Reborn Japan for entertainment
Chapter 652 Have a chance to cooperate 1 time
Chapter 652
It was a project he had been preparing for nearly a year.
Secret agent movie script.
The momentum of "Those Years" is very fast, and it is very likely to break the historical record of "Calling Love in the Center of the World".
In this way, Kiyoshi Sakamoto, who had a great success in his debut movie, is also time to prepare his second movie in advance.
This is also the reason why he appeared in front of Takeshi Kitano.
. . .
In the past year, Kiyoshi Sakamoto, through his pen and ink, combined the memory of the spy movie in his previous life, coupled with Alex’s actual experience, went through the first draft, the second draft, and the final draft, and finally completed that one last month. A secret agent movie script written entirely by himself.
Whenever I recall the birth of this project, Sakamoto Kiyoshi is also very grateful to Yui Aragaki.
It is because of her words that this script was born.
Therefore, Sakamoto left the role of the heroine in the script to Yui Aragaki early on.
The leading actor, of course, is played by himself.
The core team of a movie is basically composed of director, screenwriter, and starring.
In many cases, we first determine the script to be shot, then find a suitable film supervisor for this script, and then listen to the opinions of the screenwriter and supervisor to select actors.
With the script and the leading actor confirmed, the remaining task is naturally to find a film supervisor who can make this secret agent script.
Why do you say that Kiyoshi Sakamoto didn't write, direct and act like he did "Those Years"?
That's because Kiyoshi Sakamoto has no self-confidence.
Yes, he has no confidence in making this spy-themed movie well.
Even his "Those Years" was well received, set multiple box office records, and launched an impact on the highest-grossing romance film in history.
However, that does not mean that Sakamoto Kiyoshi's directing ability is very strong, strong enough to shoot any type of film with any theme.
After all, he is just a rookie supervisor who knows a thing or two about directing movies. . .
The reason why he was able to shoot "Those Years" with the theme of campus youth films was because he had seen the original film, and the difficulty of shooting "Those Years" was not very difficult, even very small.
There are no special effects of "Death Note", no cool fighting in "Killing City", and no big scenes of "Sea Ape". . .
This is why Kiyoshi Sakamoto was always confident in making "Those Years".
However, this original secret agent script is different.
First of all, this is an action spy movie.
In his conception, in this movie, there are fierce fights from fist to flesh, as well as big scenes such as gun battles, drag car chases, explosions, etc. In this way, it is difficult to grasp such big scenes with his half-baked directing ability. scene.
Therefore, in order to make this story better, he felt that it was necessary to find an experienced supervisor who has his own style of directing action movies to direct this movie.
And this person was the one who visited him personally today. . .
Takeshi Kitano!
. . . . . .
Takeshi Kitano was a little helpless.
Today, he just wanted to rest at home and conceive of his next movie, but was disturbed by an unexpected visitor. . .
When he saw Kiyoshi Sakamoto standing at the door with a smile on his face and holding a bottle of "Miaohua Lanqu" of the famous Japanese sake Daishi series, he was also taken aback.
Before he could guess the purpose of this guy's visit, Sakamoto Kiyoshi handed over the sake in his hand, and said, "Kitano-san, I'm sorry, I came to the door suddenly and disturbed you!"
For the sake of the bottle of wine, Takeshi Kitano, who was puzzled, did not let Kiyoshi Sakamoto shut the door.
After inviting this kid who was old enough to be his grandson into the house, Kitano Takeshun asked his daughter to come out to greet the guests.
who knows. . .
"Ah! Sakamoto-kun?!"
Seeing Kiyoshi Sakamoto, Kitano Inoko moved towards Kiyoshi Sakamoto excitedly like a little fan seeing an idol.
"Uh...Miss Kitano, hello..." Kiyoshi Sakamoto was also taken aback by this sister, and almost forgot to say hello.
After finally dismissing his excited daughter, Takeshi Kitano was free to sit down and have a good chat with this uninvited "guest".
"call..."
Picking up the hot tea on the table and taking a sip, Kiyoshi Sakamoto let out the tension in his heart.
Although he had been mentally prepared for a long time, Kiyoshi Sakamoto was still somewhat nervous when facing this big shot in the film industry.
"You came here today, isn't it because of the comments made a while ago?"
At this time, a slightly hoarse voice sounded in Kiyoshi Sakamoto's ear.
Kiyoshi Sakamoto quickly put down the cup in his hand, and said in a respectful tone, "Oh, about that, thank you for being here..."
"No need! I'm just saying what's on my mind," before Kiyoshi Sakamoto finished speaking, the old man sitting on the sofa opposite Kiyoshi Sakamoto interrupted his words.
It was an old man with a short stature and a cropped head. His face was expressionless, and he could only vaguely guess his emotions from the slightly twitching corners of his mouth.
It was a very vicious looking face, but it was also a face that the entire entertainment circle, and even the entire Japan, knew.
"Well, anyway, thank you very much." Sakamoto Kiyoshi stood up and bowed deeply to the old man, "Kitano-san."
Takeshi Kitano, who was sitting on the sofa, waved his big hand, and said in a slightly impatient tone, "I said, you boy, if you have anything to say, just talk about it! Don't engage in nonsense."
Facing Takeshi Kitano's mouthful of "boys", Kiyoshi Sakamoto was not surprised or humiliated at all.
Not to mention that Kiyoshi Sakamoto is now the director of SME and the director of SMA, even if he is the representative director of SME, he should be a well-behaved baby in front of Takeshi Kitano.
What's more, he is asking for something today. . .
"It's like this, didn't you come to the premiere last time?" Sakamoto Kiyoshi took out a thick file bag from the backpack beside him, and explained the reason for his visit, "You said at that time , if there is a chance, we can cooperate..."
"Well, I did say that." It was just not long ago, and Takeshi Kitano was not old enough to have amnesia, so he naturally remembered it.
"Actually, I came to visit this time because I have a movie project and I want to cooperate with you!"
"Oh?"
Gently pushing the file bag towards the opposite side, Kiyoshi Sakamoto's expression became extremely serious, and he put his hands on his thighs upright, "This is the secret agent script I wrote, please read it."
"Agent?"
"That's right, I want to invite you to be the supervisor of this movie!"
(End of this chapter)
It was a project he had been preparing for nearly a year.
Secret agent movie script.
The momentum of "Those Years" is very fast, and it is very likely to break the historical record of "Calling Love in the Center of the World".
In this way, Kiyoshi Sakamoto, who had a great success in his debut movie, is also time to prepare his second movie in advance.
This is also the reason why he appeared in front of Takeshi Kitano.
. . .
In the past year, Kiyoshi Sakamoto, through his pen and ink, combined the memory of the spy movie in his previous life, coupled with Alex’s actual experience, went through the first draft, the second draft, and the final draft, and finally completed that one last month. A secret agent movie script written entirely by himself.
Whenever I recall the birth of this project, Sakamoto Kiyoshi is also very grateful to Yui Aragaki.
It is because of her words that this script was born.
Therefore, Sakamoto left the role of the heroine in the script to Yui Aragaki early on.
The leading actor, of course, is played by himself.
The core team of a movie is basically composed of director, screenwriter, and starring.
In many cases, we first determine the script to be shot, then find a suitable film supervisor for this script, and then listen to the opinions of the screenwriter and supervisor to select actors.
With the script and the leading actor confirmed, the remaining task is naturally to find a film supervisor who can make this secret agent script.
Why do you say that Kiyoshi Sakamoto didn't write, direct and act like he did "Those Years"?
That's because Kiyoshi Sakamoto has no self-confidence.
Yes, he has no confidence in making this spy-themed movie well.
Even his "Those Years" was well received, set multiple box office records, and launched an impact on the highest-grossing romance film in history.
However, that does not mean that Sakamoto Kiyoshi's directing ability is very strong, strong enough to shoot any type of film with any theme.
After all, he is just a rookie supervisor who knows a thing or two about directing movies. . .
The reason why he was able to shoot "Those Years" with the theme of campus youth films was because he had seen the original film, and the difficulty of shooting "Those Years" was not very difficult, even very small.
There are no special effects of "Death Note", no cool fighting in "Killing City", and no big scenes of "Sea Ape". . .
This is why Kiyoshi Sakamoto was always confident in making "Those Years".
However, this original secret agent script is different.
First of all, this is an action spy movie.
In his conception, in this movie, there are fierce fights from fist to flesh, as well as big scenes such as gun battles, drag car chases, explosions, etc. In this way, it is difficult to grasp such big scenes with his half-baked directing ability. scene.
Therefore, in order to make this story better, he felt that it was necessary to find an experienced supervisor who has his own style of directing action movies to direct this movie.
And this person was the one who visited him personally today. . .
Takeshi Kitano!
. . . . . .
Takeshi Kitano was a little helpless.
Today, he just wanted to rest at home and conceive of his next movie, but was disturbed by an unexpected visitor. . .
When he saw Kiyoshi Sakamoto standing at the door with a smile on his face and holding a bottle of "Miaohua Lanqu" of the famous Japanese sake Daishi series, he was also taken aback.
Before he could guess the purpose of this guy's visit, Sakamoto Kiyoshi handed over the sake in his hand, and said, "Kitano-san, I'm sorry, I came to the door suddenly and disturbed you!"
For the sake of the bottle of wine, Takeshi Kitano, who was puzzled, did not let Kiyoshi Sakamoto shut the door.
After inviting this kid who was old enough to be his grandson into the house, Kitano Takeshun asked his daughter to come out to greet the guests.
who knows. . .
"Ah! Sakamoto-kun?!"
Seeing Kiyoshi Sakamoto, Kitano Inoko moved towards Kiyoshi Sakamoto excitedly like a little fan seeing an idol.
"Uh...Miss Kitano, hello..." Kiyoshi Sakamoto was also taken aback by this sister, and almost forgot to say hello.
After finally dismissing his excited daughter, Takeshi Kitano was free to sit down and have a good chat with this uninvited "guest".
"call..."
Picking up the hot tea on the table and taking a sip, Kiyoshi Sakamoto let out the tension in his heart.
Although he had been mentally prepared for a long time, Kiyoshi Sakamoto was still somewhat nervous when facing this big shot in the film industry.
"You came here today, isn't it because of the comments made a while ago?"
At this time, a slightly hoarse voice sounded in Kiyoshi Sakamoto's ear.
Kiyoshi Sakamoto quickly put down the cup in his hand, and said in a respectful tone, "Oh, about that, thank you for being here..."
"No need! I'm just saying what's on my mind," before Kiyoshi Sakamoto finished speaking, the old man sitting on the sofa opposite Kiyoshi Sakamoto interrupted his words.
It was an old man with a short stature and a cropped head. His face was expressionless, and he could only vaguely guess his emotions from the slightly twitching corners of his mouth.
It was a very vicious looking face, but it was also a face that the entire entertainment circle, and even the entire Japan, knew.
"Well, anyway, thank you very much." Sakamoto Kiyoshi stood up and bowed deeply to the old man, "Kitano-san."
Takeshi Kitano, who was sitting on the sofa, waved his big hand, and said in a slightly impatient tone, "I said, you boy, if you have anything to say, just talk about it! Don't engage in nonsense."
Facing Takeshi Kitano's mouthful of "boys", Kiyoshi Sakamoto was not surprised or humiliated at all.
Not to mention that Kiyoshi Sakamoto is now the director of SME and the director of SMA, even if he is the representative director of SME, he should be a well-behaved baby in front of Takeshi Kitano.
What's more, he is asking for something today. . .
"It's like this, didn't you come to the premiere last time?" Sakamoto Kiyoshi took out a thick file bag from the backpack beside him, and explained the reason for his visit, "You said at that time , if there is a chance, we can cooperate..."
"Well, I did say that." It was just not long ago, and Takeshi Kitano was not old enough to have amnesia, so he naturally remembered it.
"Actually, I came to visit this time because I have a movie project and I want to cooperate with you!"
"Oh?"
Gently pushing the file bag towards the opposite side, Kiyoshi Sakamoto's expression became extremely serious, and he put his hands on his thighs upright, "This is the secret agent script I wrote, please read it."
"Agent?"
"That's right, I want to invite you to be the supervisor of this movie!"
(End of this chapter)
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