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Chapter 550 The Youngest Kamen Rider

Chapter 550 The Youngest Kamen Rider

The sunlight penetrated the curtains, dispelling the darkness in the room. Kiyoshi Sakamoto opened his eyes, covered the incoming sunlight with his hands, and muttered to himself, "It's another sunny day..."

Getting up from the bed, while walking towards the bathroom, he looked at the clock hanging on the wall.

"Eight o'clock."

With a very fast speed, after taking a shower, Sakamoto Kiyoshi walked out of the bathroom with wet hair on his head, and heard the knock on the door of the room.

"coming!"

Sakamoto Kiyoshi didn't look at who the visitor was, as if he already knew who the visitor was.

After opening the door, he turned around and said to himself, "Wait for me, it'll be right away."

"Ok."

The person who came was none other than his assistant and manager, Sakura Inoue.

Since Uncle Ishida has been promoted to the deputy head of the artist department of SMA, and he is already in charge of his management affairs with THE SUN, he is a bit busy.

Therefore, Sakura Inoue, who has been with Kiyoshi Sakamoto for more than two years, has naturally become a member of his management team and also serves as his personal assistant.

Her job, apart from helping Uncle Ishida handle Kiyoshi Sakamoto's personal affairs, is basically to follow Kiyoshi Sakamoto wherever he goes.

Prior to this, Kiyoshi Sakamoto had followed the crew of "Killing City" and stayed in Kobe City for nearly a month, and also stayed in a hotel in Kobe City for nearly a month.

And today is the day the crew left Kobe City.

For one month in a row, in order to film the night battle between Xuan Ye Kei and others and Tanaka Hoshien in the first part, the crew repeated their day and night upside-down life.

Finally, yesterday, I finished filming this 10-minute fighting scene!
So, today, the crew is preparing to return to Tokyo. In the studio that has been set up by Nikkatsu, they will continue to shoot the battle scenes between Xuan Ye Kei and others and the final boss Buddha statue star in the first part.

In order to catch the nine o'clock plane, Sakamoto Kiyoshi got up early and packed his luggage.

And his assistant Inoue Sakura, who lived in the room next to him, also came to help early.

The two chatted while packing their luggage.

"What happened to what I asked you to inquire about?"

"Well, he is now following the crew, in Kawagoe City, Saitama Prefecture."

"Well, the shooting task won't be so tight in a few days. I'll find some time to visit work."

"Are you going there yourself?"

"Well, how can I say that he is also the future leading actor of SMA, of course I have to take care of him."

Hearing this, Inoue Sakura muttered in her heart.

"Is that Osaka boy who speaks a Kansai dialect really so potential?"

. . .

Kiyoshi Sakamoto, who returned to Tokyo, was like a fish returning to the water. The shooting state has greatly improved, and many difficult action shots and coercion were easily completed.

This is somewhat due to the fact that he had a month of special action training before shooting.

Although when filming "Hot Blood High School", I also trained for a period of time with the action director hired by the crew.

However, compared to "Hot-Blooded High School", where bad high school students punch to the flesh, which makes people excited and belongs to the ordinary fist fight action scene, the action scene of "Killing City" is more complicated, especially highlighting the After the protagonist puts on the reinforcement suit, the sense of speed and handsomeness of fighting.

However, with the experience of "Hot-Blooded High School" and the crazy practice of Akechi Hayashi Ichiro, Kiyoshi Sakamoto's various actions through the camera are so handsome and cool, making Sato, who is watching the monitor screen Shinsuke was also very satisfied and nodded frequently.

And on the fourth day after returning to Tokyo, Sakamoto Kiyoshi asked Sato Shinsuke for a day off.

Faced with this request, Sato Shinsuke nodded and agreed readily.

As for Sakamoto Kiyoshi, he also got his first vacation since he joined the crew in May, nearly three months ago.

During the rare vacation, Kiyoshi Sakamoto went home and changed a set of clothes, then went to Kawagoe City in Saitama Prefecture with Sakura Inoue and Alex who was protecting him 24 hours a day.

. . .

Kawagoe City is located in the southwestern part of Saitama Prefecture.

In the Edo period, Kawagoe City was very prosperous as the castle town of the Kawagoe Clan, known as "Little Edo".

Since it has not been baptized by war, Kawagoe City has left a large number of temples and historical streets.

The sightseeing spots in the city can attract about 500 million tourists every year, which can be said to be a very suitable place for tourism.

After a lapse of three months, Kiyoshi Sakamoto, who came out of the closed filming crew to let the air go, came here.

For no reason, just to visit Masaki Suda, who is filming "Kamen Rider W"!

Masaki Suda, who was personally signed by Kiyoshi Sakamoto in 2007, has started his soy sauce journey in TV dramas and movies after two years of acting training.

As the most important member of Sakamoto Kiyoshi's "Sony Department" plan, he is still very concerned about Suda Masaki.

Just during the spring break this year, under the special instructions of Kiyoshi Sakamoto, the agent took him to Toei Company.

At that time, Toei happened to be looking for a leading role for the new generation of Heisei Rider "Kamen Rider W".

The direction of the story and the previous life has not changed much.

Under the leadership of the agent, Masaki Suda met Hideaki Tsukata, the producer of "Kamen Rider W" at Toei Corporation, and was invited to participate in the selection meeting of "Kamen Rider W".

Unlike the previous firm, Masaki Suda stood out from more than 2000 people, and finally won the role. Together with Ren Kiriyama, he served as the leading knight in the 11th generation of Heisei!

When the star knight was confirmed, it not only attracted a lot of attention in the special film circle, but also in the entertainment industry.

After all, the 16-year-old Suda Masaki became the youngest Kamen Rider in the history of the series!
This news alone made him a new star in the entertainment world.

What's more, his firm is SMA, which has been making a lot of moves recently. . .

This can't help but make people in the circle start to speculate whether SMA is planning to promote this Osaka boy nicknamed "Soda". . .

Kiyoshi Sakamoto was also inexplicably relieved at the news that Suda Masaki had won one of the co-stars of "Kamen Rider W" just like in his previous life.

The Kamen Rider series, as one of Japan's three special episodes, is known as the "Sunday morning drama". Its characteristics are long-running episodes, long-lasting exposure, and stable ratings.

The starring role of Kamen Rider is also a very sought-after target when many agencies push male newcomers.

After all, it's nice to be able to brush up on existence, and practice acting skills by the way. . .

And there is a phenomenon that people talk about in later generations, that is, many actors who were born in Heisei Kamen Rider played one and became popular.

Joe Odagiri, Hiroshi Mizushima, Takeru Sato, Masaki Suda, and Sota Fukushi. . .

These are all after playing Kamen Rider, they have received widespread attention, and they have slowly become popular.

Therefore, in order for the young Masaki Suda to exercise his acting skills and show off his face by the way, Kiyoshi Sakamoto asked him to participate in the selection of "Kamen Rider W".

However, he was still somewhat worried.

After all, whether the appearance of his butterfly will cause Suda Masaki not to be selected in "Kamen Rider", no one can say for sure.

Fortunately, with his own excellent talent and better acting skills than in his previous life, Suda Masaki still won this role, which was originally his own.

Kiyoshi Sakamoto, who valued him very much, also specially asked for leave from "Killing City" and came to Kawagoe City to visit the set.

However, what Sakamoto Kiyoshi never thought of was that this visit to the class became a fuse. . .

(End of this chapter)

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