

(End of this chapter)