Reborn Japan for entertainment

Chapter 558 I'm not gay, OK?

After Uncle Ishida's admonition, Sakamoto Kiyoshi finally understood that his blind pampering would only harm Nengen Rena and others.

However, I just wrote a song for a few people, so I can't let them get it back now. . .

Moreover, it is now during the summer vacation, and their band practice is also carried out in their free time after vocal music and acting lessons.

Therefore, Sakamoto Kiyoshi still felt that it was okay to let them go.

After all, the days when they can play carefree like they are now are numbered.

Not to mention Rena Nonen, who has already debuted, with the resources of SMA, she slowly began to play important supporting roles in drama series. Take Nanami Hashimoto, Mai Shiraishi, and Nanase Nishino as examples. Starting next year, they will also be in Under the arrangement of the company, he began to play soy sauce in various TV dramas and movies.

That's right, from the very beginning, Sakamoto Kiyoshi had no intention of letting these three future Nogizaka TOP members only receive all-round training from the company, and then join Nogizaka two years later.

In his plan, while receiving training, he will also show his face on TV dramas and fashion magazines, and exercise his acting skills. There is no conflict between the two.

In the end, after two years of training and accumulation, the three well-known people joined the newly established Nogizaka together, thus attracting a lot of attention for the entire team!
This is Kiyoshi Sakamoto's entire plan!
Therefore, the time they can freely control is this summer vacation.

After all, when they became angry and were too busy to touch the ground, it would be very difficult to imagine getting together and sweating the sweat of youth like they are now. . .

However, Kiyoshi Sakamoto felt that Uncle Ishida was wrong about something.

Although he can't protect them for the rest of their lives, in the three-acre area of ​​the Japanese entertainment industry, as long as he continues to become strong, so strong that no one dares to do any bad things to his artists, That's enough!

. . . . . .

On the last day of the holiday, Kiyoshi Sakamoto obediently joined the crew of "Killing City" after writing a song for the girls.

Kiyoshi Sakamoto, who returned to the crew, continued to devote himself to the intensive shooting task.

Although the shooting plan of "Killing City" is not urgent, Nikkatsu and NTV, as the producers, hope that this big production can be finished shooting as soon as possible, and then it will kill the Quartet in theaters.

Therefore, as the supervisor, Sato Shinsuke is also under a lot of pressure.

However, he was gratified that the excellent performance of the actors made the filming progress of the whole movie much faster than the original filming progress.

I thought it would take half a year to finish filming the two parts of "Killing City", but now it seems that it only takes five months to finish filming. . .

This made Sato Shinsuke and the producer very happy.

After all, the shooting time is shortened, and the cost of shooting will be reduced accordingly.

This is also a good thing from the perspective of avoiding investment risks.

Of course, under the premise of ensuring the quality of the film.

. . .

9 month 10 day.

Today is Teacher's Day in China.

However, for the Japanese people, it was just another ordinary day.

Kiyoshi Sakamoto has been in "Killing City" for more than four months since he entered the crew in May, and three months have passed since the official start of filming.

As for this super production with an investment of more than 40 billion yen, the filming progress is more than halfway through.

And Kiyoshi Sakamoto, who followed the crew almost all around Tokyo, also took this opportunity to appreciate the customs and customs around Tokyo.

In Hino City, Tokyo, Kobe City, Hyogo and other places, the footprints of the crew were left behind.

However, the studio is the main shooting location of this movie.

Generally, the shooting of scenes such as chases is done on-site for location shooting.

As for dangerous scenes such as explosive scenes with huge destructive power and hanging steel wires, most of them were shot in the sets that were made on the spot.

For example, the final mission of the first part, which is about to be filmed, is the battle between the GANTZ team and the Buddha Stars.

Although the stage of the battle between the two parties is in the Tokyo National Museum.

However, in fact, only the shots of the gate were shot on-site, and the interior scenes were all shot in the built-up set.

Not only the battle between the Buddha statues and the stars in the first part, but also the most exciting, the most intense and cool climax of the fighting scenes in the second part, which is the battle between the GANTZ team and the black-clothed stars in the subway.

It was also because it was too hot to shoot on-site.

Therefore, the crew spent huge sums of money to produce two trains with a length of more than 50 meters in the largest studio in Japan, the Yokohama Super Factory, just to film this intense fighting action scene.

In order to pursue the most realistic effect, the body shell, ceiling, and doors are all exactly the same as the real thing. The car is also equipped with fluorescent lights that are realistic enough, driving route maps, and original advertising posters prepared by the art department.

This shows how serious Japanese movies are about picking out small details.

However, this is also one of the characteristics of Japanese movies.

. . .

"hateful!"

Xuan Ye Kei, leaning against the exhibition stand in the museum, groaned in pain.

Since both legs were pierced by the sword of the Buddha star, it caused great pain from the lower body, making his hands tremble violently.

At this time, Kato Katsuki stretched out his hand, held his trembling hand tightly, and said to Xuan Ye Kei in the same trembling but extremely firm tone.

"I'm going to clean it up!"

"You can't do it." Xuan Ye Kei resisted the pain and wanted to struggle to get up, while refuting Kato Katsu.

"It's even more impossible for your body to be so injured!"

"No problem!"

Seeing Genno Kei who still wanted to protect others even though his legs couldn't move, Kato Katsuki smiled reminiscently.

"You really haven't changed at all..."

"So, I've always thought you're handsome..." Kato Katsuki looked at Genno Kei in his arms, and expressed his long-hidden thoughts.

"I've always wanted to be like you, but I..."

"CUT!"

Nobusuke Sato called to stop the filming of the crew, and after carefully watching the replay on the monitor, he said loudly: "This one is over!"

Following his order, Sakamoto Kiyoshi, who was still in pain, immediately "fleeed" from Matsuyama Kenichi's embrace.

That speed is almost the same as his flexibility when shooting action scenes.

This action not only made Matsuyama Kenichi and Xia Cai who were surrounded by him look confused, but even Yoshitaka Yuriko, who was outside the camera, looked baffled.

However, Kiyoshi Sakamoto's next words made everyone laugh.

"Tsk tsk tsk, I'm not gay, okay?" When he was saying these words, he deliberately pushed his hands forward, signaling to keep a distance from Matsuyama Kenichi, and his small eyes were also in place, pretending to be disgusted Looking at Kenichi Matsuyama.

The entire lively performance directly made the crew members watching couldn't help laughing out loud.

Only Matsuyama Kenichi, who was speechless, stared at Kiyoshi Sakamoto with an expression of "you are cruel".

I have to say that with Kiyoshi Sakamoto in the crew, there will never be less joy. . .

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(End of this chapter)