Reborn Japan for entertainment

Chapter 603 Unfavorable Start
The official shooting of "Those Years" was the second day after the crew arrived at Yokohama High School.

ten in the morning.

The sunshine at the end of February, shining on the body, made the whole person warm. . .

However, such fine weather did not make Kiyoshi Sakamoto, the rookie supervisor who was in charge of the guide for the first time, feel in a good mood.

Because, the shooting of the movie got off to a bad start from the very beginning. . .

In the first scene of the movie, "Mizushima Kosuke" who was chatting with his friends in the school aisle was hit by "Yamamoto Hiroshi (Old Cao)" with a ball, and he also showed off that he got it "Peter Pan" Kobe Bryant's autographed poster scene.

Since the background was changed to the 21s, for convenience, Kiyoshi Sakamoto also directly set the beginning of the story at the beginning of the new century, 00.

Because a script analysis meeting had been held with the actors of this scene beforehand, Kiyoshi Sakamoto was very optimistic that this first scene should be finished soon.

who knows. . .

The "Yamamoto Fair" played by Masaki Suda, in the first scene, couldn't achieve the effect he wanted at all!
If it wasn't because the ball was inaccurate, even if it hit the ball, he also said the lines, but the expression was not in place.

After going back and forth several times, there is no complete shot that can be used. . .

So, after NGing more than a dozen times, Sakamoto Kiyoshi finally couldn't bear it anymore, paused the shooting, pulled Suda Masaki to his side, and while watching the replay on the monitor, he told the future national actor about the play Come. . .

"Fair, pay attention to your expression. It's better to raise the corners of your mouth slightly, and be more arrogant! It's better to show a very embarrassing feeling..."

"Also, the tone can be a little more arrogant. This is Kobe's signature poster. With such a treasure, you can even be said to be the idol of boys!"

Although in his previous life, Suda Masaki became a rising national actor known to everyone in the entertainment industry by virtue of his chameleon-like superb acting skills and working status like a model worker.

But, that's the future.

But now, he is just a 17-year-old boy who has participated in a special drama "Kamen Rider W", as well as many TV dramas and movies.

Acting or something, not too good.

However, the child's comprehension ability is still good.

Under Sakamoto Kiyoshi's personal explanation, and a rough demonstration to the air, Suda Masaki nodded, indicating that he understood.

"Fair, don't be nervous, smash the ball, say your lines proudly, and you're done!" Looking at Masaki Suda, who was obviously a little embarrassed because of the continuous NG, Kiyoshi Sakamoto comforted him a little, "It's as simple as that !"

"I believe you can do it."

Finally, with a pat on the boy's shoulder, Kiyoshi Sakamoto greeted the crew loudly and started filming again!
After a moment of adjustment, Suda Masaki still performed the first scene very well.

"CUT!"

Seeing the picture on the monitor, Kiyoshi Sakamoto also nodded secretly, and shouted loudly, "This one, pass!"

After shouting this sentence, Kiyoshi Sakamoto suddenly felt a little dazed.

This is the first play. . .

"It seems that we still have to take our time." Kiyoshi Sakamoto, who was thinking this way in his heart, also forced himself to speak loudly to the directing tube in his hand.

"Next play!"

. . .

The filming progress of "Those Years" was unexpectedly slow.

It took three days of shooting, and it took one day's worth of shots.

On the one hand, the youthfulness and nervousness of the actors caused a scene to be NGed many times before it could barely pass.

On the one hand, it is the relationship between Sakamoto Kiyoshi, a rookie supervisor.

Although he has starred in many films, and has also learned from several film supervisors, how to direct.

Even, his crew is a professional filming team.

Lighting, photography, sets, etc. are all top-notch in the industry. . .

However, this does not mean that as soon as he sits in the supervisor's seat, he can "swipe" to shoot a movie in its entirety.

After all, the core of the movie is the director, precisely because the director has the ability to frame the screen that the rest of the crew does not have.

Simply put, only the director can tell the story to the audience through the screen.

At this point, Kiyoshi Sakamoto, who had just transformed from an actor to a supervisor, did not do well.

Fortunately, Sakamoto Kiyoshi experienced the initial difficulties in filming and realized that he is not a movie genius.

If you want to make this movie well, you can't be impatient, you have to take your time.

Moreover, Kiyoshi Sakamoto knows that this is not only his debut work, but also an important leveling opportunity for Masaki Suda, Rena Nonen and others who will support the SMA sky in the future.

Therefore, in order for them to be fully trained, Kiyoshi Sakamoto used all the directing experience he had learned from various supervisors.

As for why Sakamoto Kiyoshi did not call him "Suda Masaki", but directly called his character in the movie "Yamamoto Fair", that is very elegant.

This is exactly one of the techniques that Kiyoshi Sakamoto learned from Takashi Miike, the "King of Cult Movies" with violent aesthetics, who supervised "High Blooded High School".

During filming, they had to call each other by their names from the movie!

This move is conducive to the familiarity between the actors, and also strengthens the cohesion of the crew. It is beneficial to the filming of the film and does not cause any harm.

Although the main supporting roles in the movie are all from SMA, only Matsuoka Mayu and Sawabe Yu are artists from other firms.

Several people from the same company still know each other somewhat.

It is not difficult for them to act out the playfulness between friends.

However, it is only limited to a few people in SMA.

Matsuoka Mayu and the oldest Sawabe Yu are a bit like outsiders who are free from the "SMA" small group and cannot integrate into it.

Therefore, Sakamoto Kiyoshi, who saw this scene, immediately thought of this move.

As the supervisor, starring role, and producer, Sakamoto Kiyoshi has the highest status in the crew.

Naturally, no one refuted his opinion.

Therefore, the crew of "Those Years" suddenly became, just like when Kiyoshi Sakamoto participated in "Hot-Blooded High School", everyone on the set called each other by their character names.

Even Kiyoshi Sakamoto is no exception!
However, Sakamoto Kiyoshi did not expect that such a move would lead to the failure of his idea of ​​establishing the majesty of supervision. . .

Seeing him every day, actors such as Rena Nonen, Masaki Suda, and others happily called him by his name in the movie, "Kosuke" on the left, and "Mizushima-kun" on the right. How could this majesty be possible? set up? !
This made a rookie supervisor feel both helpless and relieved.

"At least, the atmosphere of the crew is much closer..."

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(End of this chapter)