Reborn Japan for entertainment

Chapter 592 The Other Side of Kiyoshi Sakamoto

Inside the SMA headquarters building, in a meeting room.

On an oval conference table, there are six or seven people sitting.

At this time, Sakamoto Kiyoshi and the directors of the production department such as "Those Years" producer Makoto Morikawa and photographer Orie Ichihashi were having a heated discussion.

"In terms of the picture, I hope it can be softer..."

"In terms of props, try to find items unique to that era as much as possible, which is conducive to the construction of the sense of age..."

"The appearance of an actor doesn't need to be too strong. They are all fresh and tender newcomers. Just try to lighten the makeup..."

. . .

Judging from the words written on a whiteboard placed in the room, an important meeting is about to be held in this room.

Because, on the whiteboard, there were written in large characters, "The Crew Meeting of "Those Years"". . .

Generally speaking, before filming starts, there will be a crew meeting.

The meaning of this is to let the crew members who are about to cooperate get to know each other and check the script by the way.

After all, in the next period of time, everyone will have to work together, and it is also necessary to adjust in advance.

And this crew meeting is the first meeting Kiyoshi Sakamoto participated in as a supervisor!
In the past, I always listened to the supervisor talking in the upper class, but this time, it was my turn.

Kiyoshi Sakamoto was also somewhat nervous. . .

However, Uncle Ishida's words made him suddenly wake up.

"There's nothing to be nervous about. You are the most powerful person in the crew now. They have to listen obediently to what you say."

"It's not you who should be nervous, but them."

What Uncle Ishida said made a lot of sense, and Kiyoshi Sakamoto took it for granted.

People, sometimes the higher you stand, the more things you have, but the emotions you can feel are slowly decreasing.

These emotions are not disappearing, they are just hidden for some reason. . .

Just like Kiyoshi Sakamoto, after becoming a director of Sony, he gradually hid emotions that should not appear on his face, such as shock and bewilderment.

This is the price of growth and the inevitable evolution of being in human society.

After all, you can't ask a young man in a high position to still be laughing and joking in front of people like before, can't he?
The butt determines the brain, and also determines every move.

. . .

The clock hanging on the wall, unconsciously, came to nine o'clock in the morning.

At this time, there was still half an hour before the meeting of the crew began.

And just as Sakamoto Kiyoshi and the photographer Ichihashi Orie were discussing the shooting, the door of the conference room was pushed open.

Those who came in were Rena Nonen, Masaki Suda, and Kento Yamazaki.

The few artists who were originally artists under SMA arrived at the meeting place half an hour earlier as they usually come to the company for training.

"Sit down first." Before the three of them could speak, Kiyoshi Sakamoto greeted them first.

Hearing this, the three sat down obediently one by one.

As Sakamoto Kiyoshi's appointed heroine, Nonen Rena's position is on the left hand side of Sakamoto Kiyoshi.

Sakamoto Kiyoshi was not kept waiting too long, and the rest of the actors came to the meeting room one after another before the assembly time.

Seeing everyone who was very punctual, Kiyoshi Sakamoto nodded in satisfaction.

Being on time at least shows that these young people are very concerned about this movie.

This is a good beginning.

"Now that everyone is here, let's start the meeting!"

Under Kiyoshi Sakamoto's order, the crew meeting of "Those Years" officially started!
As for the process of the meeting, Kiyoshi Sakamoto said, is it still worth learning?

Haven't eaten pork, haven't seen a pig run yet?
First, a wave of self-introduction, then discuss the script, and finally, check the script.

The entire meeting was carried out in an orderly manner under the control of Kiyoshi Sakamoto. . .

Unknowingly, this meeting came to an end.

"Finally, I want to tell you something from my heart."

"Among you, more than half of you are artists from SMA, and there are a few of you who were recruited by me personally."

His gaze swept across Rena Nengen and Masaki Suda.

"I am very familiar with you all, and you are the same with me."

"You probably know what kind of person I am..."

Sakamoto paused, and smiled at Sawabe Yu, Matsuoka Mayu, and Yamoto Yuma.

"Of course, there are some who don't know me well, that's okay, we will be together for two months, and we will get to know each other some time..."

"However, I want to be open and honest with everyone and discuss the matter of this movie."

Sakamoto Kiyoshi picked up the "Those Years" script on the table and said in a flat tone.

"This is the first time I have worked as a film supervisor and screenwriter for a film. It contains a lot of my hard work and memories. I hope this film can be seen by more people, and I want everyone to know that I am Sakamoto. Qing, not only can you create a story, but you can also make this story into a movie.”

"Therefore, I need the help of everyone here."

"However, the ugly words are up front. During the filming, I hope that you will not let me see any slack or unprofessional behavior. In that case, I will kick you out of the crew without mercy."

"So, don't make me do that..."

At this time, Sakamoto Kiyoshi slowly got up under the eyes of everyone.

"Of course, outside of filming, I hope to mingle with you."

"but!"

The tone is gradually getting heavier.

"During the filming, I hope you all can cheer up!"

"Do you understand?!"

"Yes!"

In the room, the shocked people all replied in unison.

Seeing such a reaction, Kiyoshi Sakamoto nodded in relief, "That's good..."

"Then, let us work together to make this movie about youth!"

Seeing Kiyoshi Sakamoto scolding Fang Qiu, Rena Nengen, Masaki Suda and others who were sitting in their seats were also very complicated.

It was the first time they saw another side of Kiyoshi Sakamoto.

In their impression, Kiyoshi Sakamoto, who is a few years older than them, is like a big brother who always has a smile on his face; a senior who takes good care of them and listens to their troubles.

However, at this time, the majestic young man sitting in the upper seat and talking freely was completely different from the image in their hearts.

Self-confidence, majesty, and one-sidedness. . .

This sudden change surprised them too.

However, they were not too disgusted with the other side of Kiyoshi Sakamoto.

After all, Kiyoshi Sakamoto's kindness to them all along will not be erased just because his other side is exposed.

He is still the big brother who cares about them very much. . .

(End of this chapter)