Reborn Japan for entertainment

Chapter 588

"...Finally, I would like to ask for your advice. After all, this is my first time as a supervisor. If you are on the set, if there is something wrong or bad, please point it out..."

After briefly introducing the situation, Sakamoto Qing paused, waiting for the opinions of senior people.

Some of the directors of the crew department are working with Kiyoshi Sakamoto for the first time, while others are not.

However, after listening to Sakamoto Kiyoshi's remarks, his senses are still very good.

Although I don't know if this 20-year-old Sony tycoon's ability to make movies is as amazing as his creative talent.

But, at the very least, it gives people a feeling of trustworthiness in general.

Therefore, the first person to voice his opinion was still Makoto Morikawa, who was the producer of the film.

The duties of a producer are actually very similar to that of the chief executive in the palace.

It is necessary to control and ensure the normal operation of the film crew from a macro perspective, so as to ensure that the filming work can be completed with high quality and safety within the planning cycle and budget limit; it is also necessary to be in charge of all arrangements related to the filming work and the life of the film crew members, grasp and review The various expenses of the film crew are responsible for the film cost accounting and the use of funds in accordance with the financial system.

They even have to communicate with the director at any time to understand the director's creative intentions, be responsible for convening film crew meetings, and coordinate problems that occur between various departments of the film crew.

It can be said that he has to be both a father and a mother, in charge of all affairs within the crew.

This is a very important pivotal position and the one most closely related to supervision.

Therefore, as the producer who had the most dealings with Kiyoshi Sakamoto, a rookie supervisor, in the next filming, Makoto Morikawa first raised questions in order to carry out the work better.

"Then now that the script is in place and the crew is in order, the only thing left is to choose the characters before the filming starts. Who are you going to choose to play?"

"Well, it has been confirmed so far. There is only one candidate for the role, and that is the actor Kosuke Mizushima." Kiyoshi Sakamoto took out the list of characters in the script and introduced: "As my supervisory debut, I will definitely take the responsibility Take up the heavy responsibility and play the leading role."

"As for the heroine..."

Speaking of this, Kiyoshi Sakamoto suddenly remembered that LesPros, who had already rejected him, and the "Yui Aragaki" who was on the verge of his mouth, were hard to say.

"As well as several other supporting roles, they have not yet been finalized."

In fact, in the youth campus film "Those Years", more than 90.00% of the scenes are mainly concentrated on five men and two women.

In addition to the hero and heroine, four different types of young male actors are needed, as well as an actress who plays the heroine's best friend.

The background of the script has been changed, and the names of these characters will inevitably be replaced with Japanese names, so as not to appear inconsistent.

Just like the male lead "Ke Jingteng" was changed to "Mizushima Kosuke", the heroine "Shen Jiayi" was changed to "Hayase True Ai".

(For the sake of immersion, the author directly used the name of the protagonist of the Japanese version of "Those Years", forgive me...)
As for the other supporting roles, Kiyoshi Sakamoto just made do with a few names.

The reason why supporting roles are called supporting roles is to set off the existence of the protagonist.

Therefore, it is not too late to decide on the candidate for the heroine first, and then find a supporting role. . .

"By the way, Morikawa-san, you have read the script. Who do you think is better for Hayase Makoto?"

Yui Aragaki was unable to act, disrupting Kiyoshi Sakamoto's original plan.

He also couldn't think of a suitable candidate for the role of "Hayase Makoto".

Therefore, he also threw this question to his producer, Makoto Morikawa.

Morikawa Shinyuki didn't shirk, and said directly: "I've read your script, as well as character analysis, and I found that the role of the heroine is quite important..."

"I think acting skills are not the most important thing. On the contrary, the playfulness and transparency unique to high school girls are the charm of this role..."

"So, when we are selecting candidates, we can choose a newcomer to take on this role, preferably between the ages of 16 and 19."

"Playing in your true colors is the best way to express your acting skills..."

Sakamoto Kiyoshi nodded frequently while listening to the analysis of professionals.

He also agrees with Morikawa Shinyuki very much.

So, he began to search for a suitable figure in his mind.

Speaking of rookie actors who meet the requirements of being playful, transparent, and high school girls, there are really not many newcomers in the Japanese entertainment industry where the average debut age is teens.

Suddenly, a figure flashed through Kiyoshi Sakamoto's mind!

Got it!

"I have found a very suitable candidate!" Sakamoto Kiyoshi opened his eyes wide, as if thinking of something, his expression was very excited.

"Oh? Which is it?"

"Wait a minute." Kiyoshi Sakamoto asked everyone to wait for a while before turning to Uncle Ishida who was sitting aside, and asked, "Minister Ishida, is Reina in the company today?"

"Huh? Rena?" Uncle Ishida hesitated for a moment before replying uncertainly, "It should be..."

"what happened?"

"It's okay, go and bring her here!"

"...Okay." Although he didn't know what kind of medicine was sold in Kiyoshi Sakamoto's gourd, Uncle Ishida also obediently opened the door of the conference room and walked out.

Not letting the doubtful people wait for too long, Uncle Ishida walked into the meeting room with a girl with a cute face.

"This is..." Makoto Morikawa, Orie Ichihashi and the others all brightened up after seeing the girl with stars in her eyes.

I saw that the long-haired girl standing blankly next to Uncle Ishida was exactly Kiyoshi Sakamoto's most promising future SMA leader, Rena Nonen!
He has a long, black, straight black dog, but he looks at everything in front of him with a ignorant face.

She was taking an acting class, but without knowing it, she was dragged here by Uncle Ishida.

But in the room, there were many people she didn't know.

However, when she saw Sakamoto Kiyoshi who was smiling at her, the uneasiness in her heart was also reduced a lot for some reason. . .

"How is it?" Kiyoshi Sakamoto pointed at Rena Nonen, who was confused, and asked, "Do you think this girl can play the role of Makoto Hayase?"

"Well... I think the transparency of this child is very suitable for this role, and it also has a youthful atmosphere." The first to speak was the photographer, Shiqiao Zhijiang.

"I think so too." The art director also echoed.

. . .

Several people in charge of the crew expressed their approval.

Morikawa Shinyuki is no exception.

After all, Nengnian Rena's starry eyes are so attractive, it makes people feel like they want to immerse themselves in it.

"Then... it's you!"

(End of this chapter)