Reborn Japan for entertainment

Chapter 648 Movies That Resonate

On the big screen, the movie continues.

In the first half of high school life, through the lens of Orie Ichihashi, the tranquil and peaceful atmosphere was brought to the audience. The warm feeling like sunshine makes people involuntarily want to jump into the world she expresses.

It also expresses a kind of tranquility like a small bridge and flowing water from the originally dull plot.

Of course, this cannot escape Takeshi Kitano, who has been immersed in movies for many years and is very sensitive to movies. "A very good photographer, the control of the color picture in the lens fits very well with the theme of youth."

Unlike Takeshi Kitano's perspective of watching the movie, ordinary audiences were often laughed at by the funny lines in the movie.

"The fact that I'm handsome has become a legend?!"

"To be honest, although I'm handsome, smart, and good at telling jokes, don't fall in love with me easily, because I'm a lonely wolf in the wind!"

"..."

Especially when I saw Kiyoshi Sakamoto braving the torrential rain to honor his bet after losing the monthly exam, all the female audience present, whether it was female artists such as Aragaki Yui, Nagasawa Masami, or ordinary female audience , They all yelled out like a nympho.

"Ka Guoyi!"

And when Kiyoshi Sakamoto appeared on the screen with a rare cropped hair, the theater was full of laughter again.

I have to say that what Kiyoshi Sakamoto paid for this movie is definitely not only precious time and effort, but also. . .

His hair.

Soon, just when the audience thought that the stage of the story was limited to "Yokohama Municipal High School", the parting season came as scheduled.

A college entrance examination caused seven young people to part ways.

The separation of the heroine and the heroine seems to cast a thin shadow over the development of the following story.

When they were in college, Sakamoto Kiyoshi and Jiuba Dao's shooting and editing techniques were exactly the same.

They all quickly passed the days without a heroine through just a few words. . .

Soon, the conflict between the feelings of men and women, or inevitably, occurred!

"Kosuke Mizushima" naively wanted to hold a free fighting competition, but was strongly disapproved by "True Hayase".

In the end, the two people who did not have the name of boyfriend and girlfriend, but had the reality of boyfriend and girlfriend, broke up. . .

This is the first turning point in the film, and it is also the sublimation of the whole film from an ordinary campus youth film to a thought-provoking film.

Love, what kind of thing is it, will make two people who should be together, but because of a little thing, let go of each other's hand. . .

From Takeshi Kitano's point of view, the part where the hero and heroine break up is really far-fetched and naive.

Yes, the reasons for breaking up may be really naive.

However, how many boys of this age are not passionate, naive, and don't want to show their strong side in front of the person they like?
I can only say, girl, too mature.

Just like a line from "Kosuke Mizushima" played by Kiyoshi Sakamoto, it may tell the reason why this relationship ended without a disease.

"No boy can resist the maturity of a girl."

The scene of the two under the torrential rain, combined with the soundtrack of "Those Years", played up the atmosphere of the whole breakup so successfully that many female audiences in the theater were sobbing.

"Well, this girl's emotional expression is not bad. I heard that she is only 17 years old..."

The heroine played by Rena Nengnian was originally due to her age, which became one of the reasons why many film critics felt that this movie would hit the street.

However, judging from this scene, at least Kiyoshi Sakamoto's choice of heroine is pretty good.

Although he didn't show superior and superb acting skills, his natural and unaffected performance, as well as his innocent appearance, fit the character very well.

This also allowed film critics to slightly improve their evaluation of the film.

Regarding the somewhat dull plot development in the first half, it did not disappoint the film critics too much.

Japanese movies, many times, have a small problem.

That is: long, dull.

A lot of blank space and long shots without dialogue are all characteristics of Japanese movies, perhaps "disadvantages".

Therefore, film critics who are accustomed to watching art films do not think that "Those Years" directed by Kiyoshi Sakamoto is very dull.

The advantage of campus youth movies is that the youthful atmosphere of several young handsome men and beauties almost overflows the screen, which is enough to make the audience ignore the mediocrity of the plot.

Simply put, just looking at Kiyoshi Sakamoto's handsome face is enough to satisfy the female audience.

What else do you need? !

In the second half of the movie, another plot that touched the audience deeply broke out again.

earthquake.

In fact, because Japan is located at the junction of the Eurasian plate and the Pacific plate, and it is also the edge of the world's major seismic zone - the circum-Pacific seismic zone, Japan has a large number of volcanoes and hot springs, and there are countless earthquakes.

On average, there are more than 3 felt earthquakes of magnitude 1000 or above in Japan every year!

The immunity of the Japanese to small earthquakes is very tenacious.

Even if it happened in an area not far away, it wouldn't be too panicky.

Therefore, here, Kiyoshi Sakamoto changed the background of the Great Taipei Earthquake to a magnitude 2000 earthquake that occurred in 178 in the Pacific Ocean, 6.5 kilometers southwest of central Tokyo, near Kozu Island and Niijima Offshore.

Yokohama is just within the scope of the earthquake, which makes the whole story seem closer to reality.

Of course, this is all the localization of Kiyoshi Sakamoto's original novel.

After background adaptation and story addition, the Japanese version of "Those Years" can be said to be almost another novel except for some core plots!
This also shows how much effort Sakamoto has put into adapting the novel. . .

An earthquake brought two hearts that seemed to be far away, but were still connected by an invisible thread, to meet again.

The appearance of Sakamoto Kiyoshi holding the mobile phone, digging out of the school, trotting all the way, looking for the signal, let all the audience understand a fact.

He still misses her!
The dialogue between the two is both embarrassing and touching.

"You're the girl I've been chasing for N years. If you disappear, who can I ask to recall our story?"

"Being liked by you, it's hard to feel that others like me that much."

"I often hear people say that the most beautiful time in love is the time when you are ambiguous. When you are really together, many feelings will disappear."

"Hayase Makoto, do you believe in parallel time and space?" Sakamoto Kiyoshi held the phone and looked at the moon in the sky, "Maybe in that parallel time and space, we are together"

Nengnian Lingna also looked up at the bright moon, and replied in an ethereal tone.

"I really envy them..."

　I'm sorry, I have something to do today, it's a lot late, and there will be another update tonight.

　　
　
(End of this chapter)