Reborn Japan for entertainment

Chapter 67

After the advertisement, the back camera has turned to HEY3's performance stage.

At this time, in the center of the stage was Kiyoshi Sakamoto, who was carrying a guitar, standing alone in front of the rocking mic, looking at the camera with piercing eyes, and behind him was a program band.

In an instant, Kiyoshi Sakamoto held the frets of the guitar with his left hand, and began to sweep the guitar strings with his right hand.

A beautiful and crisp guitar melody flowed from the guitar in Kiyoshi Sakamoto's hand.

The amazing ballad style in the prelude made the audience who have been listening to J-POP pop music all the time, as well as the host DOWNTOWN, instantly feel refreshed.

In RB, it is not that there are no folk songs, and there is still a more characteristic RB folk style, but the instruments used are all relatively mild-style shamisen, RB biwa, and shakuhachi.

And it is relatively simple and single instrument performance, pursuing a Japanese style attitude, which is very in line with the performance attitude of "closed up and played by myself" in RB music.

It is easy to distinguish the difference between the folk songs of RB and the folk songs played by Kiyoshi Sakamoto. Some audiences who have dabbled in more music styles can clearly hear the song of Kiyoshi Sakamoto. The prelude is clearly in the style of American country music.

Then, Kiyoshi Sakamoto sang.

"Well you done done me and you bet I felt it"

"I tried to be chill but you're so hot that I melted"

“I fell right through the cracks”

"and now I'm trying to get back"

"Before the cool done run out"

“I'll be giving it my best”

"Nothing's going to stop me but divine intervention"

“I reckon it's again my turn to win some or learn some”

"But I won't hesitate no more, no more"

"It cannot wait, I'm yours"

As soon as you open your mouth, you will know if there is one.

The audience who were listening to the prelude were already looking forward to the next performance of this song. As a result, Kiyoshi Sakamoto told them with his increasingly mature and warm voice that I not only know how to sing Japanese songs, but also create Japanese songs. , I can also sing English songs and create English songs!
The beautiful guitar melody, coupled with Sakamoto Kiyoshi's varied and versatile warm voice, instantly brought the audience to the American countryside.

This is a happy song that makes people want to shake their bodies after listening to it, so Kiyoshi Sakamoto stood in front of the rocking mic, performing while swinging, and let Fukuyama who was watching Kiyoshi Sakamoto twist and twist , also complained, "It's so annoying..."

The two DOWNTOWN who were also next to each other thought that this song could arouse the emotions of the audience, and they wanted to rock together. Who knew that Fukuyama's complaints made them both cover their mouths and laughed.

Because they had to stop laughing and hinder Kiyoshi Sakamoto's performance, the two endured it very hard. . .

Why did Fukuyama complain so calmly? It was because Sakamoto had listened to him the master tape of "I'm yours" early in the morning, so this was the second time he heard this English folk song composed by Kiyoshi Sakamoto. But it was the first time I heard Kiyoshi Sakamoto's LIVE performance, but I was still swayed by Kiyoshi Sakamoto's coquettish air, and I was defeated.

"Why do I have such a student? I know he's flamboyant, but I don't know he's so flirtatious! He's obviously an idol and a capable singer, but he wants to take the path of a funny and flamboyant singer, so people will misunderstand him. It's me. Teach you to be like this! You bastard!" Fukuyama roared angrily in his heart.

However, the audience off the stage really liked that when Kiyoshi Sakamoto performed like this, he added some of his own very emotional body language.

The camera was shown to the audience at the scene, and it was discovered that most people were following the rhythm, swaying their bodies together, enjoying the happiness brought by this song.

Kiyoshi Sakamoto used his infectious performance to make such an American country-style folk song arouse the atmosphere of the entire scene, turning the entire studio into a small concert.

The performance is still going on, and it is even more enthusiastic.

The song entered the second paragraph, and the band, which had been doing dummies on the stage, joined the accompaniment of the song.

First, the drum set, the harmony guitar, and then the harmony of the accompaniment, which made the originally monotonous guitar accompaniment richer and more inclined to the style of folk rock. , even more enthusiasm!
As time goes by, no matter how good a song is, there is still an end. With Kiyoshi Sakamoto's emotional and infectious performance, the audience swayed to the music throughout the song, and the atmosphere was always high.

4 minutes of performance, 4 minutes of partying!
The audience who didn't enjoy themselves could only watch with regret that Kiyoshi Sakamoto bowed to the curtain call and walked off the stage holding a guitar.

HEY3 recording, perfect success!
After the performance, Kiyoshi Sakamoto returned to the waiting room backstage and found that Masaharu Fukuyama was already here, waiting for him.

Seeing Masaharu Fukuyama sitting on the sofa, Kiyoshi Sakamoto put his guitar aside first, sat down opposite Masaharu Fukuyama, picked up the drink on the table, and drank it.

Masaharu Fukuyama also had a calm face, crossed his legs, and looked at Kiyoshi Sakamoto with interest.

Sakamoto Kiyoshi took a few sips to relieve his dry mouth, and then said, "Teacher, I'm sorry."

"Oh? Why apologize?" Fukuyama felt a little sudden.

"Because I defeated the two seniors of DOWNTOWN by myself, so you didn't have the chance to play..." Sakamoto Kiyoshi said with a deliberate face.

. . .Fukuyama was speechless.

"Do you think that the purpose of my coming to HEY3 is to play games with DOWNTOWN? Baga!" Fukuyama was a little bit dumbfounded.

"Isn't it? Huh?" Kiyoshi Sakamoto looked at Fukuyama who was about to hit someone with a look of being cheap and obedient.

Suddenly, Fukuyama jumped up and jumped towards Kiyoshi Sakamoto, who was sitting opposite him. He wrapped his arms around Kiyoshi Sakamoto's neck with his right hand, and with his left hand, he removed the ball head tied to him, and then he rubbed his head randomly. .

"Oh, it hurts, it hurts, it hurts!" Kiyoshi Sakamoto had no power to resist in front of his teacher, so he could only yell.

"You boy, if you don't teach you a lesson, you won't know how good I am. You still dare to tease me." Fukuyama rubbed Sakamoto Kiyoshi's head in a vicious manner, and Sakamoto Kiyoshi felt that his scalp was about to fall off.

"I know I'm wrong, I know I'm wrong, forgive me, I won't dare next time! Let me go!!" Kiyoshi Sakamoto had no choice but to beg for mercy.

"No, I can't let you go so easily." In fact, in the eyes of outsiders, Masaharu Fukuyama has always been a perfect image of handsome, charming, and gentleman at the same time, but Kiyoshi Sakamoto is 20 years younger than himself. In front of the [-]-year-old student, he always becomes a "brother control" who likes physical contact very much.

It may be because Sakamoto Kiyoshi is already an adult in his heart, and in the process of interacting with Fukuyama, he always gave Fukuyama a feeling of a mature man.

So for Fukuyama Masaharu who has lived for more than [-] years, Sakamoto Kiyoshi is like his little brother, sometimes cute, sometimes very annoying little brother.

Just when Fukuyama was still thinking about how to punish Kiyoshi Sakamoto, the door of the waiting room was pushed open.

It was Uncle Ishida who entered.

Three faces are stunned.

Uncle Ishida saw the somewhat ambiguous physical contact between Fukuyama and Sakamoto, turned around silently, and slowly exited the room, not forgetting to close the door when he went out.

At this time, Fukuyama and Sakamoto also forgot about the squabble just now, and let go of the hand that was holding Sakamoto Kiyoshi's neck, Fukuyama looked at Sakamoto Kiyoshi in a daze, and asked, "Senior Ishida, did you misunderstand something??? "(Uncle Ishida and Fukuyama are the younger generation of the same school)
Kiyoshi Sakamoto was also baffled, why Uncle Ishida came in and then went out immediately. After hearing the question from Fukuyama, suddenly, a lot of words came to mind——to be gay, to be gay in GAY, to pick up soap. . . .

"No way? He wouldn't want to go there, would he?!" Kiyoshi Sakamoto also felt a little speechless.

The two looked at each other, and even jumped back at the same time, pulling away the distance from each other.

"Ahem, um, I will leave it to you and Uncle Ishida to explain the situation just now. In short, don't let him misunderstand. It's fine that I am a shotacon or gay. I still have something to do, so I will leave first." Fukuyama pretended He tidied up his sleeves calmly and said nonchalantly.

After finishing speaking, Fukuyama turned around and walked towards the door.

"Teacher!" Kiyoshi Sakamoto called out to Fukuyama's back.

"Huh?" Fukuyama didn't turn his head, but stood still, waiting for Kiyoshi Sakamoto to say the next thing.

"Arigado." Kiyoshi Sakamoto expressed his gratitude to his teacher.

"En." Fukuyama also knew the meaning contained in Sakamoto Kiyoshi's words of thanks. He raised his hand, waved it to say goodbye, and pushed open the door to go out. Sakamoto Kiyoshi was left alone, sitting thoughtfully. On the sofa.

In fact, Kiyoshi Sakamoto knew very well that Fukuyama, as a special guest, came to HEY3 for his own sake.

In order to show his support for Kiyoshi Sakamoto, he agreed to the invitation of the program group to come over to make a guest appearance, and it was also used as a foil for Kiyoshi Sakamoto to help promote Kiyoshi Sakamoto's single.

Fukuyama didn't say anything, but Sakamoto Kiyoshi was very grateful in his heart, because this proved that Fukuyama Masaharu really regarded himself as a very close person.

Therefore, Kiyoshi Sakamoto's thank you also conveyed his gratitude to Masaharu Fukuyama through the phrase "Arigado".

Sakamoto Kiyoshi was very happy.

However, when I saw Uncle Ishida who came in again, I was not happy.

In the strange eyes of Uncle Ishida, Sakamoto Kiyoshi spent an hour to let Uncle Ishida know that he had misunderstood.

"It turns out that you are not gay friends. It's okay." Hearing Uncle Ishida patting his chest while saying such words, Kiyoshi Sakamoto was speechless.

"This uncle also watched too many bad things all day long, and his thoughts have become very dirty. It can't be done. I need to find an assistant to come back and be close to me. With such a manager, I am very happy. Dangerous." Kiyoshi Sakamoto was thinking about this all the time in the nanny car going back.

(End of this chapter)